Harry Whittaker, a prominent Guyanese saxophonist, was born into a musical family on December 13, 1922, and passed away in 1991. His musical journey began early, sparked by a Christmas gift from his mother: a harmonica, which he taught himself to play. By the age of 14, he was already making waves as a clarinet player in his father's band, affectionately known as “Tucky.”
A pivotal moment in Whittaker's career occurred one night at a dance when his father, unable to perform due to intoxication, left Harry to take up the Alto Saxophone. Drawing from his clarinet experience and determined not to disappoint the audience, young Whittaker successfully entertained the crowd, marking the beginning of his lifelong dedication to the saxophone. The instrument became his signature, and he soon established himself as a leading figure in the Guyanese music scene, performing with notable bands such as the Syncopators, initially led by Ferdinand Eversley and later by Tom Charles, as well as the Washboards.
In 1956, Whittaker took on the role of bandleader for the first time, forming the Caribbean All Stars, which included musicians like Clem Thomas on drums and Richard “Janno” Giles on trumpet. Although this group was short-lived, Whittaker continued to showcase his saxophone prowess. A significant milestone in his career was reached in 1964 when he joined the “560 Jazz Quartet,” led by drummer Sebastian Broomes. The quartet regularly performed at Radio Demerara and recorded the acclaimed album "A Saxful of Harry" on October 11, 1964, which achieved international success thanks to Whittaker's unique arrangements of popular tunes.
The following year, he established the Harry Whittaker All Stars, under which he collaborated with various artists, arranging music for singers such as Lord Canary (Malcolm Corrica), King Fighter, and Lord Inventor (Eddie Hooper). His arrangements for Bill Rogers, known as Guyana’s Shanto King, and the hit "Roll the Stones of Hindrance Away," performed by Evelyn John, further showcased his versatility. Whittaker's ability to traverse genres from jazz to calypso enriched the musical landscape from the 1930s to the 1980s.
In 1969, during a visit from the legendary Duke Ellington and his orchestra, Whittaker had the opportunity to perform for these jazz icons. His impressive performance led to job offers in the United States and Canada, which he declined, stating, “If we all leave Guyana what’s going to happen?” This commitment to his roots underscored his dedication to preserving jazz in Guyana.
Whittaker continued to influence the music scene by performing with the Police Band and other groups. The National Cultural Centre was inaugurated on May 26, 1976, with a show titled "Span of Times," featuring Whittaker among other Guyanese artists. In the late 1970s, he revitalized the jazz scene with the Harry Whittaker Jazz Sextet, which garnered recognition from Downbeat Magazine as one of the finest ensembles in the Caribbean. The sextet became well-known for its Sunday afternoon concerts, drawing large crowds and reawakening interest in jazz.
Throughout his career, Whittaker collaborated with various musicians, including guitarist Adrian Van Sertima, tenor saxophonist Duce Jeffrey, and vocalist Billy Wade. He played alongside tenor saxophonist Roddy Fraser for twelve years and was instrumental in nurturing young talents such as Nelta Wyatt and Compton Hodge. Influenced by the great Charlie Parker, Whittaker developed a unique style that set him apart.
In 1963, an unofficial friendly competition between Whittaker and “Count Profitt" of the Washboards showcased both musicians' exceptional skills. Despite the rivalry, Whittaker was ultimately recognized as the winner, further solidifying his status in the music community.
Harry Whittaker is remembered as a musical legend and a pioneer of jazz in Guyana, contributing to the scene for over forty years. He concluded his remarkable journey with a performance at the John F. Kennedy Library, where he took his final bow on July 1, 1985.
