Top lista nadrealista, also referred to as TLN or Nadrealisti, translates to "The Top List of the Surrealists" and is a Yugoslav sketch comedy and variety television show. Produced by TV Sarajevo, it was broadcast on the nationwide Yugoslav Radio Television (JRT) public broadcasting system in three distinct installments from 1984 to 1991. The show originated from a fifteen-minute local radio comedy segment that aired as part of the Primus program on Radio Sarajevo's channel two from 1979 until 1985.

In 1984, following the establishment of a dedicated radio audience in Sarajevo, the Top lista nadrealista radio segment transitioned into a television sketch series. This was followed by two additional series in 1989 and 1991, which contributed to making its stars widely recognized figures throughout SFR Yugoslavia, while also launching successful careers in television, film, and music for several cast members, including Nele Karajlić and Branko "Đuro" Đurić.

Although the show later became renowned for its insightful and often prophetic political humor, it initially focused on youthful improvisation and ad-libbing, avoiding political themes. However, as the late 1980s progressed into the early 1990s—during the second and third series—Top lista nadrealista began to incorporate political satire, blending social commentary with surrealism and dark comedy. The show's popularity from 1989 to 1991 is reflected in its sketches, which introduced phrases and language that became part of the public vernacular, such as "Hrkljuš."

Numerous TLN sketches addressed the worsening political climate in Yugoslavia, which foreshadowed the Yugoslav Wars, with some sketches depicting a dystopian future that included the disintegration of the Yugoslav state, the division of Sarajevo among new states, and a family split into rival factions over control of their apartment. These portrayals emerged years before they became a reality.

During the filming of the show's third series, amidst the backdrop of the ongoing Yugoslav Wars, Nadrealisti adopted a clear pacifist stance. The show often employed absurdity and dark hyperbole to comment on the rising ethnic tensions and the looming threat of war in SR Bosnia and Herzegovina, exemplified by warnings like "peace may break out and ruin Bosnian harmonious war" and providing alarming guidance on "how the public should act in case of peace."