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Dementia Precox

Dementia Precox

Dementia Precox is an experimental industrial noise band originating from Dayton, Ohio. The group was established on January 12, 1980, by friends from Beavercreek High School, Gyn Cameron, also known as Gregory Stover, and Rodger Revlon, known as David Mench. At that time, Rodger Revlon had recently completed a brief period with "The Occupants" and was a member of Dayton's first punk band, "The Rulers," which had performed publicly only two or three times. Previously using the name Waggie, he had also released a couple of rudimentary cassette tapes of industrial noise under the alias "Lead Pencil" alongside his friend Kevin Lea from Cambridge, Ohio.

In September of 1980, Gyn Cameron and Rodger Revlon released their debut industrial music cassette, titled "Dementia Precox: The Not So Hidden Persuaders," packaged in a ziplock bag with a xeroxed insert, in a very limited edition. Shortly thereafter, they expanded the band by bringing in two additional members: Max Noise (Timothy Nye) and Troy Boyahue (Chris Green), both from the local band, The Occupants. With the addition of a fifth member, Syd (a wax dummy head), the new lineup entered the studio and recorded four tracks: "Mines," "Dead On 2 Legs Luncheonette," "Hours," and "Car Pools Save Gas." The first two tracks were subsequently released as a single in March 1981.

In the ensuing months, co-founder Rodger Revlon was asked to leave the band, leading to his replacement by David Paul. Following his departure, Rodger relocated to New Orleans and later to San Francisco, where he performed industrial performance art at Club Foot under the name Sublimation, alongside Eric Nunn. He also collaborated with the band Toxic Reasons, providing saxophone for two songs, "Ghost Town" and "White Noise." Eventually, he moved to Valdese, North Carolina, where he opened Play It Again Records, an art gallery named "New Window Gallery," and founded Waggletone Records, producing a 7" record under the name "Flip'N'Boogers" with Dennis Schlichter. To date, Waggletone Records has released 21 projects featuring various bands.

By September 1982, Dementia Precox completed a mini LP titled "SCHP," which garnered international attention. Contributions from Rodger Revlon were either diminished or removed. In 1983, the band relocated to San Francisco but disbanded by the year's end. Later, they reformed and returned to Dayton, Ohio, with three original members: Gyn Cameron, Max Noise, and Troy Green. They added Greg Stout on percussion and Ed Lacy on synthesizers and percussion, although Stout, Lacy, and Green eventually departed. Green was succeeded by Dennis Schlichter, and Pam Adams joined the band on synthesizers and percussion later that September. Following a brief tenure, Schlichter formed other projects, including Lead Pencil, Flaming Negroes, and MOM.

In 1986, Gyn Cameron revitalized the band by integrating computer-based sequencing technology and a new analog synthesizer, the Oberheim Matrix 12, into the Dementia sound. This restructuring led to a sound that blended industrial dance influences akin to WaxTrax! Records with New Wave Gothic Pop, while also echoing the style of vintage SPK. Dementia Precox officially disbanded in January 1990, nearly a decade after its inception.

Despite the band's dissolution, Gyn Cameron continued to work on Dementia Precox material, creating soundtracks for theater, a ballet for Ballet de Jeunesse, and collaborating on a performance art piece titled "The Construction Zone" with Dr. Kent Seidel. He also contributed to a film by Julia Reichert, "Emma And Elvis." In 1993, Cameron released a 12" single titled "Dirty Naked & Wet" through New Worlds Records. In the spring of 1995, Dementia Precox reunited for a concert in Dayton with the original lineup from 1986, featuring Gyn Cameron, Eric Purtle, and Royse Robbins. They performed together for about a year before disbanding again.

On October 26, 2007, Dementia Precox made a notable return with the anticipated lineup from 1981, including Gyn Cameron, Rodger Revlon, Max Noise, and Troy Boyahue, alongside guitarist Eric Purtle and drummer Jason Himes. This reformed group performed live in Cincinnati, Ohio, and concluded with a final concert in Dayton on October 31, 2007. Shortly after, the band announced they would not reunite again. Gyn Cameron passed away on September 24, 2011, taking with him the vision of Dementia Precox, while Chris Green (Troy Boyahue) died on August 15, 2014, and Max Noise (Timothy Nye) passed away on March 30, 2017. Rodger Revlon later returned to his given name for a six-song CD EP, recorded in Negril, Jamaica at Chop Chop Productions and released in 2020 on Waggletone Records, titled "Juice Juice."

Line-up: - Gyn Cameron: voice, synthesizers, micromoog, sequencers, guitar, metal percussion, trumpet, tapes, rhythm machines, prepared piano (1980-2007) - Rodger Revlon (David Mench): metal percussion, saxophone, voice, tapes, guitar, synthesizer (1980-1982, 2007) - Max "Noise" Nye: guitar, bass, metal percussion (1980-1986, 2007) - Troy "Boyahue" Green: bass, guitar, metal percussion (1980-1984, 2007) - Syd (1980-1982) - David Paul: synthesizers, sequencers, synth/metal percussion, vocoder (1982-1983) - Greg Stout: drums (1984) - Ed Lacy: synthesizer, metal percussion (1984) - Dennis Schlichter: bass (1985-1986) - Pam Adams: synthesizer, metal percussion (1984-1986) - Eric Purtle: guitar, saxophone, voice (1986-1989, 1995, 2007) - Royse Robbins: synthesizer, synth/metal percussion, voice (1986-1988, 1989-1990, 1995-1996) - Kim Williams: metal percussion (1986-1988) - Luther Lindenschmidt: metal percussion, drums, dumbek (1985, 1988-1989) - Nick Kizirnis: guitar, steel guitar (1989-1990, 1995-1996) - Jason Himes: drums (2007)

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On This Day in Music History

Fleetwood Mac's Iconic Album 'Fleetwood Mac' Hits the Charts (1975)

On April 14, 1975, Fleetwood Mac reached a pivotal moment in their illustrious career as their self-titled album 'Fleetwood Mac' ascended to No. 1 on the Billboard 200 chart in the United States. This album marked a significant transformation for the band, showcasing their shift from blues-rock to a more polished pop sound. The original pressing of the album, featuring the unforgettable harmonies of Stevie Nicks and Lindsey Buckingham, captivated listeners and set a new standard for the rock genre.

With hits like 'Rhiannon' and 'Say You Love Me,' the album sold over 8 million copies in the U.S. alone and would go on to be certified multi-platinum, solidifying Fleetwood Mac's place in music history. The synergy between Nicks and Buckingham brought a fresh energy that attracted a wider audience, while the band's previous members, including Mick Fleetwood and Christine McVie, contributed to the rich tapestry of sound.

What made this release particularly noteworthy in vinyl history was its lush production, which became a defining characteristic of rock music in the mid-1970s. The album’s success paved the way for its follow-up, the even more acclaimed 'Rumours,' which would release just two years later. Fleetwood Mac's impact on the music industry during this period cannot be overstated; they not only influenced countless artists across various genres but also helped to popularize the LP format, which remains a favorite among collectors today.

Fleetwood Mac’s 'Fleetwood Mac' remains a beloved record in the vinyl community, with limited vinyl reissues and original pressings still highly sought after by collectors. Its blend of rock, pop, and emotional storytelling continues to resonate, ensuring the album's legacy endures through generations. This moment in 1975 exemplified the power of music to transcend time and trends, reinforcing Fleetwood Mac's status as rock legends.

Rock Fleetwood Mac

Album of the Week

Rock

Sticky Fingers (1971)

The Rolling Stones
Sticky Fingers by The Rolling Stones

Released in April 1971, 'Sticky Fingers' marks a pivotal moment in The Rolling Stones' illustrious career, being their first album under their own label, Rolling Stones Records. The album was recorded largely at Muscle Shoals Sound Studio in Alabama and features a raw, gritty sound that perfectly encapsulates the band's essence during this era. Upon release, 'Sticky Fingers' received critical acclaim for its innovative blend of rock, blues, and country influences, solidifying its status as a classic. The album cover, famously designed by Andy Warhol, features a working zipper, which was a bold statement of the band's rebellious spirit and artistic vision. 'Sticky Fingers' not only topped charts worldwide but also reshaped the landscape of rock music. Musically, 'Sticky Fingers' is significant for its exploration of diverse genres, marked by standout tracks such as the iconic 'Brown Sugar,' which blends rock with a hint of funk, and 'Wild Horses,' a poignant ballad showcasing the band's softer side. Another highlight is 'Can't You Hear Me Knocking,' which features an unforgettable guitar riff and an extended jam that showcases the band's improvisational skills. For collectors, the original pressing of 'Sticky Fingers' is highly sought after, particularly the first editions with the zipper cover. Look for variations in the labels—originals will have the text 'Rolling Stones Records' prominently displayed and may feature the label's early designs. Matrix numbers to note include 'ST-RS-712004' for the original US pressing. Current value ranges for an original pressing can vary significantly, often fetching between $20 and $300 depending on condition. Condition is crucial, especially for the zipper cover, which is prone to wear and damage. Collectors are drawn to 'Sticky Fingers' not only for its musical brilliance but also for its cultural significance and the nostalgia surrounding The Rolling Stones' rebellious image. This album continues to be a cornerstone of any serious rock vinyl collection, and its pressing variations add layers of intrigue for avid collectors.

Standout Tracks:
  • Brown Sugar
  • Wild Horses
  • Can't You Hear Me Knocking
Pressing Notes: Original pressings feature a working zipper cover and can have varying label designs; look for the early Rolling Stones Records label.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #104

Cleaning

Mastering Vinyl Care: Essential Cleaning Techniques

Cleaning your vinyl records is crucial for preserving their sound quality and longevity, ultimately protecting your investment. Dust, fingerprints, and grime can accumulate on the surface of your records, leading to skips and pops during playback. You should invest in a quality record cleaning solution and a microfiber cloth or a dedicated record brush. For best results, apply the cleaning solution in a circular motion, moving from the outer edge toward the center. This method ensures that you do not push dirt deeper into the grooves. For records valued at $100 or more, you’ll want to handle them with extra care to maintain their condition and resale value.

Additionally, consider using a vacuum record cleaner for deep cleaning. This method can remove dust and debris that traditional cleaning might miss, ensuring that your records play smoothly and sound their best. Regular cleaning can significantly enhance your listening experience and extend the life of your records, making it a vital practice in record collecting.

Remember, a well-maintained record can easily preserve its value, making cleaning an essential part of your vinyl care routine.

Pro Tip: Use distilled water in your cleaning solution to avoid mineral deposits that can damage your records over time.

Vinyl Market Pulse

↑ Up

Reggae Vinyl: Market Trends for 2026

The vinyl market for Reggae records is experiencing a notable surge in interest as we move through 2026. Original pressings of iconic albums, such as Bob Marley’s 'Catch a Fire' and Peter Tosh’s 'Legalize It,' have skyrocketed, with prices now reaching over $200, up from just $50 last year. The surge is driven by a combination of nostalgia, recent artist deaths, and the release of documentaries that highlight the genre's cultural impact. Collectors are particularly keen on reissues from revered labels like Trojan Records, which have revitalized interest in classic sounds. For those looking to invest, focus on limited edition pressings and colored vinyl, which tend to garner higher prices. Selling well are first-press records from the 1970s and 1980s, especially those in mint condition. Moving forward, the outlook for Reggae vinyl remains strong. As more fans embrace the format, fueled by a growing appreciation for the genre's history, prices are expected to continue rising. Keep an eye on emerging artists in the genre as well, as their vinyl releases may become future collectibles. The Reggae vinyl market is not just about nostalgia; it’s a sound investment for collectors and enthusiasts alike.

Hot Artists: Bob Marley, Peter Tosh, Burning Spear

Genre Spotlight

Heavy Metal

The Essential Guide to Heavy Metal Vinyl Collecting

Heavy metal music has a rich history that dates back to the late 1960s, with roots in blues rock and psychedelic rock. Originally defined by its aggressive sound, heavy guitar riffs, and powerful vocals, heavy metal began to take shape with bands like Black Sabbath and Led Zeppelin, who pioneered the genre's signature sound. The golden era of heavy metal emerged in the late 1970s and early 1980s, marked by the rise of iconic subgenres such as NWOBHM (New Wave of British Heavy Metal) and thrash metal, both of which pushed the boundaries of speed and aggression.

Essential artists in heavy metal vinyl collecting include:
1. **Black Sabbath** - Often credited with creating heavy metal, their self-titled debut album (1970) is a must-have for any collector.
2. **Metallica** - With their 1986 release, *Master of Puppets*, Metallica defined thrash metal and remains one of the most collectible bands in the genre.
3. **Iron Maiden** - Their 1982 album *The Number of the Beast* is a cornerstone of heavy metal and a favorite among collectors.
4. **Judas Priest** - Known for their twin guitar attack, their 1976 album *Sad Wings of Destiny* is a classic that shaped the genre.
5. **Megadeth** - With *Rust in Peace* (1990), Megadeth solidified their status in the thrash metal scene, making it a valuable addition to any vinyl collection.
6. **Slayer** - Their 1986 release *Reign in Blood* is often regarded as one of the greatest heavy metal albums, appealing to collectors for its raw intensity.
7. **Motörhead** - With *Overkill* (1979), Motörhead blended punk rock energy with heavy metal, creating a unique sound that has become highly collectible.

When delving into heavy metal vinyl collecting, there are several must-own albums:
- **Black Sabbath - *Black Sabbath* (1970)**, Vertigo Records: The debut that started it all, featuring the iconic title track.
- **Iron Maiden - *The Number of the Beast* (1982)**, Harvest Records: A quintessential album with timeless tracks like "Hallowed Be Thy Name."
- **Metallica - *Master of Puppets* (1986)**, Elektra Records: A defining album in thrash metal, essential for any serious collector.
- **Judas Priest - *British Steel* (1980)**, Columbia Records: Known for its anthemic sound and classic tracks like "Living After Midnight."
- **Slayer - *Reign in Blood

Featured Rarity

Why This Album Is Worth Thousands

Kind of Blue by Miles Davis (1959)

Miles Davis's "Kind of Blue" is not just an album; it's a cornerstone of jazz history and a coveted gem for vinyl collectors. Released in 1959, this masterpiece redefined the genre and introduced modal jazz to the world. Its collectibility stems from its profound influence, coupled with a limited number of original pressings. The first pressing on Columbia Records, distinguished by the deep groove and the label featuring '6 Eye' design, can fetch anywhere from $1,500 to an astonishing $25,000 depending on its condition.

Collectors often seek variants like the original UK pressing on CBS, which can command prices between $750 and $3,000. Rare pressings also include the 1962 mono version, which is particularly sought after due to its unique sound dynamics. The album’s iconic cover art, featuring a blue hue, only adds to its allure, making the original gatefold sleeve a treasure in itself.

Trivia that delights collectors includes the fact that the album was recorded in just two sessions, with legendary musicians like John Coltrane and Bill Evans contributing to its magic. When hunting for this classic, look for matrix numbers that start with 'P' for original pressings and check the deadwax for inscriptions that may hint at an early pressing.

In the realms of vinyl collecting, few albums carry the weight and history of "Kind of Blue." Its rarity and the story it tells make it a must-have for any serious collector. Add this masterpiece to your collection, and you won’t just own a record; you’ll own a piece of music history.

Current Market Value: $1,500-$25,000

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