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Stacy Lattisaw

Stacy Lattisaw

R'n'B, dance, and pop singer Stacy Lattisaw was born on November 25, 1966, in Washington, D.C., U.S. Throughout her career, she released ten albums from 1979 to 1990, with seven produced under Cotillion Records and three under Motown. After this period, Lattisaw chose to step away from the pop industry to focus on gospel music.

Lattisaw made her recording debut at the age of 12, with her initial album produced by Van McCoy. For her subsequent albums, from the second to the sixth, Narada Michael Walden assumed the role of producer. Her seventh album featured production from Michael Masser. During her time at Motown, a diverse array of producers worked on her projects, including Kashif, John "Jellybean" Benitez, Steve Barri, Tony Peluso, Leon Sylvers, Brownmark, Vincent Brantley, Aaron Zigman, Jerry Knight, Ron Kersey, Lou Pace, Gordon Williams, Phillip Damien, Hubert Eaves III, Kenni Hairston, Trevor Gale, and LeMel Humes.

In 1986, Lattisaw released an entire album of duets with Johnny Gill, and the two collaborated on two additional singles in 1989. She achieved notable crossover success with hits such as "Jump To The Beat," which peaked at No. 3 in the U.K. and No. 1 on the U.S. Hot Dance chart. Among her most significant entries on the R'n'B charts were "Dynamite" (No. 8, 1980), "Let Me Be Your Angel" (No. 8, 1980), her rendition of the Moments' classic "Love On A Two Way Street" (No. 2, 1981), and Gary Benson's "Don't Throw It All Away" (No. 9, 1982). She also found success with "Nail It To The Wall" (No. 4 on R'n'B, No. 2 Dance, 1986) and her duet with Johnny Gill, "Where Do We Go From Here," which reached No. 1.

Lattisaw's repertoire includes several notable covers, such as "When You're Young And In Love" by the Marvelettes (1979), "Love Is Here Beside Us" by Peaches & Herb (1979), "Spinning Top" (1979), "Dedicated To The One I Love" by the Shirelles, and Petula Clark's "Downtown" (1979). She covered "Guys Like You (Give Love A Bad Name)" by Donna Washington (1982), "I've Loved You Somewhere Before" by Eloise Laws (1983), and "Baby It's You," a duet with Johnny Gill (1984). Other covers include "Love Me Like The First Time" by Brenda K. Starr (1986), "One More Night" by Donna Washington (1986), and the iconic duet "Ain't No Mountain High Enough" with Howard Hewett (1988). In 1990, she released "I Don't Have The Heart," a track originally by James Ingram, which reached No. 1.

In addition to her studio recordings, Lattisaw contributed to the soundtrack for "Police Academy 4: Citizens On Patrol" in 1987 with the song "Dancin' Up A Storm." Notably, her single "Attack Of The Name Game" (1982) was sampled in the album version of Mariah Carey's No. 1 hit "Heartbreaker" in 1999.

Real Name: Stacy Lattisaw Jackson
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Stacy Lattisaw - Stacy Lattisaw – Let Me Be Your Angel

Stacy Lattisaw

Stacy Lattisaw – Let Me Be Your Angel

Record: EX | Cover: VG+

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On This Day in Music History

Prince Releases His Landmark Album 'Controversy' (1981)

On April 12, 1981, Prince unleashed his game-changing album 'Controversy', which was both a critical and commercial success. The album, released on the cusp of what would become his iconic 'Purple Rain' era, showcased Prince's genre-blending prowess, delving into funk, rock, and pop, all while addressing provocative themes around politics, religion, and sexuality. The title track, 'Controversy', quickly climbed the charts, reaching No. 3 on the Billboard R&B chart and solidifying Prince’s status as a daring artist unafraid to push societal boundaries.

'Controversy' was Prince's fourth studio album and featured standout tracks like 'Sexuality' and 'Do Me, Baby', both of which became staples in his live performances. The original pressing of the album on vinyl remains highly sought after by collectors, with limited edition releases often fetching impressive prices at record stores and online auctions. This album not only showcased Prince's musical innovation but also his ability to blend and transcend genres, paving the way for future artists.

The album's cover art, featuring Prince in a provocative pose, mirrored the themes present in the music, encapsulating the very essence of the provocative persona he became famous for. As 'Controversy' boldly mixed funk rhythms with rock guitar riffs, it laid the groundwork for the eventual pop dominance of the artist, who would go on to inspire countless musicians across multiple genres.

Prince's legacy has endured well beyond his years, with 'Controversy' viewed as a crucial stepping stone in the evolution of American music. Even decades later, the album continues to resonate, reminding listeners of the power of music to challenge norms and inspire change. Today, music lovers scramble to find original vinyl copies as a way to connect with this essential work in Prince's discography, a testament to his lasting impact on the music world.

Funk/rock Prince

Album of the Week

Rock

Blonde on Blonde (1966)

Bob Dylan
Blonde on Blonde by Bob Dylan

Released in May 1966, Bob Dylan's 'Blonde on Blonde' emerged as a groundbreaking double album that melded rock, folk, and blues into a cohesive masterpiece. Recorded in Nashville, it was one of the earliest double albums in rock music history, showcasing its ambition and influence. The album was met with critical acclaim upon release, with many hailing it as one of the greatest albums of all time. Its innovative use of studio techniques and lyrical depth marked a significant evolution in Dylan's artistry. Musically, 'Blonde on Blonde' is notable for its fusion of genres, featuring electric guitars, organ, and a full band, which was a departure from Dylan's earlier folk-centric sound. Standout tracks such as 'Rainy Day Women #12 & 35,' with its catchy refrain and brass instrumentation, and the haunting 'Just Like a Woman,' exemplify Dylan's lyrical prowess and musical experimentation. Additionally, 'Visions of Johanna,' often regarded as a pinnacle of songwriting, showcases surreal imagery and complex emotions. When collecting 'Blonde on Blonde' vinyl, enthusiasts should pay attention to pressing variations, particularly the original Columbia Records mono pressing (CL 36067) and the later stereo versions (CS 9601). The original mono pressing is highly sought after, with matrix numbers such as XSM 1001-1A and XSM 1002-1A indicating early pressings. Collectors also appreciate the appeal of label variations, including the 1970s reissues on the orange label. Current market value ranges from $20 for less-than-ideal condition copies to upwards of $300 for pristine originals in mono. Condition is crucial, as many pressings suffer from surface noise or wear, making well-maintained copies particularly desirable. Collectors seek 'Blonde on Blonde' not only for its musical significance but also for its cultural impact and the evolution of Bob Dylan as an artist. This album remains a definitive statement in rock history, making it a must-have for any serious vinyl collector.

Standout Tracks:
  • Rainy Day Women #12 & 35
  • Just Like a Woman
  • Visions of Johanna
Pressing Notes: Look for original mono pressings (CL 36067) and stereo versions (CS 9601) with early matrix numbers like XSM 1001-1A.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #102

Cleaning

Mastering Vinyl Care: Effective Cleaning Techniques

Cleaning your vinyl records is crucial for maintaining their sound quality and ensuring their longevity. Dust, fingerprints, and grime can all affect playback, leading to pops, clicks, and distortion. You should invest in a quality carbon fiber brush for regular cleaning; this helps remove debris without scratching the surface. For deeper cleaning, consider a gentle, alcohol-free cleaning solution specifically designed for vinyl care. Apply a few drops to a microfiber cloth and wipe the record in a circular motion, matching the grooves. This method not only protects your investment—potentially preserving the $100+ value of rare records—but also enhances the listening experience by revealing the full depth of the audio. After cleaning, store your records vertically in a climate-controlled environment to prevent warping and further contamination. Remember, proper preservation techniques can significantly increase the lifespan of your collection. Pro tip: Always clean your stylus with a specialized brush after each session; this reduces the transfer of dirt back onto your records, ensuring your vinyl stays pristine for years to come.

Pro Tip: Use an anti-static brush before and after each play to reduce buildup.

Vinyl Market Pulse

↑ Up

Blues Vinyl: Market Trends for 2026

The vinyl market for Blues records is experiencing a notable resurgence in 2026, with collectors eager to snap up both classic and contemporary titles. Original pressings of legendary artists like B.B. King and Muddy Waters are now commanding prices upwards of $200, a significant increase from approximately $50 last year. This surge can be attributed to a combination of nostalgia, the recent passing of influential Blues artists, and a slew of documentaries that highlight the genre's rich history. As younger generations discover the deep roots of Blues through streaming and film, the demand for vinyl has intensified.

Collectors are advised to focus on rare pressings, particularly those with unique album art or limited releases. Look out for reissues from respected labels, as they often appreciate in value over time. Selling duplicates or lower-demand titles can free up funds for more sought-after records.

Looking ahead, the outlook for Blues vinyl remains optimistic. As appreciation for the genre grows, we anticipate prices will continue to rise, making it a solid investment for collectors. The ongoing interest in vinyl records as a physical format also supports this trend, ensuring that Blues remains a vibrant part of the collecting landscape.

Hot Artists: B.B. King, Muddy Waters, Etta James

Genre Spotlight

Reggae

The Essential Guide to Reggae Vinyl Collecting

Reggae vinyl collecting is a vibrant and rewarding pursuit that taps into the rich history of Jamaican music, offering collectors a chance to own a piece of cultural history. Originating in the late 1960s, reggae emerged from ska and rocksteady, with roots deeply embedded in Rastafarian culture and social commentary. The golden era of reggae, spanning the 1970s to early 1980s, saw the genre blossom, thanks to influential movements like roots reggae, which emphasized spiritual and social themes, and dancehall, which brought a more upbeat and accessible sound.

Essential to any reggae vinyl collection are the artists who shaped the genre. Bob Marley is arguably the most famous reggae musician, known for albums like "Catch a Fire" (1973), which introduced reggae to a global audience. Peter Tosh, a founding member of The Wailers, infused reggae with political activism, notably in his album "Legalize It" (1976). Burning Spear, with his deep roots reggae sound, crafted timeless classics like "Marcus Garvey" (1975), while Toots and the Maytals brought ska to mainstream consciousness with their energetic performances and songs like "Pressure Drop" (1970). Other key figures include Jimmy Cliff, known for his iconic film and soundtrack "The Harder They Come" (1972), and Lee Scratch Perry, revered as a pioneer of dub music, whose innovative production techniques are celebrated on albums like "Super Ape" (1976).

For collectors, certain albums stand out as must-haves. Bob Marley's "Exodus" (1977) is often cited as one of the greatest albums of all time, blending reggae with rock elements. Peter Tosh's "Equal Rights" (1977) is a powerful statement on human rights and justice, while Burning Spear's "Columbus" (1987) showcases his deep spiritual and historical themes. Toots and the Maytals' "Funky Kingston" (1973) is an essential crossover album that captures the genre's upbeat spirit. Lastly, consider adding Lee Scratch Perry's "The Upsetter" (1970) to grasp the essence of reggae's experimental side.

When diving into reggae vinyl collecting, it's crucial to know what to look for. Pay attention to pressing information, as first presses often hold more value. Labels like Studio One, Trojan, and Island Records are significant, with rare variants such as colored vinyl or limited editions being highly sought after.

The current market for reggae records is flourishing, with collectibility at a high level. Prices can range from $20 for more common titles to $500 or more for rare albums, especially those in mint condition or with unique variants. Collectors often seek out original

Featured Rarity

Why This Album Is Worth Thousands

Please Please Me by The Beatles (1963)

"Please Please Me" is not just a debut album—it's a cultural phenomenon that launched The Beatles into stardom. Original UK pressings on the Parlophone label, particularly the first pressing with the misprinted label ('Love Me Do' spelled incorrectly), are highly sought after by collectors. These rare records can fetch anywhere from $150 to an astonishing $25,000 depending on their condition and specific variants.

The first pressing features the iconic black and yellow label, and you’ll want to check for matrix numbers XEX 421-1N and XEX 422-1N, as these indicate an early pressing. Collectors also look for the 'stereo' label, identified by the 'Sold in the UK' text on the label rim, which adds another layer of desirability.

One intriguing tidbit is that this album was recorded in just a single day, showcasing the raw energy that characterized The Beatles’ early sound. The cover photo taken at the EMI studios encapsulates the youthful exuberance of the band, making the original sleeve a true piece of history.

What truly makes these original pressings special is their connection to a moment when music changed forever. The rush of nostalgia, combined with the pristine sound quality of vinyl, brings collectors back to a time when rock was just beginning to take flight. As you dive into vinyl collecting, don’t miss the chance to own a piece of this history—finding a first pressing of "Please Please Me" is like discovering a hidden treasure!

Current Market Value: $150-$25,000

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