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Saturday, March 21, 2026

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Tony Hearne

Tony Hearne

Tony Hearne, born in South London, UK, made his initial mark in the early 1980s with two single releases: "Without Your Love I'd Go Crazy" and "Gotta Get You Home Tonight," both on NK Records, produced by Neville King and distributed by Jet Star. He later recorded two additional singles, "Shake You Down" and "Sisters and Brothers," for Fresh Beat Records, all of which were UK lovers rock reggae covers of contemporary popular songs.

In the 1990s, Hearne transitioned to a significant role as A&R and studio manager at Dug Out Productions, a studio and record label based in Lewisham, South London. This opportunity arose through his long-term friend and collaborator Paul “Dr Cuz” Cozens. Dug Out Productions was founded by US/UK chart-topping artist Maxi Priest and his brother Martin Elliott. During this time, Hearne played a crucial role in signing UK R&B singer Elisha La'verne, dedicating time to nurture her talent as a singer-songwriter. He subsequently became La'verne's personal manager, where, with the support of Maxi Priest, Martin Elliott, and Jet Star distribution CEO Mr. Palmer, he managed her successful career across the UK, Europe, and Japan while she was signed to Avex Inc. in Japan.

Hearne was pivotal in facilitating various musical collaborations alongside Avex Inc.'s international A&R Ken “Sugarcane” Sato, Avex UK record label manager Yuki Shimahara, and A&R Steve Wren. He worked extensively in the UK, Japan, Europe, and the US, collaborating with Japan's leading R&B producer/songwriter T.Kura in both Tokyo and Soho Studio in the UK. Together, they co-wrote "Give Me a Reason" and "I'm Not Dreaming," which became No. 1 hits in Japan.

As Elisha La'verne released multiple albums, Hearne organized tours and live performances in Japan, Europe, and the UK. He was instrumental in setting up a live show at the Blue Note club in Osaka, Japan, featuring UK singer-songwriter Omar's first performance in the country. Hearne also toured with Maxi Priest in Japan and New York, where he met artists Shaggy and Beenie Man, and was invited to attend Beenie Man's live showcase in New York City.

In the UK, Hearne collaborated with 2B3 Productions' producers/songwriters Neville Thomas and Pule Pheto, as well as music producers Michael Daley, Rickardo Reid, and Wayne Lawes. He worked with UK house music producer/remixer Booker T, Kenny Nicholas, and Trevor Jacobs from Loose Ends, along with US soul songwriter/producer Alan Glass, who later introduced him to Philip Bailey of Earth, Wind & Fire. Other collaborators included George McFarlane, Prime Direction UK, Rod and Hellen Gammons (MBA), singer-songwriter Mark Morrison, US songwriter David “Hawk” Wolinski, and Jazzy B from Soul II Soul, who generously provided studio time in Camden Town, London. Additionally, he worked with songwriter/producer/cinematographer Roger Russell (Double R).

Hearne traveled to Chicago with Elisha La'verne, collaborating with producer/songwriter Kay Fingers at Battery Studios, the home of Jive Records US. While in Chicago, he met a group of rappers named "Nickle Slick," whom he later signed to his management company. He then moved to New York, where he collaborated with producer/songwriters The Characters (Troy Tailor and Charles Farar) at their renowned White Room Studios, resulting in the song "Feeling of Life" among others for La'verne.

Hearne's work took him to Atlanta, Georgia, where he collaborated with producer/songwriters Sean Sep Hall and Nathan Butler, as well as singer-songwriter Pink, leading to the single "Elisha's Not At Home," recorded by La'verne. This collaboration occurred at Darp Studios, where he also met and worked with US R&B singer Monica and rappers Chuck D and Professor Griff from Public Enemy.

In Los Angeles, Hearne continued collaborating on various song titles for La'verne's albums. Among his collaborators were musician/songwriter/producer Marlon McLain and Lavish Records CEO songwriter/producer Shiro Gutzie. Together, they produced a music video for the La'verne song "Elisha's Not At Home," filmed on location in Hollywood and featuring L.A.-based rapper Vooodu. The song was subsequently released by Avex Inc. in Japan and Epic Records in Europe, becoming the theme tune for the German feature film "St. Pauli Nacht" (1999), leading to invitations for both Hearne and La'verne to the film's premiere in Hamburg, Germany.

While in Germany, they filmed an alternative music video for "Elisha's Not At Home," featuring actor Ill-Young Kim. This was not Hearne's first venture into Europe; early in his career, he traveled to Holland to oversee a collaboration that resulted in La'verne working with Dutch R&B music producer/songwriter duo Triple D and Channo One.

Continuing his collaborations in the US, Hearne worked alongside the late singer/songwriter/producer and musical director Big Jim White (Sounds of Blackness) and Professor T in Minneapolis at the famed Flyte Tyme Studios, owned by Jimmy Jam and Terry Lewis. During this time, he received valuable advice from Jimmy Jam, which inspired him throughout his career in the music industry.

Tony Hearne has enjoyed a multifaceted career in music as an artist, songwriter, and later as a personal artist manager. This role has allowed him to travel worldwide and engage with numerous artists and record companies. He credits much of his success to the guidance and support of his mentors, Maxi Priest and Martin Elliott.

Real Name: Kenneth Anthony Hearne

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On This Day in Music History

The Release of AC/DC's 'Back in Black' in the UK (1980)

March 21, 1980, marked a significant moment in rock history with the UK release of AC/DC's iconic album 'Back in Black.' This pivotal album, released as a tribute to their late frontman Bon Scott, showcased Brian Johnson's powerful vocals for the first time and propelled the band to superstardom. Featuring legendary tracks like 'You Shook Me All Night Long' and 'Hells Bells,' 'Back in Black' became an instant classic and has since sold over 50 million copies worldwide, making it one of the best-selling albums of all time.

Upon its release, the album quickly climbed the charts, reaching number 1 in multiple countries, including Canada and Australia, while peaking at number 4 on the Billboard 200 in the United States. The raw energy and heavy riffs encapsulated the essence of hard rock, and fans eagerly sought out the original pressing on vinyl, which soon became a staple in record collections around the globe.

Notably, 'Back in Black' has been released in various formats over the years, including a limited vinyl reissue that appealed to both new listeners and dedicated audiophiles wanting to experience the album in its analog glory. The album’s artwork, featuring a stark black cover with a white logo, became iconic, symbolizing the band’s resilience and strength in the face of adversity.

Decades later, AC/DC's 'Back in Black' continues to influence musicians across genres. Its impact on rock music remains palpable, inspiring countless artists and solidifying the band's legacy as one of the cornerstones of rock history. This album is not just a collection of songs; it captures a pivotal moment in music that resonates even today, particularly within the vinyl community, where it is often sought after as a quintessential addition to any serious record collection.

Rock AC/DC

Album of the Week

Jazz

A Love Supreme (1965)

John Coltrane
A Love Supreme by John Coltrane

Released in 1965, 'A Love Supreme' is a landmark album in the world of jazz, showcasing the profound spiritual journey of John Coltrane. Recorded in a single session at Van Gelder Studio in Englewood Cliffs, New Jersey, the album was released on Impulse! Records and quickly became a critical and commercial success. Coltrane's exploration of spirituality through music resonated with listeners, establishing him as a pivotal figure in jazz. The album has been celebrated not only for its innovative sound but also for its deeply personal narrative and spiritual undertones, making it a touchstone for both musicians and fans alike. Musically, 'A Love Supreme' is significant for its innovative structure and improvisational style. The album is divided into four parts: 'Acknowledgement', 'Resolution', 'Pursuance', and 'Psalm', each contributing to a cohesive narrative arc. The standout track, 'Acknowledgement', opens with the famous four-note motif that serves as a spiritual mantra, setting the tone for the entire piece. 'Resolution' showcases Coltrane's intense saxophone work, while 'Pursuance' features an exhilarating interplay between Coltrane and drummer Elvin Jones. Collectors seeking the 'A Love Supreme' vinyl should be aware of several pressing variations. The original 1965 release in mono is highly sought after, with the black and orange label being particularly desirable. Look for matrix numbers such as AS-77 and the dead wax identifiers that often include 'RVG' for Rudy Van Gelder. Current values range from $20 for later reissues to upwards of $300 for pristine originals. Condition is paramount for this album; look for minimal surface noise and well-maintained jackets, as wear can significantly impact value. Collectors are drawn to 'A Love Supreme' not only for its musical brilliance but also for its cultural significance in the jazz canon. As a reflection of Coltrane's spiritual quest, this record has become an essential piece of vinyl history, making it a must-have for both seasoned collectors and newcomers alike.

Standout Tracks:
  • Acknowledgement
  • Resolution
  • Pursuance
Pressing Notes: Original 1965 mono pressing with black and orange label is highly desirable. Look for matrix AS-77 and 'RVG' in the dead wax.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #80

Cleaning

Mastering Vinyl Care for Longevity

Cleaning your vinyl records is crucial for preserving both their sound quality and investment value. Dust, fingerprints, and grime can degrade audio performance, leading to pops and skips that detract from your listening experience. You should invest in a quality record cleaning solution and microfiber cloths, which can effectively lift dirt without scratching the surface. For deeper cleaning, consider using a record cleaning machine, which can range from $100 to $500, but protects your records' $100+ value by ensuring they remain in pristine condition.

To clean your vinyl, start by gently brushing the surface with a carbon fiber brush to remove loose dust. Then, apply a few drops of your cleaning solution to a microfiber cloth and wipe the record in a circular motion, following the grooves. Always clean from the center outward to avoid putting pressure on the outer edges. This method not only enhances sound quality but also extends the life of your records.

Remember, the environment matters too; store your records vertically in a climate-controlled space to avoid warping. Regular cleaning not only maintains the aesthetic appeal of your collection but also preserves its value over time.

Pro tip: Consider using a distilled water and isopropyl alcohol solution for a DIY cleaning option that’s effective yet gentle on your vinyl.

Pro Tip: Use a distilled water and isopropyl alcohol mix for effective DIY cleaning.

Vinyl Market Pulse

↑ Up

Soul Vinyl: Market Trends for 2026

The vinyl market for Soul records has seen a remarkable surge in interest this year, driven by a blend of nostalgia, high-profile artist deaths, and a resurgence in reissues. Original pressings of classics like Marvin Gaye's 'What's Going On' have skyrocketed, now fetching over $200, up from just $50 last year. The allure of Soul music, characterized by its emotive sound and rich history, continues to captivate collectors, particularly with recent documentaries shedding light on iconic figures in the genre. As more people turn to vinyl as a tangible investment, Soul records have become a hot commodity. Collectors should focus on original pressings and significant reissues from labels like Motown and Stax, as these are likely to appreciate in value. Albums from artists like Aretha Franklin and Otis Redding are also safe bets. Selling lesser-known titles or standard reissues can help fund these more lucrative investments. Looking ahead, the outlook appears positive; as the nostalgia for classic Soul persists and the vinyl format remains popular, prices are expected to continue on an upward trajectory. Investing in Soul vinyl not only offers the chance for financial gain but also enriches your listening experience with timeless music.

Hot Artists: Marvin Gaye, Aretha Franklin, Otis Redding

Genre Spotlight

New Wave

The Essential Guide to New Wave Vinyl Collecting

New Wave emerged in the late 1970s as a dynamic genre that combined elements of punk rock, pop, and electronic music, giving birth to a sound that was both innovative and commercially viable. Often associated with the rise of synthesizers and the DIY ethos of the punk movement, New Wave became a defining genre of the 1980s. Its origins can be traced back to bands experimenting with avant-garde sounds, leading to the genre's golden era characterized by catchy melodies and a penchant for theatricality. Movements such as synth-pop and post-punk played pivotal roles in shaping the New Wave landscape, leading to a rich catalog of music that continues to resonate today.

When it comes to essential artists in New Wave, a few names stand out. First, we have Talking Heads, known for their eclectic sound and artistic music videos that redefined visual storytelling in music. Second, Blondie, whose fusion of punk and disco led to chart-topping hits like "Heart of Glass." The B-52's brought a quirky, fun vibe with their distinctive sound, while Depeche Mode pioneered the use of synthesizers, creating timeless tracks that still captivate listeners. Duran Duran, with their glam aesthetics and catchy hooks, defined the MTV generation, while The Cure's melancholic melodies and goth influences added depth to the genre. Lastly, Gary Numan brought sci-fi themes to the forefront with his groundbreaking album "Speak & Spell."

For collectors, several must-own albums define the New Wave genre. First on the list is "Speak & Spell" (1981) by Depeche Mode, featuring the hit “Just Can't Get Enough.” Next, Blondie's "Parallel Lines" (1978) is a quintessential album that showcases the band's unique blend of styles and produced classics like “Heart of Glass.” The B-52's self-titled debut (1979) is another essential, bursting with energy and creativity. Duran Duran's "Rio" (1982) is a staple for its infectious hooks and iconic tracks like “Hungry Like the Wolf.” Finally, "Remain in Light" (1980) by Talking Heads is a landmark album that pushed the boundaries of what New Wave could achieve.

When collecting New Wave vinyl, it's essential to pay attention to pressing info, labels, and rare variants. Look for first pressings, which are often marked with unique identifiers on the label. Labels like Sire, EMI, and Chrysalis are notable for their association with many New Wave acts. Additionally, limited edition colored vinyl or picture discs can significantly increase a record's value.

As of now, the market for New Wave vinyl records is thriving. Collectibility is high, with price ranges varying widely, from around $

Featured Rarity

Why This Album Is Worth Thousands

Blonde on Blonde by Bob Dylan (1966)

Bob Dylan's "Blonde on Blonde" is not just an iconic album; it's a cornerstone of vinyl collecting. Released in 1966, this double LP was groundbreaking in its fusion of rock and folk, and it marked Dylan's artistic evolution. Collectors are drawn to its value for several reasons, including its unique sound, lyrical depth, and historical significance. The first pressing of this masterpiece, particularly the original US Columbia Records version with the matrix number "AL 2400" and the iconic '360 Sound' label, can fetch high prices, often ranging from $1,500 to $25,000, depending on condition and rarity.

Among the pressing variants, the original UK pressing on CBS is also sought after, sometimes valued at $500 to $2,000. Some collectors hunt for the rare first pressing with the error track listing on the back cover—something that adds intrigue and desirability.

What's fascinating is that "Blonde on Blonde" was one of the first double albums in rock history, which adds to its collectibility. True fans and collectors will also look for specific features: the label details, matrix numbers, and even the deadwax inscriptions. A variant with clean artwork, no ring wear, and intact spine can significantly increase value. In the thriving world of vinyl collecting, this album stands out as a must-have for serious collectors. Its rich history and musical genius ensure that every spin on the turntable is a journey back in time, making it an investment that you can actually enjoy. Don't miss your chance to own a piece of musical history!

Current Market Value: $1,500-$25,000