Honofrio Guarracino (circa December 1627, Naples, Italy — post 1698, Naples) was a notable Italian maker of virginals and harpsichords, active during the latter half of the 17th century. Renowned in his own time, Guarracino was considered one of the most accomplished builders in Naples, navigating a tumultuous period marked by political and economic instability, numerous plagues, and at least four eruptions of Mount Vesuvius. His surviving instruments primarily consist of rectangular virginals, alongside two bentside spinets and several harpsichords, which were recently identified by a Canadian musicologist and researcher.
Guarracino fathered eight children, none of whom pursued his craft. The precise date of his death remains unknown, but the last record of him in city archives dates to January 1698, when he would have been 70 years old. There are no further mentions of him until his son’s records in 1711, which indicate that Onofrio had passed away.
He was baptized on January 4, 1628, at the San Giuseppe Maggiore church, suggesting he was likely born in late December 1627. Most historians agree that the time between birth and baptism in 17th-century Europe generally spanned several days or even weeks. Research conducted by Neapolitan organologist and musicologist Francesco Nocerino reveals that Guarracino thrived in his adult life, renting three upscale apartments and operating multiple workshops. He excelled in a competitive market, consistently maintaining high quality and exquisite decorations despite aggressive pricing strategies from local competitors. In addition to crafting harpsichords, virginals, and spinets, Guarracino was also a respected dealer and appraiser of antique instruments.
His instruments are characterized by enharmonic keyboards and unconventional compasses, featuring up to 19 notes per octave designed to produce various pitch levels, sometimes a whole tone apart. Another notable aspect of Guarracino’s harpsichords is their intricately carved keyscrolls, which often display gilt vines or depictions of human figures and mythological creatures. Typically, he signed the top or bottom key lever rather than the nameboard, and the majority of his surviving instruments are virginals, dated between 1651 and 1694. In his late 2010s research, Grant O'Brien attributed several unsigned harpsichords to Guarracino, found in collections including the Giulini Collection in Milan, the Museum für Kunst und Gewerbe in Hamburg, and others in New York.
Onofrio Guarracino Instruments
- c. 1650 Harpsichord, unsigned, at the [Museum of Music History](https://discogs.com/label/689803) in The Hague, Netherlands
- c. 1640/60 Harpsichord, unsigned, at the [Musikinstrumentenmuseum](https://discogs.com/label/496900) in Berlin, Germany
- 1651 Harpsichord, owned by Andrea Coen in Rome, Italy
- 1652 Virginal, owned by Pier Paolo Donati in Florence, Italy. Compass: C/E–c3, short octave
- 1661 Virginal at the [Musikinstrumentenmuseum](https://discogs.com/label/496900) in Berlin, Germany. Compass: C/E–c3, short octave
- 1663 Virginal, formerly owned by Luigi Ferdinando Tagliavini, purchased in 1974 from an antique dealer in Ferrara; restored in 1977 by Ennio De Matteis. Compass: C/E–c3, short octave
- 1667 Virginal at Museo Teatrale Alla Scala in Milan, Italy. Compass: C/E–c3, short octave
- 1668 Virginal at the [Horniman Museum & Library](https://discogs.com/label/851858) in London, UK. Compass: C/E–c3(A), short octave
- 1668 Spinet at the [Museo Nazionale degli Strumenti Musicali](https://discogs.com/release/17898475) in Rome, Italy. Compass: C/E–c3, short octave
- c. 1675 Harpsichord at the [Royal College of Music](https://discogs.com/label/290263) in London, UK
- 1677 Virginal at Museo Nazionale degli Strumenti Musicali in Rome, Italy. Compass: C/E–c3, short octave
- 1678 Virginal at the [Edinburgh University](https://discogs.com/label/719384) collection at [St Cecilia's Hall](https://discogs.com/label/1211289) in Edinburgh, Scotland; formerly owned by [Hugh Gough](https://discogs.com/artist/3589607) (1954) and later by [Dr. James Rodger Mirrey](https://discogs.com/artist/13518187). Compass: C/E–c3, short octave
- 1683 Virginal, privately owned by Richard T. Boston in King's Worthy, UK. Compass: C/E–c3(A), short octave
- 1692 Virginal at Museo Nazionale degli Strumenti Musicali in Rome, Italy. Compass: C/E–c3, short octave