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Monday, February 2, 2026

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Laura Farré Rozada

Laura Farré Rozada

Dr. Laura Farré Rozada is a distinguished pianist and mathematician, recognized as a 'Rising Star' by BBC Music Magazine and honored as a 'New Talent' by the BIME Equity Awards in 2022. She received the American Classical Young Musician Award in Washington D.C. (USA) the same year and was granted an honorable mention at the Premi Creu Casas 2025 by the Institut d'Estudis Catalans. Described by Serra d'Or magazine as "one of the most valued performers of her generation, with dozens of awards and distinctions on the five continents," Laura's achievements reflect her significant contributions to both music and academia.

Her doctoral studies at the Royal Birmingham Conservatoire were supported by the British Arts and Humanities Research Council through the prestigious Midlands4Cities AHRC Doctoral Studentship. Laura served as a musician in residence in the UK (BCMG: NEXT Scheme 2018-2019) and in Canada (Laurier University 2017, Banff Centre 2019), with her Canadian residency backed by the Cyril and Elizabeth Challice Fund for Musicians Award. From 2024 to 2027, she will hold the position of artist and lecturer in residence at CosmoCaixa in Barcelona and CaixaForum, with activities planned across Sevilla, Zaragoza, Valencia, and Madrid.

In 2025, Laura released her third solo album, Araspel, which pays tribute to Armenia's musical heritage and has earned the Premi Cast@fiore 2025. Her second album, Nimbus (2021), garnered 12 awards in the USA (Los Angeles, San Diego, New York), Greece, and Spain, including the Premi Talent Cambra 2021, and received a nomination for Best Classical & Contemporary Album at the Premis Enderrock 2022. Classical Music Magazine praised her debut album, The French Reverie (2018), describing it as "a model for young artists making their recording debuts." Each of these projects was supported by crowdfunding from 250 patrons across 30 countries and five continents.

As a soloist, Laura has performed throughout Spain, France, Belgium, Germany, the Faroe Islands, the UK, Malta, Slovenia, Bulgaria, Serbia, Armenia, Canada, the USA, Argentina, and Singapore. She has graced prestigious venues including Carnegie Hall (New York), Southbank Centre (London), Holzmarkt 25 (Berlin), Usina del Arte (Buenos Aires), and Palau de la Música Catalana (Barcelona), among others. Laura has also participated in notable festivals such as Summartónar (Faroe Islands), VIAF (Malta), and the ‘Ligeti in Wonderland’ Festival (London), curated by Pierre-Laurent Aimard.

Laura's collaborations have included work with conductors such as Edmon Colomer, Timothy Lines, and Jean Deroyer, and she has performed with ensembles like the Birmingham Contemporary Music Group and the International Contemporary Ensemble (New York). Her live performances have been broadcast on various platforms, including France 3, BBC Radio 3, and Sveriges Radio P2 (Sweden). Additionally, she has been featured in national and international media outlets, including BBC Music Magazine and Classic FM Radio, and has received accolades at competitions across the Americas, Europe, and Asia. Notably, her work was highlighted in the exposition D’ONES: Women’s (R)evolution in Music, commissioned by Enderrock Magazine, and she appeared in the documentary Revolutionary Quartet, l'enigma Gerhard, which premiered at the In-Edit Barcelona film festival in 2023.

With a strong commitment to contemporary music, Laura has collaborated with renowned composers like George Crumb and Brian Ferneyhough, premiering 22 world premieres and 90 national premieres of works by influential figures such as John Cage and Unsuk Chin. She has commissioned and premiered three Piano Concertos by Feliu Gasull, Joel Järventausta, and Angela Elizabeth Slater, with support from various arts organizations. Her recordings feature six world-premiere performances, and her interpretations of Ofer Ben-Amots' piano works are archived at the National Library of the State of Israel.

As a researcher, Laura's focus encompasses music and mathematics, musical memory, and performance psychology. Currently, she is an Associate Professor at the Polytechnic University of Catalonia (UPC) and the Catalonia College of Music (ESMUC). She has served as a guest lecturer at institutions such as Boston University and the Universidad Nacional Autónoma de México (UNAM). Her scholarly work has been published in several music-related journals, and she has presented at conferences hosted by prestigious organizations, including the Royal Musical Association and the American Musicological Society.

In addition to her performance career, Laura is an accomplished radio broadcaster, directing and presenting shows such as La cinta de Möbius on Catalunya Música, which received the Premi Matemàtiques i Societat 2023. She collaborates with Spanish National Radio and has created series focusing on performance psychology. Laura has also arranged music for choirs and collaborated with visual artists and indie bands, further diversifying her artistic portfolio.

Laura completed her Master of Music degree at the Royal College of Music in London, where she was an RCM Patrons’ Award Holder, graduating with an 'Exceptional' Distinction. She also holds Bachelor's and Master's degrees in piano from the Catalonia College of Music and a Bachelor's degree in Mathematics from the Polytechnic University of Catalonia, earning Distinction Awards throughout her studies. Her training includes mentorship from numerous distinguished instructors in both music and mathematics.

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On This Day in Music History

The Beatles' Final Public Performance (1969)

On February 2, 1969, The Beatles gave their last public performance on the rooftop of the Apple Corps building in London, a defining moment not only in the band's storied career but also in the history of rock music. This impromptu concert, which served as the climax for their film "Let It Be," was a powerful showcase of the band's talent, drawing crowds and creating a jubilant atmosphere in the streets below. As the iconic notes of 'Get Back' rang out across the city, it became clear that this was a singular event, punctuated by the band's synergy and the palpable energy of the crowd.

The performance featured classic tracks such as 'Don't Let Me Down' and 'I've Got a Feeling.' Filmed for the documentary, it captured The Beatles during a tumultuous period as they were grappling with internal conflicts yet still producing some of their most enduring work. This concert marked the last time the group performed together in public before their eventual split, making it an essential piece of music history.

The live recording from that day was later immortalized in the "Let It Be" album, which reached number one on the Billboard 200 chart and featured an original vinyl release that is highly sought after by collectors today. The rooftop concert was not only a farewell to live performances but also a powerful statement on the artistic creativity that had defined the Beatles’ legacy.

The influence of this performance cannot be understated, as it continues to resonate with fans and musicians alike, often hailed as an integral moment of the 1960s music scene. Even decades later, collectors cherish original pressings of the "Let It Be" album, a testament to its lasting appeal and the band's monumental impact on the world of music.

Rock The Beatles

Album of the Week

Rock

Rumours (1977)

Fleetwood Mac
Rumours by Fleetwood Mac

Released in 1977, Fleetwood Mac's 'Rumours' emerged during a tumultuous period for the band, characterized by personal conflicts and romantic entanglements. The album was recorded in California and was produced by Ken Caillat and Richard Dashut. Its release was met with massive commercial success, quickly reaching the top of the charts and staying there for an unprecedented 31 weeks. The reception was overwhelmingly positive, with critics praising its intricate harmonies and production quality, solidifying its place as a cornerstone of classic rock. 'Rumours' is not only significant for its commercial success but also for its musical innovation. The album features a blend of rock, pop, and folk influences, marked by lush arrangements and deeply emotional lyrics that resonate with listeners. Standout tracks include "Go Your Own Way," an anthem of heartbreak featuring Lindsay Buckingham's dynamic guitar work and Christine McVie's haunting vocals, and "Dreams," which showcases Stevie Nicks' ethereal voice and has become one of the band's most enduring hits. Pressing variations for 'Rumours' are abundant, with original pressings on the green Warner Bros. label being particularly sought after. Collectors should look for matrix numbers such as 2WS 3010 A and 2WS 3010 B, which indicate the first pressing. The reissues often lack the same depth of sound found in the original vinyl pressings. Current values for 'Rumours' vinyl can range from $20 for a well-worn copy to upwards of $300 for mint condition originals. Condition is crucial for this album; look for clean, scratch-free surfaces and intact album art, as these factors greatly influence collectibility. Collectors seek this album not only for its historical significance but also for its influence on the rock genre and the emotional depth of its tracks. 'Rumours' remains a defining piece of vinyl in any serious collector's library, making it a must-have Fleetwood Mac record.

Standout Tracks:
  • Go Your Own Way
  • Dreams
  • Don't Stop
Pressing Notes: Look for original pressings on the green Warner Bros. label; matrix numbers 2WS 3010 A/B indicate first pressings.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #33

Storage

Optimal Vinyl Storage for Longevity

To ensure the longevity and sound quality of your vinyl records, proper storage is paramount. You should store your records vertically, like books on a shelf, to prevent warping and bending. Keep them in a cool, dry environment away from direct sunlight and humidity, as fluctuating temperatures can damage the vinyl and degrade sound quality. Ideally, your storage space should maintain a consistent temperature between 65°F and 70°F. Utilize high-quality inner sleeves made from anti-static materials to protect your records from dust and scratches, which can preserve their $100+ value. Additionally, invest in sturdy outer sleeves to shield your album covers from wear and tear.

It's crucial to organize your collection in a way that allows easy access. This not only makes it enjoyable to browse your collection but also minimizes the risk of mishandling records. Consider labeling your records clearly, so you can quickly locate your favorites without unnecessary friction.

Taking these steps not only protects your investment in record collecting but also enhances your listening experience by ensuring optimal sound quality. Remember, a well-preserved record is a joy to play and can be a valuable asset in your collection for years to come.

Pro Tip: Consider using a hygrometer to monitor humidity levels in your storage space.

Vinyl Market Pulse

↑ Up

British Invasion Vinyl: Market Trends for 2026

The vinyl market is currently witnessing a significant resurgence in interest surrounding British Invasion records, particularly from iconic bands like The Beatles, The Rolling Stones, and The Who. Original pressings of classic albums have seen substantial price movements this year; for instance, an original pressing of The Beatles' 'Please Please Me' now commands over $200, a sharp increase from around $50 last year. This surge is largely fueled by nostalgia as older collectors reminisce about their youth, while newer generations discover these timeless sounds. Additionally, the recent passing of influential artists has prompted fans to seek out vinyl as a lasting tribute. Reissues of classic albums have also contributed to heightened interest, making these records more accessible to new collectors. For those looking to invest, focus on rare pressings, particularly colored vinyl or limited editions, which tend to appreciate faster. Avoid common reissues unless they hold sentimental value. As we look ahead, the future outlook remains positive; with continued interest from both collectors and casual listeners, prices are likely to keep rising. The vinyl renaissance shows no signs of slowing, making now an opportune time to dive into collecting trends of British Invasion records.

Hot Artists: The Beatles, The Rolling Stones, The Who

Genre Spotlight

Funk

The Essential Guide to Funk Vinyl Collecting

Funk vinyl collecting is more than just a hobby; it’s a celebration of a revolutionary genre that transformed the music landscape. Originating in the mid-1960s, funk emerged as a distinct sound characterized by its syncopated rhythms, strong bass lines, and vibrant brass sections. The genre drew influences from soul, jazz, and R&B, but it carved its own identity, marked by artists who were not afraid to push boundaries. The golden era of funk, spanning the late 1960s to the early 1980s, saw the rise of iconic movements like P-Funk, led by George Clinton, which blended psychedelic rock with funk elements, influencing countless musicians.

When it comes to essential artists in funk vinyl collecting, several names stand out. George Clinton and his bands, Parliament and Funkadelic, are pivotal, known for their elaborate live shows and concept albums. James Brown, the 'Godfather of Soul,' was instrumental in shaping the funk sound, with tracks like "Get Up (I Feel Like Being a) Sex Machine." Sly and the Family Stone brought a unique blend of rock and funk, while Earth, Wind & Fire expanded the genre with lush arrangements and harmonies. Other key figures include Curtis Mayfield, whose socially conscious lyrics resonated with many, and The Meters, who laid the groundwork for funk instrumentation.

For any collector, must-own albums are the cornerstone of a solid funk vinyl collection. Start with "Maggot Brain" (1971) by Funkadelic, a psychedelic masterpiece featuring the iconic guitar work of Eddie Hazel. Another essential is "What’s Going On" (1971) by Marvin Gaye, which, while more soulful, incorporates funk elements and remains a timeless classic. Don’t miss "Stand!" (1969) by Sly and the Family Stone, which encapsulates the spirit of the era, and "Let’s Get It On" (1973) by Marvin Gaye, a quintessential funk/soul blend. Lastly, grab a copy of "Funkentelechy vs. the Placebo Syndrome" (1977) by Parliament for a taste of the P-Funk legacy.

When collecting funk records, attention to detail is crucial. Look for original pressings, which are often marked by their unique label designs and packaging. Labels like Casablanca, Motown, and Stax are synonymous with quality funk music. Rare variants, such as colored vinyl or limited editions, can greatly increase value and appeal. Additionally, pay attention to the condition of the vinyl and sleeve, as these factors significantly affect collectibility.

Currently, the market for funk vinyl is thriving, with prices ranging from $20 for common titles to upwards of $500 for rare albums or pristine condition originals

Featured Rarity

Why This Album Is Worth Thousands

The Freewheelin' Bob Dylan by Bob Dylan (1963)

Released in 1963, 'The Freewheelin' Bob Dylan' is a cornerstone of folk music and a definitive moment in Bob Dylan's career. The album is particularly valuable due to its groundbreaking influence and several notable pressing variants. The first pressing on Columbia Records, featuring the original track listing, including songs like 'Blowin' in the Wind', is a hot item among vinyl collectors. But what truly sets this album apart are the variants—rumor has it, some early pressings mistakenly omitted two tracks, which can fetch upwards of $20,000 at auction.

The original US pressing is distinguished by its vibrant blue label with '360 Sound' on it, while the first pressing also features specific matrix numbers such as XSM-49985-1A on Side 1 and XSM-49986-1A on Side 2, which avid collectors seek. Additionally, the cover art has a notable variant: the early editions feature a photo of Dylan with his then-girlfriend Suze Rotolo, which enthusiasts cherish for its historical significance.

Current market values for this iconic vinyl can range from $150 for worn copies to an impressive $25,000 for mint-condition first pressings with the coveted error. Collectors should closely inspect the deadwax for details and ensure that the vibrant cover art has no significant wear. With its musical legacy and the thrill of the hunt, 'The Freewheelin' Bob Dylan' is a must-have for any serious vinyl collector eager to own a piece of music history.

Current Market Value: $150-$25,000