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Wednesday, April 15, 2026

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Pastures

Pastures

Scott and Dan began their exploration of noise and sound, heavily influenced by early industrial music, in the early 2000s, having first met around 2000 or 2001. At the time, Dan was a member of a noise rock band called The New Flesh, which he left in 2004 or 2005. Scott, on the other hand, was involved in a metal band named Vog from 2004 to 2006. Given that Scott resided in Northern Virginia and Dan lived in the Baltimore area, their collaborations were infrequent but aimed to occur at least monthly.

Scott was one of the founding members of Piasa, a harsh noise collective and performance art group based in DC/Northern Virginia that operated from 2004 to 2007, while Dan focused on his project Legless. In 2006, Scott launched his solo project, and as Pastures developed a sound they were pleased with, they teamed up with their longtime friend, Dave Litz, to record and release their debut cassette in 2007. This cassette was a split release with Children Egoism and was followed by the CDr 'Endtimes Feast' in 2008. After releasing the 'Blue Light District' CDr, the duo undertook a brief Southeastern US tour in the winter of 2007, with Scott also performing solo as Legless and Nuss. However, in 2008, Dave left the group for personal reasons.

In the winter of 2008, Scott and Dan recorded a split CDr with Consumer Destiny. Later that fall, they recorded 'Mercy Killing' and an unreleased epic track titled 'Lye,' which is set to be released in 2022. In early 2009, although Pastures had planned a longer Southeastern US tour, Scott was the only member able to participate. To avoid canceling, he utilized samples and loops of Dan's work, indicating that while physically absent, Dan was present sonically. Following Scott's move to North Carolina in 2009, collaboration became less frequent, although they managed to perform one live show together in North Carolina that year. Due to work commitments, Dan found it challenging to participate in shows organized by Scott in North Carolina and Richmond, leading Scott to continue using Dan's samples and loops during performances. This situation eventually caused confusion among audiences regarding the identities of Pastures and Nuss.

In response to this, Scott and Dan reached out to Mark Williams from Hickory, North Carolina, who had his own noise project called a.device.to.mimic.the.patient and was part of the experimental sludge/noise/metal band Smell The Rott. Between 2009 and 2010, Scott and Mark primarily collaborated as Pastures, with Dan making a guest appearance at one show in 2010. Scott relocated to Providence in 2011, and Dan later followed, marking the first time both members lived in the same city. They shared a practice space and recorded two releases, 'Crack Binge In Purgatory' and 'Excessive Deliverance,' which were mainly distributed at shows in North Carolina.

In late 2011, Scott joined a band called Akris from Northern Virginia, where he recorded with the late Steve Mackay, a saxophonist from The Stooges, and toured the southern United States. This decision was difficult for Scott, as it meant leaving Dan in Providence while he pursued this opportunity. Unable to sustain the cost of living in Northern Virginia, Scott returned to North Carolina. Tragically, Mark passed away in 2012, with his work documented on a cassette released by Smell The Stench.

While Dan and Scott maintained communication, it wasn't until 2014 that Scott traveled to Baltimore to record new material for Pastures. However, due to recording difficulties, nothing was released from that session. Between 2014 and 2017, both members focused on their solo projects, with no new material from Pastures. In 2019, Scott made another trip to Baltimore to record new material, which is scheduled for release in 2022. Unfortunately, Dan ceased communication with Scott in late 2019 after sending him two cassettes intended for overdubbing, one of which Dan believed was "already done," and which will comprise the second track on the forthcoming 2022 release. Despite their lack of communication, both members wish each other well.

After considerable reflection, Scott has chosen to continue Pastures, whether or not Dan decides to return. He believes that Mark would have wanted the project to persist. The sound of Pastures will continue to incorporate metal percussion while evolving in its noise aesthetic, with new themes open to interpretation. Scott is primarily focusing on his other projects, Nuss and a new endeavor called Astral Arsenal. The 2009 recording of 'Lye' will be released on CDr, along with a cassette from the 2019 session with Dan, an additional "recycled" cassette featuring previously recorded material by Scott, and one more new release.

Dan has historically been the member most involved in trading with other noise artists he admired. Although Scott managed Detournemont Media, he lacked a proper setup for distributing Pastures material. He aims to improve this aspect now with plans for a webstore selling cassettes and CDrs. Despite mixed feelings about self-promotion, Scott has not sent material to labels in the past; the only Pastures release outside of their own operations was on Smell The Stench. Before losing touch, Dan and Scott had agreed that making past releases available on Bandcamp was a reasonable approach for distribution. Scott encourages anyone interested in Pastures to reach out at nuss@protonmail.com for potential trades of available releases and a few t-shirts. While out of contact with Dan, Scott remains open to the possibility of future releases of his own Pastures material through other labels. Interested parties can contact him at the same email regarding upcoming releases. This biography will soon be updated with past and future releases not yet documented, a Bandcamp site, an official website, YouTube links, and more. Pastures appreciates the support shown by their listeners, both past and present, and Scott encourages everyone to support Dan's solo project, Legless, despite their current lack of communication.

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On This Day in Music History

Prince Releases Iconic 'Purple Rain' Soundtrack (1984)

On April 15, 1984, Prince unleashed his groundbreaking soundtrack album, 'Purple Rain,' which would go on to become a defining moment in music history. Featuring tracks like the title song 'Purple Rain,' 'When Doves Cry,' and 'Let's Go Crazy,' this album not only solidified Prince's status as a pop icon but also showcased his unique blend of rock, funk, and R&B. Upon its release, 'Purple Rain' debuted at number one on the Billboard 200 and remained atop the chart for an impressive 24 consecutive weeks, marking it as one of the most commercially successful albums of the 1980s.

'Purple Rain' was more than just an album; it was a cultural phenomenon that transcended music. The accompanying film, which starred Prince, debuted in theaters just weeks later, further propelling the album’s popularity. The original vinyl pressing of 'Purple Rain' quickly became a collector’s item, with limited editions featuring striking artwork and iconic imagery of Prince. Fans hungry for the authentic experience sought out the first pressings, which are now considered prized possessions among vinyl collectors.

The album was certified 13x Platinum by the RIAA, underscoring its massive influence and sales figures. Tracks from 'Purple Rain' became staples on radio and remain popular in playlists and live performances decades later.

Prince's daring fusion of genres, coupled with his philosophical lyrics and magnetic performances, left an indelible mark on the music industry. The legacy of 'Purple Rain' is still felt today, influencing countless artists across multiple genres. This singular record not only redefined what a soundtrack could be but also positioned Prince as a transformative figure in music, ensuring that his contribution to the art form would be celebrated for generations to come.

Rock/funk Prince

Album of the Week

Rock

Sticky Fingers (1971)

The Rolling Stones
Sticky Fingers by The Rolling Stones

Released in April 1971, 'Sticky Fingers' marks a pivotal moment in The Rolling Stones' illustrious career, being their first album under their own label, Rolling Stones Records. The album was recorded largely at Muscle Shoals Sound Studio in Alabama and features a raw, gritty sound that perfectly encapsulates the band's essence during this era. Upon release, 'Sticky Fingers' received critical acclaim for its innovative blend of rock, blues, and country influences, solidifying its status as a classic. The album cover, famously designed by Andy Warhol, features a working zipper, which was a bold statement of the band's rebellious spirit and artistic vision. 'Sticky Fingers' not only topped charts worldwide but also reshaped the landscape of rock music. Musically, 'Sticky Fingers' is significant for its exploration of diverse genres, marked by standout tracks such as the iconic 'Brown Sugar,' which blends rock with a hint of funk, and 'Wild Horses,' a poignant ballad showcasing the band's softer side. Another highlight is 'Can't You Hear Me Knocking,' which features an unforgettable guitar riff and an extended jam that showcases the band's improvisational skills. For collectors, the original pressing of 'Sticky Fingers' is highly sought after, particularly the first editions with the zipper cover. Look for variations in the labels—originals will have the text 'Rolling Stones Records' prominently displayed and may feature the label's early designs. Matrix numbers to note include 'ST-RS-712004' for the original US pressing. Current value ranges for an original pressing can vary significantly, often fetching between $20 and $300 depending on condition. Condition is crucial, especially for the zipper cover, which is prone to wear and damage. Collectors are drawn to 'Sticky Fingers' not only for its musical brilliance but also for its cultural significance and the nostalgia surrounding The Rolling Stones' rebellious image. This album continues to be a cornerstone of any serious rock vinyl collection, and its pressing variations add layers of intrigue for avid collectors.

Standout Tracks:
  • Brown Sugar
  • Wild Horses
  • Can't You Hear Me Knocking
Pressing Notes: Original pressings feature a working zipper cover and can have varying label designs; look for the early Rolling Stones Records label.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #105

Grading

Mastering Vinyl Grading for Collectors

When it comes to vinyl record collecting, understanding grading is crucial for ensuring both the longevity of your collection and the preservation of its value. You should familiarize yourself with the Goldmine grading scale, which ranges from Mint (M) to Poor (P). Each grade reflects not only the physical condition of the vinyl but also its potential sound quality. For example, a record in Near Mint (NM) condition can preserve a $100+ value, while one graded Good (G) might drop significantly in price and listening experience due to surface noise and scratches.

To properly assess a record's grade, inspect it under bright light for scratches and warps. Play it on a quality turntable to evaluate sound quality. Be meticulous; even minor imperfections can drastically affect both value and enjoyment. Additionally, always store your records vertically, away from direct sunlight and in a climate-controlled environment to maintain their condition over time.

This attention to grading not only protects your investment but also ensures you enjoy the rich sound quality that vinyl is known for, making your listening experience truly rewarding.

Pro Tip: Use a magnifying glass to detect subtle scratches that aren't visible to the naked eye; this can help you better assess a record's true grade before purchasing.

Vinyl Market Pulse

↑ Up

Reggae Vinyl: Market Trends for 2026

The vinyl market for Reggae records is experiencing a notable surge in interest as we move through 2026. Original pressings of iconic albums, such as Bob Marley’s 'Catch a Fire' and Peter Tosh’s 'Legalize It,' have skyrocketed, with prices now reaching over $200, up from just $50 last year. The surge is driven by a combination of nostalgia, recent artist deaths, and the release of documentaries that highlight the genre's cultural impact. Collectors are particularly keen on reissues from revered labels like Trojan Records, which have revitalized interest in classic sounds. For those looking to invest, focus on limited edition pressings and colored vinyl, which tend to garner higher prices. Selling well are first-press records from the 1970s and 1980s, especially those in mint condition. Moving forward, the outlook for Reggae vinyl remains strong. As more fans embrace the format, fueled by a growing appreciation for the genre's history, prices are expected to continue rising. Keep an eye on emerging artists in the genre as well, as their vinyl releases may become future collectibles. The Reggae vinyl market is not just about nostalgia; it’s a sound investment for collectors and enthusiasts alike.

Hot Artists: Bob Marley, Peter Tosh, Burning Spear

Genre Spotlight

Heavy Metal

The Essential Guide to Heavy Metal Vinyl Collecting

Heavy metal music has a rich history that dates back to the late 1960s, with roots in blues rock and psychedelic rock. Originally defined by its aggressive sound, heavy guitar riffs, and powerful vocals, heavy metal began to take shape with bands like Black Sabbath and Led Zeppelin, who pioneered the genre's signature sound. The golden era of heavy metal emerged in the late 1970s and early 1980s, marked by the rise of iconic subgenres such as NWOBHM (New Wave of British Heavy Metal) and thrash metal, both of which pushed the boundaries of speed and aggression.

Essential artists in heavy metal vinyl collecting include:
1. **Black Sabbath** - Often credited with creating heavy metal, their self-titled debut album (1970) is a must-have for any collector.
2. **Metallica** - With their 1986 release, *Master of Puppets*, Metallica defined thrash metal and remains one of the most collectible bands in the genre.
3. **Iron Maiden** - Their 1982 album *The Number of the Beast* is a cornerstone of heavy metal and a favorite among collectors.
4. **Judas Priest** - Known for their twin guitar attack, their 1976 album *Sad Wings of Destiny* is a classic that shaped the genre.
5. **Megadeth** - With *Rust in Peace* (1990), Megadeth solidified their status in the thrash metal scene, making it a valuable addition to any vinyl collection.
6. **Slayer** - Their 1986 release *Reign in Blood* is often regarded as one of the greatest heavy metal albums, appealing to collectors for its raw intensity.
7. **Motörhead** - With *Overkill* (1979), Motörhead blended punk rock energy with heavy metal, creating a unique sound that has become highly collectible.

When delving into heavy metal vinyl collecting, there are several must-own albums:
- **Black Sabbath - *Black Sabbath* (1970)**, Vertigo Records: The debut that started it all, featuring the iconic title track.
- **Iron Maiden - *The Number of the Beast* (1982)**, Harvest Records: A quintessential album with timeless tracks like "Hallowed Be Thy Name."
- **Metallica - *Master of Puppets* (1986)**, Elektra Records: A defining album in thrash metal, essential for any serious collector.
- **Judas Priest - *British Steel* (1980)**, Columbia Records: Known for its anthemic sound and classic tracks like "Living After Midnight."
- **Slayer - *Reign in Blood

Featured Rarity

Why This Album Is Worth Thousands

Led Zeppelin by Led Zeppelin (1969)

The self-titled debut album by Led Zeppelin, released in 1969, is an iconic cornerstone of rock music and a must-have for vinyl collectors. Its collectibility stems from its groundbreaking sound and cultural impact, which laid the groundwork for heavy metal and hard rock. First pressings are particularly sought after, especially the original UK pressing on Atlantic Records featuring the classic 'plum' label. These early editions are often valued between $1,000 to $5,000, depending on condition.

Collectors are especially interested in variants like the first pressing with the misprinted matrix number, '588171' instead of '588171 A//1', which can fetch upward of $10,000. Additionally, the album’s infamous cover art features a striking image of the Hindenburg disaster, making it a conversation starter and a visual treat.

What makes these original pressings special is not just the nostalgia; it’s the rich analog sound that digital formats can’t replicate. The warmth and texture of the vinyl capture the raw energy of Led Zeppelin's legendary performances.

When hunting for this gem, look for the early 'blue and orange' Atlantic label, matrix numbers etched in the deadwax, and the textured cover. A mono version and the first press with 'ST-A-691671' matrix are extremely rare and can be valued at $25,000 or more, contingent on their condition.

Owning a first pressing of Led Zeppelin means holding a piece of rock history—an investment that resonates with both sound and story. Join the ranks of avid collectors and seek out this timeless classic today!

Current Market Value: $1,000-$25,000