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The Vidiots

The Vidiots

In early 1978, guitarist and bassist Alec Murphy teamed up with singer-songwriter Robert Windfield to establish the foundation of the band Audio Vidiot. The duo crafted the song "Man From China," which featured a melodic, whistled hook that later inspired Peter Gabriel's "Games Without Frontiers." After recording some initial demos, they expanded their lineup to include Alec’s brother, guitarist David Murphy, Chas Grey (known for his work with Skulls and Wall of Voodoo) on bass, and Marina Del Rey (from Backstage Pass) on keyboards. Throughout much of 1978, the band honed a sound characterized by prominent keyboards.

By 1979, despite not having performed live yet, Audio Vidiot began to show signs of disbanding. Robert and David departed, taking the name "Audio Vidiot" with them as they sought a more foundational style. Drummer Chris Bailey joined the group, and bassist Todd Homer also came on board. The remaining members rebranded themselves as ‘Vivabeat.’

In the summer of 1979, Audio Vidiot played their inaugural show at the Hong Kong Cafe in Los Angeles' Chinatown, sharing the stage with bands like 'Red Cross' and 'Wall of Voodoo.' They continued their experimentation with 4-track demos recorded by Alec, who also played bass. Among these recordings were “I Don’t Care,” “God It's a Pity,” and “Disco Town,” created in a basement across from Hollywood High, where Chris, David, and future ‘Mötley Crüe’ member Nikki Sixx resided. However, after a series of early performances, Todd left to rejoin the ‘Angry Samoans.’

The band found their momentum in the fall of '79 when Mark (Spider) McCoy, formerly of the NYC band 'The Stilettos,' joined as bassist. They performed with notable acts such as ‘X,’ ‘Go-Go's,’ 'Plugz,' and 'Black Flag' within the Hollywood/Chinatown punk scene and recorded two tracks that encapsulated their energetic style: “I Get Around” and “Kickboy” (with Spider notably waking from a nap at the start of “I Get Around”). When Exene from 'X' heard their new material, she recommended a name change to 'Asphalt Angels,' but the band opted to simply drop the 'Audio' from their name.

Following Spider's departure to join the 'Mau-Maus,' Todd rejoined the band temporarily. Spider would occasionally return, and Alec consistently filled any gaps. In early 1980, Robert Bryan, who had previously played drums for 'The Silencers,' joined The Vidiots on bass. After extensive rehearsals, the band recorded basic tracks for an album at Byrdcliff Studio on the old MGM lot. This marked their first experience in a professional studio, although only two songs, “Live Again” and “Naming Names,” were completed from those sessions.

That summer, after voicing dissatisfaction with the band's increasingly laid-back direction, Robert Bryan departed. The Vidiots regrouped with bassist Bob Giddons and contributed a track to the 'Urinals' Happy Squid Sampler EP, returning to Byrdcliff to record the notable “Laurie's Lament.” This one minute and forty-one second piece featured a tempo change and a Rik L Rik lizard king chant. “Laurie's Lament” would later appear on various compilations, including the first ‘Rodney on the Roq’ compilation, the Bloodstains English bootleg compilation, and the documentary film ‘Stoked, the Rise and Fall of Gator,’ as well as the ‘Keats Rides a Harley’ compilation.

Following this period, the Vidiots performed sporadically at venues such as the Zebra Club in San Diego and the 7th Veil strip club on Sunset Blvd. They recorded two additional demos in late 1980, “Eyes of Fear” and “Hard to Buy,” which demonstrated their evolving style, though the core members were already beginning to drift apart. Chris went on to play with 'Phast Phreddie and Thee Precisions' and later 'The Little Kings,' while David performed with the 'Rik L Rik Band' and an early lineup of 'Concrete Blonde.' Alec and Robert, the founding members of Audio Vidiot, collaborated one last time, resulting in the song “Fat Haus,” with David contributing a background guitar track, bringing the band's journey full circle.

“Laurie's Lament” remained the only Vidiots song to see the light of day until now.

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On This Day in Music History

The Release of 'What's Going On' by Marvin Gaye (1971)

On March 20, 1971, Marvin Gaye transformed the landscape of soul music with the release of his iconic album 'What's Going On.' This groundbreaking record not only showcased Gaye's mesmerizing voice but also his deep concern for social issues, touching on themes of love, war, and the environment. Upon its release, 'What's Going On' reached number one on the Billboard 200 chart and became a fixture in the hearts of fans, selling over two million copies in just its first year.

The album's title track was a poignant reflection of the tumultuous times America faced during the late 1960s and early 1970s. It resonated with listeners who were grappling with the Vietnam War and civil rights movements, reflecting a deeper consciousness that was emerging in popular music. This powerful single climbed to the top of the R&B charts, establishing Gaye as not only a prominent artist but also a social commentator.

'What's Going On' was revolutionary, as it broke away from the traditional pop format, offering a seamless blend of jazz, funk, and orchestral soul. The lush arrangements and introspective lyrics paved the way for future generations of artists to explore personal and political themes within their music. Fans today continue to celebrate the album’s legacy, with original pressings highly sought after by vinyl collectors for their sonic warmth and historical value. Limited vinyl releases celebrating its anniversary have further cemented its status as a timeless classic.

Ultimately, Marvin Gaye's 'What's Going On' remains a profound touchstone in music history, influencing countless artists across genres while reminding listeners of the power of music as a vehicle for change and understanding.

Soul Marvin Gaye

Album of the Week

Jazz

A Love Supreme (1965)

John Coltrane
A Love Supreme by John Coltrane

Released in 1965, 'A Love Supreme' is a landmark album in the world of jazz, showcasing the profound spiritual journey of John Coltrane. Recorded in a single session at Van Gelder Studio in Englewood Cliffs, New Jersey, the album was released on Impulse! Records and quickly became a critical and commercial success. Coltrane's exploration of spirituality through music resonated with listeners, establishing him as a pivotal figure in jazz. The album has been celebrated not only for its innovative sound but also for its deeply personal narrative and spiritual undertones, making it a touchstone for both musicians and fans alike. Musically, 'A Love Supreme' is significant for its innovative structure and improvisational style. The album is divided into four parts: 'Acknowledgement', 'Resolution', 'Pursuance', and 'Psalm', each contributing to a cohesive narrative arc. The standout track, 'Acknowledgement', opens with the famous four-note motif that serves as a spiritual mantra, setting the tone for the entire piece. 'Resolution' showcases Coltrane's intense saxophone work, while 'Pursuance' features an exhilarating interplay between Coltrane and drummer Elvin Jones. Collectors seeking the 'A Love Supreme' vinyl should be aware of several pressing variations. The original 1965 release in mono is highly sought after, with the black and orange label being particularly desirable. Look for matrix numbers such as AS-77 and the dead wax identifiers that often include 'RVG' for Rudy Van Gelder. Current values range from $20 for later reissues to upwards of $300 for pristine originals. Condition is paramount for this album; look for minimal surface noise and well-maintained jackets, as wear can significantly impact value. Collectors are drawn to 'A Love Supreme' not only for its musical brilliance but also for its cultural significance in the jazz canon. As a reflection of Coltrane's spiritual quest, this record has become an essential piece of vinyl history, making it a must-have for both seasoned collectors and newcomers alike.

Standout Tracks:
  • Acknowledgement
  • Resolution
  • Pursuance
Pressing Notes: Original 1965 mono pressing with black and orange label is highly desirable. Look for matrix AS-77 and 'RVG' in the dead wax.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #79

Cleaning

Mastering Vinyl Care for Longevity

To ensure your vinyl records maintain their sound quality and longevity, regular cleaning is essential. You should invest in a quality carbon fiber brush for dry cleaning. This tool effectively removes dust and debris without scratching the surface. For deeper cleaning, consider using a record cleaning solution specifically designed for vinyl. Applying a few drops to a microfiber cloth and gently wiping the grooves can help remove stubborn grime. This not only protects your investment—potentially preserving the value of records worth $100 or more—but also enhances playback quality, preventing skips and distortion.

It's crucial to clean your records before and after each use to prevent the buildup of dirt that can degrade the sound over time. Additionally, store your records vertically and in protective sleeves to safeguard them from dust and physical damage.

By adhering to these vinyl care practices, you can extend the lifespan of your collection and enjoy pristine sound quality for years to come. Remember, a well-maintained record can provide you with a rich listening experience and preserve its value in the ever-growing world of record collecting.

Pro Tip: Use distilled water in your cleaning solution to avoid mineral deposits.

Vinyl Market Pulse

↑ Up

Soul Vinyl: Market Trends for 2026

The vinyl market for Soul records has seen a remarkable surge in interest this year, driven by a blend of nostalgia, high-profile artist deaths, and a resurgence in reissues. Original pressings of classics like Marvin Gaye's 'What's Going On' have skyrocketed, now fetching over $200, up from just $50 last year. The allure of Soul music, characterized by its emotive sound and rich history, continues to captivate collectors, particularly with recent documentaries shedding light on iconic figures in the genre. As more people turn to vinyl as a tangible investment, Soul records have become a hot commodity. Collectors should focus on original pressings and significant reissues from labels like Motown and Stax, as these are likely to appreciate in value. Albums from artists like Aretha Franklin and Otis Redding are also safe bets. Selling lesser-known titles or standard reissues can help fund these more lucrative investments. Looking ahead, the outlook appears positive; as the nostalgia for classic Soul persists and the vinyl format remains popular, prices are expected to continue on an upward trajectory. Investing in Soul vinyl not only offers the chance for financial gain but also enriches your listening experience with timeless music.

Hot Artists: Marvin Gaye, Aretha Franklin, Otis Redding

Genre Spotlight

New Wave

The Essential Guide to New Wave Vinyl Collecting

New Wave emerged in the late 1970s as a dynamic genre that combined elements of punk rock, pop, and electronic music, giving birth to a sound that was both innovative and commercially viable. Often associated with the rise of synthesizers and the DIY ethos of the punk movement, New Wave became a defining genre of the 1980s. Its origins can be traced back to bands experimenting with avant-garde sounds, leading to the genre's golden era characterized by catchy melodies and a penchant for theatricality. Movements such as synth-pop and post-punk played pivotal roles in shaping the New Wave landscape, leading to a rich catalog of music that continues to resonate today.

When it comes to essential artists in New Wave, a few names stand out. First, we have Talking Heads, known for their eclectic sound and artistic music videos that redefined visual storytelling in music. Second, Blondie, whose fusion of punk and disco led to chart-topping hits like "Heart of Glass." The B-52's brought a quirky, fun vibe with their distinctive sound, while Depeche Mode pioneered the use of synthesizers, creating timeless tracks that still captivate listeners. Duran Duran, with their glam aesthetics and catchy hooks, defined the MTV generation, while The Cure's melancholic melodies and goth influences added depth to the genre. Lastly, Gary Numan brought sci-fi themes to the forefront with his groundbreaking album "Speak & Spell."

For collectors, several must-own albums define the New Wave genre. First on the list is "Speak & Spell" (1981) by Depeche Mode, featuring the hit “Just Can't Get Enough.” Next, Blondie's "Parallel Lines" (1978) is a quintessential album that showcases the band's unique blend of styles and produced classics like “Heart of Glass.” The B-52's self-titled debut (1979) is another essential, bursting with energy and creativity. Duran Duran's "Rio" (1982) is a staple for its infectious hooks and iconic tracks like “Hungry Like the Wolf.” Finally, "Remain in Light" (1980) by Talking Heads is a landmark album that pushed the boundaries of what New Wave could achieve.

When collecting New Wave vinyl, it's essential to pay attention to pressing info, labels, and rare variants. Look for first pressings, which are often marked with unique identifiers on the label. Labels like Sire, EMI, and Chrysalis are notable for their association with many New Wave acts. Additionally, limited edition colored vinyl or picture discs can significantly increase a record's value.

As of now, the market for New Wave vinyl records is thriving. Collectibility is high, with price ranges varying widely, from around $

Featured Rarity

Why This Album Is Worth Thousands

What's Going On by Marvin Gaye (1971)

Marvin Gaye's 'What's Going On' is not just an album; it represents a pivotal moment in music history, blending social consciousness with emotive melodies. This masterpiece has become one of the most coveted vinyl records among collectors, with original pressings fetching impressive sums. The first pressing, released in 1971 on the Tamla label, is particularly valuable, especially if it features the original green Motown label. Collectors should watch for the deadwax etching that reads 'T-314,' signifying a true first pressing, as well as the specific matrix numbers that can enhance value.

In the collectible market, an original U.S. pressing in near-mint condition can range from $150 to an astonishing $25,000 depending on its condition and rarity. Variants like the original UK pressing on Tamla Motown or the early Columbia pressing are also sought after, with prices reflecting their unique attributes.

What makes these original pressings special is the unique artwork and packaging, which often includes the iconic album cover designed by Ernie Barnes, whose artwork captures the essence of the record. Trivia enthusiasts will appreciate that the album was inspired by Marvin Gaye's experiences during the civil rights movement, adding a layer of historical significance.

For collectors, look for the first pressing with the error on the back cover that misspells 'Psychedelic' as 'Psychedellic.' This small detail can significantly increase a record's desirability. With its timeless relevance and impeccable artistry, 'What's Going On' remains a must-have for any serious vinyl collector, making it a perfect gem for your collection!

Current Market Value: $150-$25,000