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Monday, February 2, 2026

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Warlord (2)

Warlord (2)

Warlord is an American heavy metal band that originated in 1980 and is based in Los Angeles, California. Founded by guitarist and songwriter William J. (Bill) Tsamis and drummer Mark S. Zonder, the band relocated from their hometown of San Jose to Los Angeles, where they began to develop a distinctive sound that would later be recognized as “Epic Power Metal.” Their unique style caught the attention of Brian Slagel, the founder of Metal Blade Records, who had recently released the compilation Metal Massacre, featuring emerging local metal artists like Malice, Steeler, Ratt, Slayer, and Metallica.

Slagel, a fan of the New Wave of British Heavy Metal and the Euro-metal aesthetic, was impressed by Warlord's semi-progressive style, which drew inspiration from a range of artists including Rainbow, Scorpions, and Jethro Tull. He offered the band a spot on his next compilation, leading to their vinyl debut with "Lucifer's Hammer" on 1982's Metal Massacre II. The track received positive reviews, prompting a second appearance with "Mrs. Victoria" on Metal Massacre III. Warlord subsequently signed with Metal Blade for their 1983 album Deliver Us, which garnered attention from significant publications such as Kerrang, Sounds, Burrn, and Music Connection, alongside regular FM radio play in major U.S. markets.

The band's mystique was further enhanced by their use of pseudonyms: Tsamis was known as 'Destroyer' / 'The Raven', Zonder as 'Thunderchild', vocalist Jack Rucker as 'Damien King', and keyboardist Diane Kornarens as 'Sentinel'. Warlord sought to distinguish themselves from typical LA club acts by presenting themselves on a larger scale. They rented The Raymond Theater for what became their only live performance in the U.S. until August 2013. This event was recorded and filmed for their first full-length release, "And The Cannons Of Destruction Have Begun...," which was issued in October 1984, accompanied by a VHS home video release of the same name (now available on DVD). The album included two new tracks, "Soliloquy" and "MCMLXXXIV," along with songs from the earlier "Lost And Lonely Days" / "Aliens" 12" single. Tsamis, Zonder, and Kornarens were joined by bassist Dave Watry, known as 'Archangel', and new vocalist Rick Cunningham, referred to as 'Damien King II'. A third vocalist, Rick Anderson, also known as "Damien King III," worked with the band in studio recordings but never performed live.

The rise of hair metal and rap music, combined with challenges in maintaining a consistent lineup that met Tsamis' and Zonder's standards, led to the band's disbandment in 1986. Metal Blade subsequently released "Thy Kingdom Come," a quasi Best-Of compilation, in December of that year, followed by an extended version including the entire Deliver Us album in 1989, titled "Best of Warlord." Unbeknownst to Tsamis and Zonder, Warlord began to develop a cult following in Europe, attributed to enthusiastic magazine reviews, ongoing radio play, and the circulation of demos through tape trading and word-of-mouth among metal fans. The advent of the internet further propelled Warlord's music globally, solidifying their place in heavy metal history as one of the genre's most significant bands, recognized for their artistic integrity and distinctive melodic style.

After 1986, Tsamis recorded an acoustic demo under the name “Lordian Winds,” part of a larger project inspired by John Milton's "Paradise Lost," which was released in 2012 by NoRemorse Records. He also formed a female-fronted band called Lordian Guard. Meanwhile, Zonder joined the progressive metal band Fates Warning, contributing to numerous albums and becoming a sought-after drummer due to his recognized talent.

During a Fates Warning tour, Zonder discovered that Warlord had gained substantial attention, with fans approaching him for autographs on Warlord albums and requesting new music. This led him to contact Tsamis, and as schedules aligned, Warlord resumed activity. Vocalist duties were taken on by Joacim Cans from Hammerfall, who was also a fan of the band. In 2002, they recorded and released the album "Rising Out Of The Ashes," which received positive acclaim and was followed by Warlord's first live performance at the Wacken Open Air festival.

However, a series of unfortunate events, including serious family health issues, led to another hiatus for Warlord, lasting nearly nine years. Once these issues were resolved and in response to mounting pressure from fans and promoters, Warlord officially returned to activity in March 2012 with the surprise release of "Night Of The Fury," their first new song in a decade. This track was initially shared on Warlord's fan club Facebook page, where it was announced that the band was working on a new album featuring Rick Anderson, one of the original 1980s vocalists. Philip Bynoe, currently with Steve Vai, joined the band on bass, resulting in the creation of the 55-minute album "The Holy Empire," which quickly sold out, leading to multiple re-pressings. The album was released on major digital platforms and as a limited collector's edition cassette that sold out within a day. A vinyl 2 LP version, including a live bonus track, was set for release in October 2013 by Alone Records.

As fan and promoter pressure intensified, Warlord announced their headlining performance at the April 2013 German "Keep It True XVI" Festival, followed by two sold-out shows in Thessaloniki and Athens, necessitating an additional sold-out performance in Athens. "The Holy Empire" garnered numerous positive reviews from international metal press and was featured in major publications as well as online outlets globally. In April 2013, Warlord graced the cover of the esteemed Greek Metal Hammer magazine.

Currently, Warlord is focused on their fifth, yet-to-be-titled full-length studio album and is overseeing the production of a Blu-Ray/DVD/Double CD combo recorded in HD during their Athens concerts. In September 2013, Tsamis and Zonder announced that Nicholas Leptos of Arrayan Path would take on lead vocalist duties for the band.

Current Band Lineup - Studio (2013) - Guitars/Keyboards: William J. Tsamis - Drums/Percussion: Mark Zonder - Bass: Philip Bynoe - Vocals: Nicholas Leptos

Additional Touring Musicians (2013) - Guitars: Paolo Viani - Keyboards: Angelo Vafeiadis

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The 5 Best Songs Of The Week

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Albums by Warlord (2)

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On This Day in Music History

The Beatles' Final Public Performance (1969)

On February 2, 1969, The Beatles gave their last public performance on the rooftop of the Apple Corps building in London, a defining moment not only in the band's storied career but also in the history of rock music. This impromptu concert, which served as the climax for their film "Let It Be," was a powerful showcase of the band's talent, drawing crowds and creating a jubilant atmosphere in the streets below. As the iconic notes of 'Get Back' rang out across the city, it became clear that this was a singular event, punctuated by the band's synergy and the palpable energy of the crowd.

The performance featured classic tracks such as 'Don't Let Me Down' and 'I've Got a Feeling.' Filmed for the documentary, it captured The Beatles during a tumultuous period as they were grappling with internal conflicts yet still producing some of their most enduring work. This concert marked the last time the group performed together in public before their eventual split, making it an essential piece of music history.

The live recording from that day was later immortalized in the "Let It Be" album, which reached number one on the Billboard 200 chart and featured an original vinyl release that is highly sought after by collectors today. The rooftop concert was not only a farewell to live performances but also a powerful statement on the artistic creativity that had defined the Beatles’ legacy.

The influence of this performance cannot be understated, as it continues to resonate with fans and musicians alike, often hailed as an integral moment of the 1960s music scene. Even decades later, collectors cherish original pressings of the "Let It Be" album, a testament to its lasting appeal and the band's monumental impact on the world of music.

Rock The Beatles

Album of the Week

Rock

Rumours (1977)

Fleetwood Mac
Rumours by Fleetwood Mac

Released in 1977, Fleetwood Mac's 'Rumours' emerged during a tumultuous period for the band, characterized by personal conflicts and romantic entanglements. The album was recorded in California and was produced by Ken Caillat and Richard Dashut. Its release was met with massive commercial success, quickly reaching the top of the charts and staying there for an unprecedented 31 weeks. The reception was overwhelmingly positive, with critics praising its intricate harmonies and production quality, solidifying its place as a cornerstone of classic rock. 'Rumours' is not only significant for its commercial success but also for its musical innovation. The album features a blend of rock, pop, and folk influences, marked by lush arrangements and deeply emotional lyrics that resonate with listeners. Standout tracks include "Go Your Own Way," an anthem of heartbreak featuring Lindsay Buckingham's dynamic guitar work and Christine McVie's haunting vocals, and "Dreams," which showcases Stevie Nicks' ethereal voice and has become one of the band's most enduring hits. Pressing variations for 'Rumours' are abundant, with original pressings on the green Warner Bros. label being particularly sought after. Collectors should look for matrix numbers such as 2WS 3010 A and 2WS 3010 B, which indicate the first pressing. The reissues often lack the same depth of sound found in the original vinyl pressings. Current values for 'Rumours' vinyl can range from $20 for a well-worn copy to upwards of $300 for mint condition originals. Condition is crucial for this album; look for clean, scratch-free surfaces and intact album art, as these factors greatly influence collectibility. Collectors seek this album not only for its historical significance but also for its influence on the rock genre and the emotional depth of its tracks. 'Rumours' remains a defining piece of vinyl in any serious collector's library, making it a must-have Fleetwood Mac record.

Standout Tracks:
  • Go Your Own Way
  • Dreams
  • Don't Stop
Pressing Notes: Look for original pressings on the green Warner Bros. label; matrix numbers 2WS 3010 A/B indicate first pressings.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #33

Storage

Optimal Vinyl Storage for Longevity

To ensure the longevity and sound quality of your vinyl records, proper storage is paramount. You should store your records vertically, like books on a shelf, to prevent warping and bending. Keep them in a cool, dry environment away from direct sunlight and humidity, as fluctuating temperatures can damage the vinyl and degrade sound quality. Ideally, your storage space should maintain a consistent temperature between 65°F and 70°F. Utilize high-quality inner sleeves made from anti-static materials to protect your records from dust and scratches, which can preserve their $100+ value. Additionally, invest in sturdy outer sleeves to shield your album covers from wear and tear.

It's crucial to organize your collection in a way that allows easy access. This not only makes it enjoyable to browse your collection but also minimizes the risk of mishandling records. Consider labeling your records clearly, so you can quickly locate your favorites without unnecessary friction.

Taking these steps not only protects your investment in record collecting but also enhances your listening experience by ensuring optimal sound quality. Remember, a well-preserved record is a joy to play and can be a valuable asset in your collection for years to come.

Pro Tip: Consider using a hygrometer to monitor humidity levels in your storage space.

Vinyl Market Pulse

↑ Up

British Invasion Vinyl: Market Trends for 2026

The vinyl market is currently witnessing a significant resurgence in interest surrounding British Invasion records, particularly from iconic bands like The Beatles, The Rolling Stones, and The Who. Original pressings of classic albums have seen substantial price movements this year; for instance, an original pressing of The Beatles' 'Please Please Me' now commands over $200, a sharp increase from around $50 last year. This surge is largely fueled by nostalgia as older collectors reminisce about their youth, while newer generations discover these timeless sounds. Additionally, the recent passing of influential artists has prompted fans to seek out vinyl as a lasting tribute. Reissues of classic albums have also contributed to heightened interest, making these records more accessible to new collectors. For those looking to invest, focus on rare pressings, particularly colored vinyl or limited editions, which tend to appreciate faster. Avoid common reissues unless they hold sentimental value. As we look ahead, the future outlook remains positive; with continued interest from both collectors and casual listeners, prices are likely to keep rising. The vinyl renaissance shows no signs of slowing, making now an opportune time to dive into collecting trends of British Invasion records.

Hot Artists: The Beatles, The Rolling Stones, The Who

Genre Spotlight

Funk

The Essential Guide to Funk Vinyl Collecting

Funk vinyl collecting is more than just a hobby; it’s a celebration of a revolutionary genre that transformed the music landscape. Originating in the mid-1960s, funk emerged as a distinct sound characterized by its syncopated rhythms, strong bass lines, and vibrant brass sections. The genre drew influences from soul, jazz, and R&B, but it carved its own identity, marked by artists who were not afraid to push boundaries. The golden era of funk, spanning the late 1960s to the early 1980s, saw the rise of iconic movements like P-Funk, led by George Clinton, which blended psychedelic rock with funk elements, influencing countless musicians.

When it comes to essential artists in funk vinyl collecting, several names stand out. George Clinton and his bands, Parliament and Funkadelic, are pivotal, known for their elaborate live shows and concept albums. James Brown, the 'Godfather of Soul,' was instrumental in shaping the funk sound, with tracks like "Get Up (I Feel Like Being a) Sex Machine." Sly and the Family Stone brought a unique blend of rock and funk, while Earth, Wind & Fire expanded the genre with lush arrangements and harmonies. Other key figures include Curtis Mayfield, whose socially conscious lyrics resonated with many, and The Meters, who laid the groundwork for funk instrumentation.

For any collector, must-own albums are the cornerstone of a solid funk vinyl collection. Start with "Maggot Brain" (1971) by Funkadelic, a psychedelic masterpiece featuring the iconic guitar work of Eddie Hazel. Another essential is "What’s Going On" (1971) by Marvin Gaye, which, while more soulful, incorporates funk elements and remains a timeless classic. Don’t miss "Stand!" (1969) by Sly and the Family Stone, which encapsulates the spirit of the era, and "Let’s Get It On" (1973) by Marvin Gaye, a quintessential funk/soul blend. Lastly, grab a copy of "Funkentelechy vs. the Placebo Syndrome" (1977) by Parliament for a taste of the P-Funk legacy.

When collecting funk records, attention to detail is crucial. Look for original pressings, which are often marked by their unique label designs and packaging. Labels like Casablanca, Motown, and Stax are synonymous with quality funk music. Rare variants, such as colored vinyl or limited editions, can greatly increase value and appeal. Additionally, pay attention to the condition of the vinyl and sleeve, as these factors significantly affect collectibility.

Currently, the market for funk vinyl is thriving, with prices ranging from $20 for common titles to upwards of $500 for rare albums or pristine condition originals

Featured Rarity

Why This Album Is Worth Thousands

The Freewheelin' Bob Dylan by Bob Dylan (1963)

Released in 1963, 'The Freewheelin' Bob Dylan' is a cornerstone of folk music and a definitive moment in Bob Dylan's career. The album is particularly valuable due to its groundbreaking influence and several notable pressing variants. The first pressing on Columbia Records, featuring the original track listing, including songs like 'Blowin' in the Wind', is a hot item among vinyl collectors. But what truly sets this album apart are the variants—rumor has it, some early pressings mistakenly omitted two tracks, which can fetch upwards of $20,000 at auction.

The original US pressing is distinguished by its vibrant blue label with '360 Sound' on it, while the first pressing also features specific matrix numbers such as XSM-49985-1A on Side 1 and XSM-49986-1A on Side 2, which avid collectors seek. Additionally, the cover art has a notable variant: the early editions feature a photo of Dylan with his then-girlfriend Suze Rotolo, which enthusiasts cherish for its historical significance.

Current market values for this iconic vinyl can range from $150 for worn copies to an impressive $25,000 for mint-condition first pressings with the coveted error. Collectors should closely inspect the deadwax for details and ensure that the vibrant cover art has no significant wear. With its musical legacy and the thrill of the hunt, 'The Freewheelin' Bob Dylan' is a must-have for any serious vinyl collector eager to own a piece of music history.

Current Market Value: $150-$25,000

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