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Monday, February 2, 2026

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David Ganc

David Ganc

David Ganc began his musical journey in the 1970s as a member of the cult band A Barca do Sol, which released three albums, the first of which was produced by Egberto Gismonti. Following the band's disbandment in 1980, David relocated to the United States, where he graduated from Berklee College of Music in 1984 with a degree in Professional Music. He also obtained a diploma in Classical Flute from the Federal University of Rio de Janeiro. Upon returning to Brazil, he quickly established himself as a highly sought-after studio musician, contributing to prominent projects such as Caetano Veloso's "Livro" (which won a Grammy Award in 2000) and "A Foreign Sound" (2003), Djavan's Songbook (1995), Gal Costa's "Sings Chico and Caetano - Mina D'Água" (1994), and works by Beto Guedes ("Dias de Paz" - 1998), Alceu Valença (1997), Paulo Moura (1988), Luiz Melodia (1991), Nivaldo Ornelas (1990), Olivia Byington (1978 and 1980), Moraes Moreira (1994), Simone (1995), Alcione (1996/97/99), Cássia Eller (1999), and Chico Buarque’s Songbook (1999), as well as Elba Ramalho's "Solar" (1999), among many others. His extensive contributions exceed over 150 CDs and LPs.

David's work can also be found on "Contemporary Instrumental Music from Brazil," featuring Nando Carneiro (Windham Hill, 1993), "Contemporary Brazilian Woodwind Players," a compilation of Brazil’s finest woodwind musicians released by Visom Digital (1994), and "Os Bambas Da Flauta" ("Flute Masters") from Kuarup Records (2003), which showcases leading Brazilian flute players.

In a notable highlight of his career, David was specially appointed by the Festival’s organizing committee to perform in Stevie Wonder's orchestra during the 10th edition of the Free Jazz Festival in Rio and São Paulo (1995). He also participated in the Free Jazz Festival in 1999 with Vittor Santos’s Orchestra and again in 2001 with The Temptations. In 2001, he performed at the Mellon Jazz Festival at the Manchester Craftmen’s Guild in Pittsburgh, USA, and took part in the Concert Tones of Nature, a tribute to Antonio Carlos Jobim, featuring compositions by Flavio Chamis and artists such as Eliane Elias and Marc Johnson. For six years, he collaborated with singer Elba Ramalho, engaging in numerous recording sessions and concerts across Brazil, the United States, France, Italy, Portugal, Germany, Mexico, Uruguay, and Switzerland, including a performance at the Montreux Jazz Festival in 1999.

David has also been featured in concerts and television presentations alongside notable artists like João Bosco, Emílio Santiago, Tim Maia, Nelson Gonçalves, Tim Rescala, Zé Ramalho, Geraldo Azevedo, Olivia Byington, and many others, as well as performing with the Brazilian Symphony Orchestra and Brasília’s Symphony Orchestra.

In 1996, David released his debut solo album, "Brazilian Ballads," through Brazilian label Leblon Records and French label Buda Records, which saw worldwide distribution. This album showcases his interpretations of Brazilian standards with original arrangements for strings and woodwinds.

His second solo CD, "Caldo de Cana," released by Kuarup Records in 2000, highlights David's dedication to the flute, featuring a repertoire infused with a sophisticated Brazilian essence. The album includes his own compositions as well as pieces by Geraldo Vandré, Tom Jobim, Nivaldo Ornelas, and Nando Carneiro, all enhanced by original arrangements and contributions from a distinguished group of Brazilian instrumentalists.

David’s third project, "David Ganc & Quarteto de Cordas Guerra Peixe interpret Tom Jobim," released by Kuarup Records in 2004, was nominated for the TIM Prize in 2005 for Best Instrumental Group. This album pays tribute to the legendary Brazilian composer by presenting original arrangements for flute/sax and string quartet, blending classical elements with Brazilian musical styles and exploring a lesser-known aspect of Jobim's work: his chamber music compositions.

In 2005, David collaborated with Mário Sève on a choro CD titled “Pixinguinha + Benedito,” released by Núcleo Contemporâneo in São Paulo, where the two musicians celebrate the legacy of this iconic duo through their performances on saxophone and flute.

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On This Day in Music History

The Beatles' Final Public Performance (1969)

On February 2, 1969, The Beatles gave their last public performance on the rooftop of the Apple Corps building in London, a defining moment not only in the band's storied career but also in the history of rock music. This impromptu concert, which served as the climax for their film "Let It Be," was a powerful showcase of the band's talent, drawing crowds and creating a jubilant atmosphere in the streets below. As the iconic notes of 'Get Back' rang out across the city, it became clear that this was a singular event, punctuated by the band's synergy and the palpable energy of the crowd.

The performance featured classic tracks such as 'Don't Let Me Down' and 'I've Got a Feeling.' Filmed for the documentary, it captured The Beatles during a tumultuous period as they were grappling with internal conflicts yet still producing some of their most enduring work. This concert marked the last time the group performed together in public before their eventual split, making it an essential piece of music history.

The live recording from that day was later immortalized in the "Let It Be" album, which reached number one on the Billboard 200 chart and featured an original vinyl release that is highly sought after by collectors today. The rooftop concert was not only a farewell to live performances but also a powerful statement on the artistic creativity that had defined the Beatles’ legacy.

The influence of this performance cannot be understated, as it continues to resonate with fans and musicians alike, often hailed as an integral moment of the 1960s music scene. Even decades later, collectors cherish original pressings of the "Let It Be" album, a testament to its lasting appeal and the band's monumental impact on the world of music.

Rock The Beatles

Album of the Week

Rock

Rumours (1977)

Fleetwood Mac
Rumours by Fleetwood Mac

Released in 1977, Fleetwood Mac's 'Rumours' emerged during a tumultuous period for the band, characterized by personal conflicts and romantic entanglements. The album was recorded in California and was produced by Ken Caillat and Richard Dashut. Its release was met with massive commercial success, quickly reaching the top of the charts and staying there for an unprecedented 31 weeks. The reception was overwhelmingly positive, with critics praising its intricate harmonies and production quality, solidifying its place as a cornerstone of classic rock. 'Rumours' is not only significant for its commercial success but also for its musical innovation. The album features a blend of rock, pop, and folk influences, marked by lush arrangements and deeply emotional lyrics that resonate with listeners. Standout tracks include "Go Your Own Way," an anthem of heartbreak featuring Lindsay Buckingham's dynamic guitar work and Christine McVie's haunting vocals, and "Dreams," which showcases Stevie Nicks' ethereal voice and has become one of the band's most enduring hits. Pressing variations for 'Rumours' are abundant, with original pressings on the green Warner Bros. label being particularly sought after. Collectors should look for matrix numbers such as 2WS 3010 A and 2WS 3010 B, which indicate the first pressing. The reissues often lack the same depth of sound found in the original vinyl pressings. Current values for 'Rumours' vinyl can range from $20 for a well-worn copy to upwards of $300 for mint condition originals. Condition is crucial for this album; look for clean, scratch-free surfaces and intact album art, as these factors greatly influence collectibility. Collectors seek this album not only for its historical significance but also for its influence on the rock genre and the emotional depth of its tracks. 'Rumours' remains a defining piece of vinyl in any serious collector's library, making it a must-have Fleetwood Mac record.

Standout Tracks:
  • Go Your Own Way
  • Dreams
  • Don't Stop
Pressing Notes: Look for original pressings on the green Warner Bros. label; matrix numbers 2WS 3010 A/B indicate first pressings.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #33

Storage

Optimal Vinyl Storage for Longevity

To ensure the longevity and sound quality of your vinyl records, proper storage is paramount. You should store your records vertically, like books on a shelf, to prevent warping and bending. Keep them in a cool, dry environment away from direct sunlight and humidity, as fluctuating temperatures can damage the vinyl and degrade sound quality. Ideally, your storage space should maintain a consistent temperature between 65°F and 70°F. Utilize high-quality inner sleeves made from anti-static materials to protect your records from dust and scratches, which can preserve their $100+ value. Additionally, invest in sturdy outer sleeves to shield your album covers from wear and tear.

It's crucial to organize your collection in a way that allows easy access. This not only makes it enjoyable to browse your collection but also minimizes the risk of mishandling records. Consider labeling your records clearly, so you can quickly locate your favorites without unnecessary friction.

Taking these steps not only protects your investment in record collecting but also enhances your listening experience by ensuring optimal sound quality. Remember, a well-preserved record is a joy to play and can be a valuable asset in your collection for years to come.

Pro Tip: Consider using a hygrometer to monitor humidity levels in your storage space.

Vinyl Market Pulse

↑ Up

British Invasion Vinyl: Market Trends for 2026

The vinyl market is currently witnessing a significant resurgence in interest surrounding British Invasion records, particularly from iconic bands like The Beatles, The Rolling Stones, and The Who. Original pressings of classic albums have seen substantial price movements this year; for instance, an original pressing of The Beatles' 'Please Please Me' now commands over $200, a sharp increase from around $50 last year. This surge is largely fueled by nostalgia as older collectors reminisce about their youth, while newer generations discover these timeless sounds. Additionally, the recent passing of influential artists has prompted fans to seek out vinyl as a lasting tribute. Reissues of classic albums have also contributed to heightened interest, making these records more accessible to new collectors. For those looking to invest, focus on rare pressings, particularly colored vinyl or limited editions, which tend to appreciate faster. Avoid common reissues unless they hold sentimental value. As we look ahead, the future outlook remains positive; with continued interest from both collectors and casual listeners, prices are likely to keep rising. The vinyl renaissance shows no signs of slowing, making now an opportune time to dive into collecting trends of British Invasion records.

Hot Artists: The Beatles, The Rolling Stones, The Who

Genre Spotlight

Funk

The Essential Guide to Funk Vinyl Collecting

Funk vinyl collecting is more than just a hobby; it’s a celebration of a revolutionary genre that transformed the music landscape. Originating in the mid-1960s, funk emerged as a distinct sound characterized by its syncopated rhythms, strong bass lines, and vibrant brass sections. The genre drew influences from soul, jazz, and R&B, but it carved its own identity, marked by artists who were not afraid to push boundaries. The golden era of funk, spanning the late 1960s to the early 1980s, saw the rise of iconic movements like P-Funk, led by George Clinton, which blended psychedelic rock with funk elements, influencing countless musicians.

When it comes to essential artists in funk vinyl collecting, several names stand out. George Clinton and his bands, Parliament and Funkadelic, are pivotal, known for their elaborate live shows and concept albums. James Brown, the 'Godfather of Soul,' was instrumental in shaping the funk sound, with tracks like "Get Up (I Feel Like Being a) Sex Machine." Sly and the Family Stone brought a unique blend of rock and funk, while Earth, Wind & Fire expanded the genre with lush arrangements and harmonies. Other key figures include Curtis Mayfield, whose socially conscious lyrics resonated with many, and The Meters, who laid the groundwork for funk instrumentation.

For any collector, must-own albums are the cornerstone of a solid funk vinyl collection. Start with "Maggot Brain" (1971) by Funkadelic, a psychedelic masterpiece featuring the iconic guitar work of Eddie Hazel. Another essential is "What’s Going On" (1971) by Marvin Gaye, which, while more soulful, incorporates funk elements and remains a timeless classic. Don’t miss "Stand!" (1969) by Sly and the Family Stone, which encapsulates the spirit of the era, and "Let’s Get It On" (1973) by Marvin Gaye, a quintessential funk/soul blend. Lastly, grab a copy of "Funkentelechy vs. the Placebo Syndrome" (1977) by Parliament for a taste of the P-Funk legacy.

When collecting funk records, attention to detail is crucial. Look for original pressings, which are often marked by their unique label designs and packaging. Labels like Casablanca, Motown, and Stax are synonymous with quality funk music. Rare variants, such as colored vinyl or limited editions, can greatly increase value and appeal. Additionally, pay attention to the condition of the vinyl and sleeve, as these factors significantly affect collectibility.

Currently, the market for funk vinyl is thriving, with prices ranging from $20 for common titles to upwards of $500 for rare albums or pristine condition originals

Featured Rarity

Why This Album Is Worth Thousands

The Freewheelin' Bob Dylan by Bob Dylan (1963)

Released in 1963, 'The Freewheelin' Bob Dylan' is a cornerstone of folk music and a definitive moment in Bob Dylan's career. The album is particularly valuable due to its groundbreaking influence and several notable pressing variants. The first pressing on Columbia Records, featuring the original track listing, including songs like 'Blowin' in the Wind', is a hot item among vinyl collectors. But what truly sets this album apart are the variants—rumor has it, some early pressings mistakenly omitted two tracks, which can fetch upwards of $20,000 at auction.

The original US pressing is distinguished by its vibrant blue label with '360 Sound' on it, while the first pressing also features specific matrix numbers such as XSM-49985-1A on Side 1 and XSM-49986-1A on Side 2, which avid collectors seek. Additionally, the cover art has a notable variant: the early editions feature a photo of Dylan with his then-girlfriend Suze Rotolo, which enthusiasts cherish for its historical significance.

Current market values for this iconic vinyl can range from $150 for worn copies to an impressive $25,000 for mint-condition first pressings with the coveted error. Collectors should closely inspect the deadwax for details and ensure that the vibrant cover art has no significant wear. With its musical legacy and the thrill of the hunt, 'The Freewheelin' Bob Dylan' is a must-have for any serious vinyl collector eager to own a piece of music history.

Current Market Value: $150-$25,000