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Saturday, April 11, 2026

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Fly Paper

Fly Paper

Style: Alternative/Blues/Rock

Band Members: - Micaela Kingslight - Lead Vocals, Guitar, Bass - Joe Chamberlin - Bass, Guitar, Lead Vocals - Sam Rice - Drums, Percussion, Vocals - Marty McLean - Saxophone, Keyboards, Vocals

Hometown: Kalamazoo, MI

Record Label: Fly Paper Records

Biography: Fly Paper was formed in 2012, and in January of that year, the band welcomed saxophonist and keyboardist Marty McLean, embarking on the creation of their second studio album. As they developed new material, the group made their first foray into the southeastern United States, performing in Miami and the Florida Keys. In June, they commenced their third national tour, revisiting familiar venues and exploring new ones, including Denver, Seattle, Santa Monica, and a sold-out concert in Bremerton, WA. The band also took the stage at the 2013 Wild Mountain Faire in Northern California, as well as at Michigan's 2013 Jamma Wamma Music and Arts Festival, the 2013 Southwestern Michigan Harvest Festival, and Big Rapids' 2013 Cranker's Fest.

Upon returning from their summer tour, Fly Paper received a proposal from the Jettison Agency to manage their bookings. In September, they celebrated the release of their second full-length studio album, "Dream," with a lively performance at Bell's Eccentric Cafe in Kalamazoo. This concert marked a transition for the band, as drummer Ashley Ickes departed, allowing Sam Rice to step in as the new drummer as they moved into 2014 and beyond. In mid-December, they premiered their first music video, directed by Michigan native Ben Woody, for the track "Sing, Sing, Sing Along" from "Dream." Fly Paper planned to continue touring throughout 2014 while seeking a record label to expand their music's reach to national and international audiences.

Fly Paper has performed alongside a diverse range of artists, including Styx, Stray Cat Lee Rocker, Delhi to Dublin, Mystic Roots, Marcia Griffiths, Roster McCabe, the4onthefloor, The Ragbirds, Funktion, Jamie Lono, and many others.

The year 2012 proved significant for Fly Paper, as they released their fan-funded CD, "Live at the Globe Theater," on August 31, followed by a fan-funded DVD of the concert later that fall. The band was featured in the "On the Rise" section of Relix Magazine's March 2012 issue and completed a second national tour, performing 26 shows across the United States, with stops in Denver, Portland, and Los Angeles. They played at the renowned Triple Door in Seattle and sold out the Treehouse in Bainbridge Island, Washington. Additionally, they participated in the 2012 Wild Mountain Faire Music Festival in Northern California, the 4th Annual Hoodilidoo Music Festival in Southern Michigan, and opened for Stray Cat Lee Rocker and Styx at the 2012 Deadwood Jam in Deadwood, South Dakota.

Fly Paper released their self-produced debut CD, funded by fans, on July 29, 2011, at a record-breaking show at the Old Dog Tavern in Kalamazoo, MI. The initial pressing of the CD nearly sold out, prompting a second pressing. This release concert marked the beginning of a 14-show summer tour, during which the band set an attendance record at the venue. Their self-booked tour included stops in Chicago, Des Moines, Omaha, Denver, and culminated at the iconic Whiskey A-Go-Go in West Hollywood, CA. The tour continued north to Bremerton, WA, where they performed to a near-capacity audience at the Admiral Theatre, with additional shows in Montana, South Dakota, and Wisconsin leading them back home.

Radio Play: Fly Paper's music is currently featured on various radio stations and podcasts, including WYCE FM 88.1 in Grand Rapids, MI, Fearless Radio in Chicago, Off the Chart Radio in the UK, WCBF FM in Fredonia, NY, INDIE104.com in Payson, AZ, 89.1 WIDR FM in Kalamazoo, MI, WMUK 102.1 FM in Kalamazoo, ALOOGA.DE in Germany, OWDVX 89.9 FM in Clinton, TN, 102.9 FM in Knoxville, TN, womensradio.com, jango.com, valslist.com, WSND 88.9 FM in South Bend, IN, and many others across the United States and internationally.

Current Location: Kalamazoo, MI

General Manager: Joe Chamberlin

Influences: Jimi Hendrix, The Black Keys, My Morning Jacket, The Beatles, The Raconteurs, KT Tunstall, Fiona Apple, Led Zeppelin, Red Hot Chili Peppers, Eric Clapton, Black Sabbath, David Bowie

Press Contact: Joe Chamberlin

Booking Agent: The Jettison Agency Brad Raffenaud, President & National Booking Agent (US) Direct: 616.322.3836

Artists We Also Like: Jimi Hendrix, Led Zeppelin, The Beatles, The Raconteurs, Feist, KT Tunstall, Pink Floyd, Muse, Radiohead, Cream, The Smashing Pumpkins

Band Interests: Music, travel, meeting people, experiencing beautiful sights and sounds, pursuing sustainable business practices, enjoying good food, great wine, cold beer, and clear rum.

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On This Day in Music History

The Launch of 'Let It Be': The Beatles' Final Studio Album (1970)

On April 11, 1970, a seismic shift reverberated through the music world with the release of 'Let It Be,' the final studio album by The Beatles. While the band had officially disbanded earlier that year, the release served as a poignant reminder of their groundbreaking legacy. The album, which included timeless tracks like 'The Long and Winding Road' and 'Get Back,' quickly ascended to the top of the charts, selling over 3 million copies in just a few months and solidifying its place in rock history.

Notably, 'Let It Be' featured the hit single 'Let It Be,' which reached No. 1 on the Billboard Hot 100 chart, underscoring the band's unparalleled ability to blend poignant lyrics with catchy melodies. The original pressing of the album, with its striking cover art designed by artist Angus McBean, became a sought-after collectible among vinyl enthusiasts, leading to numerous reissues and limited vinyl releases over the years.

The release of 'Let It Be' marked not just the end of an era but also encapsulated the band's evolution from their early pop roots to a more introspective sound, reflecting the tumultuous times of the late 1960s and early 1970s. Fans toasted to The Beatles, cherishing the music that provided the soundtrack to a generation of change.

In retrospect, 'Let It Be' not only cemented The Beatles' status as cultural icons but also laid the groundwork for future artists across various genres. The album's influence continues to be felt today, inspiring countless musicians to explore the depths of expression in their own works. As vinyl records continue to see a resurgence in popularity, 'Let It Be' remains a definitive piece of that rich tapestry, demonstrating the enduring impact of The Beatles on the music landscape.

Rock The Beatles

Album of the Week

Rock

Blonde on Blonde (1966)

Bob Dylan
Blonde on Blonde by Bob Dylan

Released in May 1966, Bob Dylan's 'Blonde on Blonde' emerged as a groundbreaking double album that melded rock, folk, and blues into a cohesive masterpiece. Recorded in Nashville, it was one of the earliest double albums in rock music history, showcasing its ambition and influence. The album was met with critical acclaim upon release, with many hailing it as one of the greatest albums of all time. Its innovative use of studio techniques and lyrical depth marked a significant evolution in Dylan's artistry. Musically, 'Blonde on Blonde' is notable for its fusion of genres, featuring electric guitars, organ, and a full band, which was a departure from Dylan's earlier folk-centric sound. Standout tracks such as 'Rainy Day Women #12 & 35,' with its catchy refrain and brass instrumentation, and the haunting 'Just Like a Woman,' exemplify Dylan's lyrical prowess and musical experimentation. Additionally, 'Visions of Johanna,' often regarded as a pinnacle of songwriting, showcases surreal imagery and complex emotions. When collecting 'Blonde on Blonde' vinyl, enthusiasts should pay attention to pressing variations, particularly the original Columbia Records mono pressing (CL 36067) and the later stereo versions (CS 9601). The original mono pressing is highly sought after, with matrix numbers such as XSM 1001-1A and XSM 1002-1A indicating early pressings. Collectors also appreciate the appeal of label variations, including the 1970s reissues on the orange label. Current market value ranges from $20 for less-than-ideal condition copies to upwards of $300 for pristine originals in mono. Condition is crucial, as many pressings suffer from surface noise or wear, making well-maintained copies particularly desirable. Collectors seek 'Blonde on Blonde' not only for its musical significance but also for its cultural impact and the evolution of Bob Dylan as an artist. This album remains a definitive statement in rock history, making it a must-have for any serious vinyl collector.

Standout Tracks:
  • Rainy Day Women #12 & 35
  • Just Like a Woman
  • Visions of Johanna
Pressing Notes: Look for original mono pressings (CL 36067) and stereo versions (CS 9601) with early matrix numbers like XSM 1001-1A.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #101

Cleaning

Mastering Vinyl Care for Longevity

To ensure your vinyl records maintain their sound quality and longevity, you should invest time in a proper cleaning routine. Start by using a carbon fiber brush before and after each play; this removes dust and prevents it from settling into the grooves. For deeper cleaning, consider a dedicated vinyl cleaning solution or create your own by mixing distilled water with a few drops of isopropyl alcohol. Apply the solution with a microfiber cloth, ensuring you wipe in a circular motion, following the grooves to avoid scratching. This meticulous care can preserve the value of your records, especially those worth $100 or more. Remember, dirt and grime can not only affect playback but may also lead to permanent damage over time. Regular cleaning can significantly enhance your listening experience and maintain your investment's value. Additionally, store your records vertically and away from direct sunlight, as heat and humidity can warp them. Pro Tip: For a more thorough clean, consider investing in a record cleaning machine; it can effectively remove stubborn dirt and dust, making it a worthy addition to your vinyl care arsenal.

Pro Tip: A record cleaning machine can save you time and increase your collection's longevity.

Vinyl Market Pulse

↑ Up

Blues Vinyl: Market Trends for 2026

The vinyl market for Blues records is experiencing a notable resurgence in 2026, with collectors eager to snap up both classic and contemporary titles. Original pressings of legendary artists like B.B. King and Muddy Waters are now commanding prices upwards of $200, a significant increase from approximately $50 last year. This surge can be attributed to a combination of nostalgia, the recent passing of influential Blues artists, and a slew of documentaries that highlight the genre's rich history. As younger generations discover the deep roots of Blues through streaming and film, the demand for vinyl has intensified.

Collectors are advised to focus on rare pressings, particularly those with unique album art or limited releases. Look out for reissues from respected labels, as they often appreciate in value over time. Selling duplicates or lower-demand titles can free up funds for more sought-after records.

Looking ahead, the outlook for Blues vinyl remains optimistic. As appreciation for the genre grows, we anticipate prices will continue to rise, making it a solid investment for collectors. The ongoing interest in vinyl records as a physical format also supports this trend, ensuring that Blues remains a vibrant part of the collecting landscape.

Hot Artists: B.B. King, Muddy Waters, Etta James

Genre Spotlight

Reggae

The Essential Guide to Reggae Vinyl Collecting

Reggae vinyl collecting is a vibrant and rewarding pursuit that taps into the rich history of Jamaican music, offering collectors a chance to own a piece of cultural history. Originating in the late 1960s, reggae emerged from ska and rocksteady, with roots deeply embedded in Rastafarian culture and social commentary. The golden era of reggae, spanning the 1970s to early 1980s, saw the genre blossom, thanks to influential movements like roots reggae, which emphasized spiritual and social themes, and dancehall, which brought a more upbeat and accessible sound.

Essential to any reggae vinyl collection are the artists who shaped the genre. Bob Marley is arguably the most famous reggae musician, known for albums like "Catch a Fire" (1973), which introduced reggae to a global audience. Peter Tosh, a founding member of The Wailers, infused reggae with political activism, notably in his album "Legalize It" (1976). Burning Spear, with his deep roots reggae sound, crafted timeless classics like "Marcus Garvey" (1975), while Toots and the Maytals brought ska to mainstream consciousness with their energetic performances and songs like "Pressure Drop" (1970). Other key figures include Jimmy Cliff, known for his iconic film and soundtrack "The Harder They Come" (1972), and Lee Scratch Perry, revered as a pioneer of dub music, whose innovative production techniques are celebrated on albums like "Super Ape" (1976).

For collectors, certain albums stand out as must-haves. Bob Marley's "Exodus" (1977) is often cited as one of the greatest albums of all time, blending reggae with rock elements. Peter Tosh's "Equal Rights" (1977) is a powerful statement on human rights and justice, while Burning Spear's "Columbus" (1987) showcases his deep spiritual and historical themes. Toots and the Maytals' "Funky Kingston" (1973) is an essential crossover album that captures the genre's upbeat spirit. Lastly, consider adding Lee Scratch Perry's "The Upsetter" (1970) to grasp the essence of reggae's experimental side.

When diving into reggae vinyl collecting, it's crucial to know what to look for. Pay attention to pressing information, as first presses often hold more value. Labels like Studio One, Trojan, and Island Records are significant, with rare variants such as colored vinyl or limited editions being highly sought after.

The current market for reggae records is flourishing, with collectibility at a high level. Prices can range from $20 for more common titles to $500 or more for rare albums, especially those in mint condition or with unique variants. Collectors often seek out original

Featured Rarity

Why This Album Is Worth Thousands

The Velvet Underground & Nico by The Velvet Underground (1967)

The Velvet Underground's self-titled debut, "The Velvet Underground & Nico," is a crown jewel in vinyl collecting, offering both historical significance and musical innovation. Originally released in 1967, this album has evolved into one of the most sought-after rare records of all time, with its raw sound and avant-garde edge influencing generations of musicians. Its collectibility is driven not just by its legacy, but by the intriguing variants available to collectors. The first pressing on the Verve label is particularly valuable, especially those featuring the iconic banana peel cover designed by Andy Warhol. Some of these can fetch prices upwards of $25,000 if in pristine condition with the right matrix numbers, such as V6-5044 on the deadwax.

Additionally, the original UK pressing on Polydor is also highly prized, often costing between $1,500 and $5,000. First pressings with label errors, like the misspelled song title on the back cover, add an extra layer of allure for collectors. What makes these original pressings special is not just the music but the artifacts themselves—a tangible piece of music history that had a profound impact on pop culture. To discern an original pressing, look closely for the Verve label details, the matrix numbers in the deadwax, and the distinctive Andy Warhol cover. With current market values ranging from $150 for reissues to a staggering $25,000 for pristine originals, your collection isn't complete without this essential record. Dive into the world of vinyl collecting and secure your piece of rock history with this timeless album!

Current Market Value: $150-$25,000

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