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Mickey Hawks

Mickey Hawks

Mickey Hawks (born 17 July 1940 in Thomasville, North Carolina; died 15 August 1989 in Rockingham, North Carolina) was among the few rock 'n' roll artists of the 1950s who remained steadfast in his original musical style, characterized by his powerful vocals and energetic piano performances. Although he never achieved a national hit, Hawks sustained a living through his music until his untimely passing at the age of 49.

At the age of two, Hawks and his family relocated from Thomasville to High Point, North Carolina, where he would reside for the next 25 years before eventually moving to Reidsville, near the Virginia state line. As the fifth of six children, he began learning the piano from his mother at the age of thirteen. Influenced by artists such as Little Richard and Jerry Lee Lewis, Mickey formed his first band, The Rhythm Rockers, in 1956.

In September 1957, he joined The Night Raiders, a group led by Moon Mullins, who had a local radio show and played the saxophone. After playing together for a time, Mullins expressed a desire for the band to record a song for sale at local dances and asked Hawks to write one. The result was "Bip Bop Boom," a lively rock number that became closely associated with Hawks. The song was recorded in May 1958 for the Robbins Red label in Greensboro, North Carolina, owned by Eddie Robbins. A limited pressing of 500 copies was made on red vinyl, which sold at gigs.

Mullins managed to have the record released simultaneously on the Mart label based in Martinsville, Virginia. The master was later acquired by Mike Oury, who owned the Profile label in Chicago. A remixed version of "Bip Bop Boom" was released on Profile 4002 in October 1958. While the Mart release credited Moon Mullins and his Night Raiders, the Profile version recognized "Mickey Hawks with Moon Mullins and his Night Raiders." This third release sold around 50,000 copies, particularly thriving in Chicago and even reaching South Africa, where it reportedly became a number one record in Johannesburg.

Oury signed The Night Raiders to a three-year contract, but their subsequent singles—“Cotton Pickin’”/“Hidi Hidi Hidi” (1959) and “Screamin’ Mimi Jeanie”/“I’m Lost” (1960)—did not replicate the success of "Bip Bop Boom." The band toured for about a month to promote each release, garnering positive responses from most audiences, although they faced challenges in venues accustomed to traditional country music. At times, their energetic performances led to crowd control issues, resulting in refunds for dissatisfied patrons. On stage, the dynamic Hawks could mimic a range of artists, from Fats Domino to Chuck Berry, alongside his inspirations, Jerry Lee Lewis and Little Richard.

The 1960s brought a slowdown in activity. Apart from a reissue of "Cotton Pickin'" in 1961 on the Hunch label, the band released only one single, "Gonna Dance Tonight, Parts 1 & 2," on the Lance label in 1961, featuring Hawks on piano and Mullins on vocals and saxophone. In 1963, the band temporarily parted ways with Mullins and continued as The Night Raiders, performing mainly in Virginia, where they also had a television show called "Saturday Night Country Style." They recorded new material in 1968 and 1971, but these efforts either did not sell or remained unreleased. In 1971, Cees Klop reissued the six Profile recordings on one side of a Collector LP, and "Bip Bop Boom" was re-released as a single in the UK in 1977 and in Sweden in 1982.

In the 1980s, Hawks toured Europe several times and recorded a new album, "Sounds Of the 50's," in 1989. Tragically, he passed away from a heart attack at his home while playing the piano. His legacy endures through songs like "Bip Bop Boom" and "Screamin' Mimi Jeanie," which exemplify the essence of unrefined rock 'n' roll.

Real Name: David Michael Hawks

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On This Day in Music History

The Release of AC/DC's 'Back in Black' in the UK (1980)

March 21, 1980, marked a significant moment in rock history with the UK release of AC/DC's iconic album 'Back in Black.' This pivotal album, released as a tribute to their late frontman Bon Scott, showcased Brian Johnson's powerful vocals for the first time and propelled the band to superstardom. Featuring legendary tracks like 'You Shook Me All Night Long' and 'Hells Bells,' 'Back in Black' became an instant classic and has since sold over 50 million copies worldwide, making it one of the best-selling albums of all time.

Upon its release, the album quickly climbed the charts, reaching number 1 in multiple countries, including Canada and Australia, while peaking at number 4 on the Billboard 200 in the United States. The raw energy and heavy riffs encapsulated the essence of hard rock, and fans eagerly sought out the original pressing on vinyl, which soon became a staple in record collections around the globe.

Notably, 'Back in Black' has been released in various formats over the years, including a limited vinyl reissue that appealed to both new listeners and dedicated audiophiles wanting to experience the album in its analog glory. The album’s artwork, featuring a stark black cover with a white logo, became iconic, symbolizing the band’s resilience and strength in the face of adversity.

Decades later, AC/DC's 'Back in Black' continues to influence musicians across genres. Its impact on rock music remains palpable, inspiring countless artists and solidifying the band's legacy as one of the cornerstones of rock history. This album is not just a collection of songs; it captures a pivotal moment in music that resonates even today, particularly within the vinyl community, where it is often sought after as a quintessential addition to any serious record collection.

Rock AC/DC

Album of the Week

Jazz

A Love Supreme (1965)

John Coltrane
A Love Supreme by John Coltrane

Released in 1965, 'A Love Supreme' is a landmark album in the world of jazz, showcasing the profound spiritual journey of John Coltrane. Recorded in a single session at Van Gelder Studio in Englewood Cliffs, New Jersey, the album was released on Impulse! Records and quickly became a critical and commercial success. Coltrane's exploration of spirituality through music resonated with listeners, establishing him as a pivotal figure in jazz. The album has been celebrated not only for its innovative sound but also for its deeply personal narrative and spiritual undertones, making it a touchstone for both musicians and fans alike. Musically, 'A Love Supreme' is significant for its innovative structure and improvisational style. The album is divided into four parts: 'Acknowledgement', 'Resolution', 'Pursuance', and 'Psalm', each contributing to a cohesive narrative arc. The standout track, 'Acknowledgement', opens with the famous four-note motif that serves as a spiritual mantra, setting the tone for the entire piece. 'Resolution' showcases Coltrane's intense saxophone work, while 'Pursuance' features an exhilarating interplay between Coltrane and drummer Elvin Jones. Collectors seeking the 'A Love Supreme' vinyl should be aware of several pressing variations. The original 1965 release in mono is highly sought after, with the black and orange label being particularly desirable. Look for matrix numbers such as AS-77 and the dead wax identifiers that often include 'RVG' for Rudy Van Gelder. Current values range from $20 for later reissues to upwards of $300 for pristine originals. Condition is paramount for this album; look for minimal surface noise and well-maintained jackets, as wear can significantly impact value. Collectors are drawn to 'A Love Supreme' not only for its musical brilliance but also for its cultural significance in the jazz canon. As a reflection of Coltrane's spiritual quest, this record has become an essential piece of vinyl history, making it a must-have for both seasoned collectors and newcomers alike.

Standout Tracks:
  • Acknowledgement
  • Resolution
  • Pursuance
Pressing Notes: Original 1965 mono pressing with black and orange label is highly desirable. Look for matrix AS-77 and 'RVG' in the dead wax.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #80

Cleaning

Mastering Vinyl Care for Longevity

Cleaning your vinyl records is crucial for preserving both their sound quality and investment value. Dust, fingerprints, and grime can degrade audio performance, leading to pops and skips that detract from your listening experience. You should invest in a quality record cleaning solution and microfiber cloths, which can effectively lift dirt without scratching the surface. For deeper cleaning, consider using a record cleaning machine, which can range from $100 to $500, but protects your records' $100+ value by ensuring they remain in pristine condition.

To clean your vinyl, start by gently brushing the surface with a carbon fiber brush to remove loose dust. Then, apply a few drops of your cleaning solution to a microfiber cloth and wipe the record in a circular motion, following the grooves. Always clean from the center outward to avoid putting pressure on the outer edges. This method not only enhances sound quality but also extends the life of your records.

Remember, the environment matters too; store your records vertically in a climate-controlled space to avoid warping. Regular cleaning not only maintains the aesthetic appeal of your collection but also preserves its value over time.

Pro tip: Consider using a distilled water and isopropyl alcohol solution for a DIY cleaning option that’s effective yet gentle on your vinyl.

Pro Tip: Use a distilled water and isopropyl alcohol mix for effective DIY cleaning.

Vinyl Market Pulse

↑ Up

Soul Vinyl: Market Trends for 2026

The vinyl market for Soul records has seen a remarkable surge in interest this year, driven by a blend of nostalgia, high-profile artist deaths, and a resurgence in reissues. Original pressings of classics like Marvin Gaye's 'What's Going On' have skyrocketed, now fetching over $200, up from just $50 last year. The allure of Soul music, characterized by its emotive sound and rich history, continues to captivate collectors, particularly with recent documentaries shedding light on iconic figures in the genre. As more people turn to vinyl as a tangible investment, Soul records have become a hot commodity. Collectors should focus on original pressings and significant reissues from labels like Motown and Stax, as these are likely to appreciate in value. Albums from artists like Aretha Franklin and Otis Redding are also safe bets. Selling lesser-known titles or standard reissues can help fund these more lucrative investments. Looking ahead, the outlook appears positive; as the nostalgia for classic Soul persists and the vinyl format remains popular, prices are expected to continue on an upward trajectory. Investing in Soul vinyl not only offers the chance for financial gain but also enriches your listening experience with timeless music.

Hot Artists: Marvin Gaye, Aretha Franklin, Otis Redding

Genre Spotlight

New Wave

The Essential Guide to New Wave Vinyl Collecting

New Wave emerged in the late 1970s as a dynamic genre that combined elements of punk rock, pop, and electronic music, giving birth to a sound that was both innovative and commercially viable. Often associated with the rise of synthesizers and the DIY ethos of the punk movement, New Wave became a defining genre of the 1980s. Its origins can be traced back to bands experimenting with avant-garde sounds, leading to the genre's golden era characterized by catchy melodies and a penchant for theatricality. Movements such as synth-pop and post-punk played pivotal roles in shaping the New Wave landscape, leading to a rich catalog of music that continues to resonate today.

When it comes to essential artists in New Wave, a few names stand out. First, we have Talking Heads, known for their eclectic sound and artistic music videos that redefined visual storytelling in music. Second, Blondie, whose fusion of punk and disco led to chart-topping hits like "Heart of Glass." The B-52's brought a quirky, fun vibe with their distinctive sound, while Depeche Mode pioneered the use of synthesizers, creating timeless tracks that still captivate listeners. Duran Duran, with their glam aesthetics and catchy hooks, defined the MTV generation, while The Cure's melancholic melodies and goth influences added depth to the genre. Lastly, Gary Numan brought sci-fi themes to the forefront with his groundbreaking album "Speak & Spell."

For collectors, several must-own albums define the New Wave genre. First on the list is "Speak & Spell" (1981) by Depeche Mode, featuring the hit “Just Can't Get Enough.” Next, Blondie's "Parallel Lines" (1978) is a quintessential album that showcases the band's unique blend of styles and produced classics like “Heart of Glass.” The B-52's self-titled debut (1979) is another essential, bursting with energy and creativity. Duran Duran's "Rio" (1982) is a staple for its infectious hooks and iconic tracks like “Hungry Like the Wolf.” Finally, "Remain in Light" (1980) by Talking Heads is a landmark album that pushed the boundaries of what New Wave could achieve.

When collecting New Wave vinyl, it's essential to pay attention to pressing info, labels, and rare variants. Look for first pressings, which are often marked with unique identifiers on the label. Labels like Sire, EMI, and Chrysalis are notable for their association with many New Wave acts. Additionally, limited edition colored vinyl or picture discs can significantly increase a record's value.

As of now, the market for New Wave vinyl records is thriving. Collectibility is high, with price ranges varying widely, from around $

Featured Rarity

Why This Album Is Worth Thousands

Blonde on Blonde by Bob Dylan (1966)

Bob Dylan's "Blonde on Blonde" is not just an iconic album; it's a cornerstone of vinyl collecting. Released in 1966, this double LP was groundbreaking in its fusion of rock and folk, and it marked Dylan's artistic evolution. Collectors are drawn to its value for several reasons, including its unique sound, lyrical depth, and historical significance. The first pressing of this masterpiece, particularly the original US Columbia Records version with the matrix number "AL 2400" and the iconic '360 Sound' label, can fetch high prices, often ranging from $1,500 to $25,000, depending on condition and rarity.

Among the pressing variants, the original UK pressing on CBS is also sought after, sometimes valued at $500 to $2,000. Some collectors hunt for the rare first pressing with the error track listing on the back cover—something that adds intrigue and desirability.

What's fascinating is that "Blonde on Blonde" was one of the first double albums in rock history, which adds to its collectibility. True fans and collectors will also look for specific features: the label details, matrix numbers, and even the deadwax inscriptions. A variant with clean artwork, no ring wear, and intact spine can significantly increase value. In the thriving world of vinyl collecting, this album stands out as a must-have for serious collectors. Its rich history and musical genius ensure that every spin on the turntable is a journey back in time, making it an investment that you can actually enjoy. Don't miss your chance to own a piece of musical history!

Current Market Value: $1,500-$25,000