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Roundabout (6)

Roundabout (6)

Rob Dady - Bass, vocals Lee Armitage - Lead vocals Matty Bane - Drums Steve Hendry - Guitar Steve Paul - Guitar Ben Watts - Guitar Andy Gibbons - Vocals Nigel Gwynepp - Guitar Dean Sweeney - Guitar Steve Rose - Drums

Quiet Melon, a band formed in 1992, drew inspiration from the hybrid names of the Small Faces and Artwoods. They became known for their raw, 60s-influenced garage and R&B sound, reminiscent of groups like the Prisoners and Creeps, albeit without the keyboards.

The original lineup included: - Rob Dady - Rhythm guitar - Lee Armitage - Vocals - Nigel Gwennap - Lead Guitar - Paul Doody - Bass - Hoppy - Drums

Quiet Melon gained traction by securing support slots with notable acts such as Glen Matlock (formerly of the Sex Pistols), The Selecter, and Doctor & the Medics, eventually headlining their own shows and building a dedicated fan base. However, internal dynamics changed when drummer Hoppy departed, replaced by Kieron Battles. They briefly adopted the name Decembers Children for a single performance, released a couple of demos, and attracted interest from major labels, including Chrysalis Records, but did not secure the hoped-for deal. Subsequently, Paul left for other projects, and Kieron joined Cinnamon Smith, while Nigel pursued his own path with Black Cat. This led to the introduction of Lee Harris (formerly of Tree House/The Cynics) on bass, Matty Bane (formerly of Hip Tracies) on drums, and Steve Paul on lead guitar.

Despite their efforts, the lineup faced challenges. Lee Harris, feeling more suited to the role of guitarist, departed to pursue his interests. Rob then switched to bass, allowing for the entry of guitarist Steve (Jock) Hendry, resulting in the new name Roundabout. This configuration achieved moderate success for about a year, but tension arose as Lee Harris sought to form a new band, Carnival, and identified Lee Armitage as a potential singer. Lee, contemplating a change, agreed to join but ended up performing in both bands for six months until Rob expressed discontent, leading to Lee's dismissal. Their falling out marked a disappointing end to their long-standing friendship.

As the situation evolved, Steve Paul left due to new work commitments, leaving Rob, Matty, and Jock to seek a new singer and guitarist. They invited Nigel back, who, in addition to playing guitar, took on keyboard duties, and soon found their new singer in Andy Gibbons (formerly of Reverberation). With Rob assuming sole songwriting responsibilities following Lee's exit, they entered the studio and produced the album "It's Nice to Be Nice," featuring a mix of old and new songs, released by Arc Records. Notably, there was no songwriting credit for Lee Armitage, as he and Rob were still not on speaking terms despite Lee's contributions. The album received positive reviews, but the demands of touring took a toll on the group, leading to their split and a return to their day jobs.

After a year apart, dissatisfaction loomed among the members. Jock, Rob, and Lee all expressed their discontent, prompting Jock to propose reuniting the band. Rob and Lee reconciled, and Steve Paul rejoined on guitar, while Matty Bane was now committed to The More Specials. Joe Tatley (formerly of Inflatable Sharks) stepped in as the new drummer.

The revised lineup became: - Rob Dady - Bass guitar - Lee Armitage - Vocals - Jock Hendry - Rhythm Guitar - Steve Paul - Lead Guitar - Joe Tatley - Drums

They quickly rehearsed and began performing again, much to the delight of both the band and their audience. However, after six months, Steve Paul expressed a preference for studio work over live performances, leading Ben (Phil O’pino) Watts to take over as his replacement. During this time, Lee welcomed a son, Oscar, and Jock's girlfriend was expecting a child. Jock ultimately chose to leave, allowing Ben to assume lead guitar duties, while Erin Bardwell (formerly of Skanksters/Unity/The More Specials) joined as a keyboardist. Eventually, Jock decided to remain with the group after all.

With their lineup now at six, they consisted of: - Rob Dady - Bass guitar - Lee Armitage - Vocals - Jock Hendry - Lead Guitar - Ben Watts - Rhythm Guitar - Erin Bardwell - Keyboards - Joe Tatley - Drums

They returned to the studio to record the EP "Maximum Power Pop," a title inspired by The Who, reflecting the intensity of their live performances. However, in October 2002, Joe and Jock departed to join a local covers band, Nova. This transition allowed original members Matty Bane and Steve Paul to rejoin, marking the first reunion of the original lineup in several years, resulting in energetic performances, including a memorable rendition of "Tin Soldier."

Following a Christmas show in 2002, Erin departed to focus on his solo work, and Matty left as well, attracted by the opportunity to record in Jamaica. This led to Steve Rose (formerly of Steerpyke) coming on board as the new drummer. The next few months were filled with recording sessions and a limited number of shows, interrupted by the birth of twins, Isaac and Esmé, to Steve Rose's wife, Charlotte. During this hiatus, Ben chose to pursue a new project with former Roundabout singer Andy Gibbons and ex-Carnival guitarist Lee Harris, who was now playing drums, resulting in the formation of the Quezon City Rocket Corps. This prompted the introduction of Sam Drew on keyboards.

The lineup was revised to: - Rob Dady - Bass guitar, backing vocals - Lee Armitage – Vocals, harmonica, guitar, tambourine, maracas - Steve Paul - Lead Guitar, backing vocals - Sam Drew - Keyboards - Steve Rose - Drums

In December 2003, Sam Drew left, and Dean Sweeney, a longtime friend of Lee and Rob, filled the position on guitar. Lee had previously been considered for a role in Dean's band, The Rhythm Method, back in 1985, but circumstances prevented it. The current lineup stands as follows: - Rob Dady - Bass guitar, backing vocals - Lee Armitage – Vocals, harmonica, guitar, tambourine, maracas - Steve Paul - Lead Guitar, backing vocals - Dean Sweeney - Guitar - Steve Rose - Drums, backing vocals

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On This Day in Music History

Prince Releases 'When Doves Cry', Defining a Generation (1984)

On April 10, 1984, the music world was forever changed when Prince dropped his groundbreaking single 'When Doves Cry'. This iconic track, which would later be featured on his critically acclaimed album 'Purple Rain', resonated deeply with fans and critics alike. The song showcased Prince’s eclectic mix of funk, rock, and pop, highlighting his mastery of genre-blending. Upon its release, 'When Doves Cry' skyrocketed to the top of the Billboard Hot 100, holding the number one spot for five consecutive weeks. Notably, it became the first single in history to reach the top of the charts without a bass line, a daring choice that exemplified Prince's innovative spirit.

The song's impact was not limited to its commercial success; it also marked a significant cultural moment. 'When Doves Cry' dealt with complex themes of love and emotional turmoil, a reflection of the shifting societal norms of the 1980s. Its haunting melodies and provocative lyrics captured the imagination of a generation, establishing Prince as a formidable force in the music industry. The single's original pressing on vinyl quickly became a coveted item among collectors, leading to numerous re-releases in various formats, including a special limited vinyl release in 2018.

Adding further to its allure, 'When Doves Cry' was inseparably linked to the film 'Purple Rain', which debuted later that year and would go on to become a cult classic. The film and its soundtrack catapulted Prince to international stardom, solidifying his status as a cultural icon. Today, 'When Doves Cry' remains one of Prince's most celebrated works and a timeless classic of the 1980s, influencing countless artists across generations. Its legacy endures in the hearts of vinyl enthusiasts and music lovers around the world, serving as a testament to Prince's profound impact on the music landscape.

Pop/funk Prince

Album of the Week

Rock

Blonde on Blonde (1966)

Bob Dylan
Blonde on Blonde by Bob Dylan

Released in May 1966, Bob Dylan's 'Blonde on Blonde' emerged as a groundbreaking double album that melded rock, folk, and blues into a cohesive masterpiece. Recorded in Nashville, it was one of the earliest double albums in rock music history, showcasing its ambition and influence. The album was met with critical acclaim upon release, with many hailing it as one of the greatest albums of all time. Its innovative use of studio techniques and lyrical depth marked a significant evolution in Dylan's artistry. Musically, 'Blonde on Blonde' is notable for its fusion of genres, featuring electric guitars, organ, and a full band, which was a departure from Dylan's earlier folk-centric sound. Standout tracks such as 'Rainy Day Women #12 & 35,' with its catchy refrain and brass instrumentation, and the haunting 'Just Like a Woman,' exemplify Dylan's lyrical prowess and musical experimentation. Additionally, 'Visions of Johanna,' often regarded as a pinnacle of songwriting, showcases surreal imagery and complex emotions. When collecting 'Blonde on Blonde' vinyl, enthusiasts should pay attention to pressing variations, particularly the original Columbia Records mono pressing (CL 36067) and the later stereo versions (CS 9601). The original mono pressing is highly sought after, with matrix numbers such as XSM 1001-1A and XSM 1002-1A indicating early pressings. Collectors also appreciate the appeal of label variations, including the 1970s reissues on the orange label. Current market value ranges from $20 for less-than-ideal condition copies to upwards of $300 for pristine originals in mono. Condition is crucial, as many pressings suffer from surface noise or wear, making well-maintained copies particularly desirable. Collectors seek 'Blonde on Blonde' not only for its musical significance but also for its cultural impact and the evolution of Bob Dylan as an artist. This album remains a definitive statement in rock history, making it a must-have for any serious vinyl collector.

Standout Tracks:
  • Rainy Day Women #12 & 35
  • Just Like a Woman
  • Visions of Johanna
Pressing Notes: Look for original mono pressings (CL 36067) and stereo versions (CS 9601) with early matrix numbers like XSM 1001-1A.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #100

Cleaning

Mastering Vinyl Care for Longevity

To ensure your vinyl records maintain their sound quality and longevity, regular cleaning is essential. Dust, fingerprints, and dirt can accumulate on your records, leading to surface noise and potential damage. You should invest in a quality record cleaning kit, which typically includes a carbon fiber brush for dry cleaning and a gentle cleaning solution for deeper cleans. A well-maintained record can preserve its value, often exceeding $100 or more, making this an investment worth protecting.

Start by lightly brushing the surface of the vinyl in a circular motion to remove loose debris. When using a cleaning solution, apply it sparingly with a microfiber cloth, ensuring you follow the grooves of the record to avoid scratches. Always allow the record to air dry completely before returning it to its sleeve.

For those who collect rare or vintage records, consider a vacuum record cleaner for professional-grade results, as this method effectively removes dirt without damaging the vinyl. Proper vinyl care not only enhances your listening experience but also ensures your collection remains in top condition for years to come.

Investing time in cleaning can significantly improve sound quality and protect your investment for future resale, keeping your records in pristine condition for generations to enjoy.

Pro Tip: Use distilled water in your cleaning solution to avoid mineral deposits.

Vinyl Market Pulse

↑ Up

Blues Vinyl: Market Trends for 2026

The vinyl market for Blues records is experiencing a notable resurgence in 2026, with collectors eager to snap up both classic and contemporary titles. Original pressings of legendary artists like B.B. King and Muddy Waters are now commanding prices upwards of $200, a significant increase from approximately $50 last year. This surge can be attributed to a combination of nostalgia, the recent passing of influential Blues artists, and a slew of documentaries that highlight the genre's rich history. As younger generations discover the deep roots of Blues through streaming and film, the demand for vinyl has intensified.

Collectors are advised to focus on rare pressings, particularly those with unique album art or limited releases. Look out for reissues from respected labels, as they often appreciate in value over time. Selling duplicates or lower-demand titles can free up funds for more sought-after records.

Looking ahead, the outlook for Blues vinyl remains optimistic. As appreciation for the genre grows, we anticipate prices will continue to rise, making it a solid investment for collectors. The ongoing interest in vinyl records as a physical format also supports this trend, ensuring that Blues remains a vibrant part of the collecting landscape.

Hot Artists: B.B. King, Muddy Waters, Etta James

Genre Spotlight

Reggae

The Essential Guide to Reggae Vinyl Collecting

Reggae vinyl collecting is a vibrant and rewarding pursuit that taps into the rich history of Jamaican music, offering collectors a chance to own a piece of cultural history. Originating in the late 1960s, reggae emerged from ska and rocksteady, with roots deeply embedded in Rastafarian culture and social commentary. The golden era of reggae, spanning the 1970s to early 1980s, saw the genre blossom, thanks to influential movements like roots reggae, which emphasized spiritual and social themes, and dancehall, which brought a more upbeat and accessible sound.

Essential to any reggae vinyl collection are the artists who shaped the genre. Bob Marley is arguably the most famous reggae musician, known for albums like "Catch a Fire" (1973), which introduced reggae to a global audience. Peter Tosh, a founding member of The Wailers, infused reggae with political activism, notably in his album "Legalize It" (1976). Burning Spear, with his deep roots reggae sound, crafted timeless classics like "Marcus Garvey" (1975), while Toots and the Maytals brought ska to mainstream consciousness with their energetic performances and songs like "Pressure Drop" (1970). Other key figures include Jimmy Cliff, known for his iconic film and soundtrack "The Harder They Come" (1972), and Lee Scratch Perry, revered as a pioneer of dub music, whose innovative production techniques are celebrated on albums like "Super Ape" (1976).

For collectors, certain albums stand out as must-haves. Bob Marley's "Exodus" (1977) is often cited as one of the greatest albums of all time, blending reggae with rock elements. Peter Tosh's "Equal Rights" (1977) is a powerful statement on human rights and justice, while Burning Spear's "Columbus" (1987) showcases his deep spiritual and historical themes. Toots and the Maytals' "Funky Kingston" (1973) is an essential crossover album that captures the genre's upbeat spirit. Lastly, consider adding Lee Scratch Perry's "The Upsetter" (1970) to grasp the essence of reggae's experimental side.

When diving into reggae vinyl collecting, it's crucial to know what to look for. Pay attention to pressing information, as first presses often hold more value. Labels like Studio One, Trojan, and Island Records are significant, with rare variants such as colored vinyl or limited editions being highly sought after.

The current market for reggae records is flourishing, with collectibility at a high level. Prices can range from $20 for more common titles to $500 or more for rare albums, especially those in mint condition or with unique variants. Collectors often seek out original

Featured Rarity

Why This Album Is Worth Thousands

Blonde on Blonde by Bob Dylan (1966)

Bob Dylan's "Blonde on Blonde" is not just an iconic album; it's a cornerstone of vinyl collecting. Released in 1966, this double LP was groundbreaking in its fusion of rock and folk, and it marked Dylan's artistic evolution. Collectors are drawn to its value for several reasons, including its unique sound, lyrical depth, and historical significance. The first pressing of this masterpiece, particularly the original US Columbia Records version with the matrix number "AL 2400" and the iconic '360 Sound' label, can fetch high prices, often ranging from $1,500 to $25,000, depending on condition and rarity.

Among the pressing variants, the original UK pressing on CBS is also sought after, sometimes valued at $500 to $2,000. Some collectors hunt for the rare first pressing with the error track listing on the back cover—something that adds intrigue and desirability.

What's fascinating is that "Blonde on Blonde" was one of the first double albums in rock history, which adds to its collectibility. True fans and collectors will also look for specific features: the label details, matrix numbers, and even the deadwax inscriptions. A variant with clean artwork, no ring wear, and intact spine can significantly increase value. In the thriving world of vinyl collecting, this album stands out as a must-have for serious collectors. Its rich history and musical genius ensure that every spin on the turntable is a journey back in time, making it an investment that you can actually enjoy. Don't miss your chance to own a piece of musical history!

Current Market Value: $1,500-$25,000

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