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Thursday, April 9, 2026

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Carolyn Gaines

Carolyn Gaines

Carolyn Gaines: A Significant Figure in the Blues Scene

Carolyn Gaines has been an influential presence in the blues community for much of her life. Through her Blues Schools programs, she has educated countless children about the genre, authored numerous articles on blues legends, and conducted interviews with notable artists such as the late B.B. King, Guitar Shorty, and Buddy Guy's guitarist Ric Hall, among others. Gaines has also produced performances, engaged in publicity and radio promotion, and worked with record labels and festivals. Now, drawing from her extensive experiences, she is stepping forward as a noteworthy new blues singer.

Gaines draws inspiration from iconic figures like Buddy Guy—who shares her fondness for polka dots—as well as Bessie Smith, Koko Taylor, Etta James, and Robert Cray. Her unique, deep voice is both raw and steeped in southern blues tradition, conveying a wealth of emotion and authenticity in her performances.

For those unable to attend her live shows, her YouTube videos provide a glimpse of her artistry. Notable performances include her unaccompanied rendition of Buddy Guy's “Feels Like Rain,” showcasing her gutsy charm, and her expressive long notes in “Stormy Monday.” Additional highlights feature her rendition of Otis Redding’s “I Got Dreams,” accompanied solely by guitarist Gary Mays, a rock-influenced take on “The Thrill Is Gone,” and a full-band version of Buddy Guy’s Grammy-winning song “Born To Play Guitar.” Currently, Gaines is working on her first full-length CD, encapsulating her passion for the blues, as she expresses at the conclusion of “Feels Like Rain,” “That’s the blues, I love you blues.”

Born in Houston, Texas, Carolyn Gaines is the daughter of renowned guitarist and singer Roy Gaines, known for his work with Diana Ross and Billie Holiday. Her uncle, saxophonist Grady Gaines, has collaborated with various legends, including Little Richard and Sam Cooke. Gaines recounts, “Early on, my father played me Bessie Smith records, and that was my introduction to the blues.” As a child, she sang along to records by Natalie Cole, Peabo Bryson, and Billie Holiday, particularly admiring Diana Ross for her glamour and style. She practiced tirelessly while her father performed at gigs.

During her youth, Gaines sang at some of her father's club performances alongside her siblings. However, her singing career took a backseat as she immersed herself in the blues industry. After majoring in theatre arts in college, she began managing her father's career in the early 1990s, booking him for festivals and clubs internationally. She also hosted and produced a cable television series on blues artists, featuring legends like Muddy Waters and Buddy Guy, while playing their recordings on her radio shows.

Gaines recognized a significant gap in blues education among young people, prompting her to establish the Blues Schools program. “I remember going to Audubon Middle School and asking the students if they had heard of Roy Gaines. Only two of the sixty raised their hands, and no one knew B.B. King or Buddy Guy,” she recalled. Over the past sixteen years, she has produced over 3,000 blues-related projects for students, teaching them about the lives and struggles of blues performers and encouraging them to write their own lyrics. Her efforts to bring local bands into schools and share the experiences of blues music have been widely recognized.

In 2012, she published her first children's book, Blues…Why Blues & Latin Music?, which received positive reviews for its informative content and illustrations. More children's books are in the pipeline.

Gaines' contributions have not gone unrecognized; in March 2015, she received an honorary degree from the Rhythm & Blues University, an accolade previously awarded to Buddy Guy. In 2014, Ric Hall produced three tracks for her, including “Feels Like Rain” and “Ain't No Sunshine.” Moreover, she collaborated with Leon Levy and Chan Romero on two songs, one of which was performed at Elvis Presley's 80th Birthday Party.

Now established as a Renaissance Blues Woman, Carolyn Gaines is poised to make her mark as a blues singer. With extensive experience performing at venues such as Barbara Morrison’s club in Los Angeles and the Blythe River Blues Festival, she states, “I call myself a closet blues singer because, although I’ve been teaching about the blues for years, I’ve been singing privately for a long time. I’m out of the closet now! I was born in the blues, worked in the blues, educated kids about the blues, and now I sing the blues.”

The blues community eagerly anticipates her future contributions to the genre.

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On This Day in Music History

The Beatles' Final Public Performance (1969)

On April 9, 1969, the music world experienced a pivotal moment when The Beatles conducted their final public performance atop the Apple Corps building in London. This impromptu rooftop concert was part of the filming for their documentary 'Let It Be', capturing the legendary band in a raw and spontaneous setting. The performance featured iconic tracks such as 'Get Back' and 'Don't Let Me Down', resonating deeply with fans and marking a significant transition in the band's dynamic as they approached their eventual breakup.

While the rooftop performance was only a short set of tunes, it was profoundly impactful. The event was not only a nostalgic farewell for the band but also showcased their innovative spirit, blending music and film in a way that had never been done before. In total, the performance lasted about 42 minutes, but it left an indelible mark on each of the band members' careers.

When 'Let It Be' was officially released later in 1970, it became one of their most discussed albums, though it was met with mixed reviews. Despite this, it included chart-topping hits that resonated with audiences globally, ensuring that The Beatles' influence would endure. The original pressing of the album on vinyl remains a coveted item for collectors, often sought after in near-mint condition.

The rooftop concert itself encapsulated the essence of The Beatles – their ability to blend creativity with spontaneity while capturing the spirit of an era. Their final public performance became a symbol of the 1960s, a decade defined by cultural upheaval and musical exploration. Even decades later, the legacy of that fateful day continues to inspire musicians and fans alike, solidifying The Beatles' position as one of the most influential bands in music history.

Rock The Beatles

Album of the Week

Rock

Blonde on Blonde (1966)

Bob Dylan
Blonde on Blonde by Bob Dylan

Released in May 1966, Bob Dylan's 'Blonde on Blonde' emerged as a groundbreaking double album that melded rock, folk, and blues into a cohesive masterpiece. Recorded in Nashville, it was one of the earliest double albums in rock music history, showcasing its ambition and influence. The album was met with critical acclaim upon release, with many hailing it as one of the greatest albums of all time. Its innovative use of studio techniques and lyrical depth marked a significant evolution in Dylan's artistry. Musically, 'Blonde on Blonde' is notable for its fusion of genres, featuring electric guitars, organ, and a full band, which was a departure from Dylan's earlier folk-centric sound. Standout tracks such as 'Rainy Day Women #12 & 35,' with its catchy refrain and brass instrumentation, and the haunting 'Just Like a Woman,' exemplify Dylan's lyrical prowess and musical experimentation. Additionally, 'Visions of Johanna,' often regarded as a pinnacle of songwriting, showcases surreal imagery and complex emotions. When collecting 'Blonde on Blonde' vinyl, enthusiasts should pay attention to pressing variations, particularly the original Columbia Records mono pressing (CL 36067) and the later stereo versions (CS 9601). The original mono pressing is highly sought after, with matrix numbers such as XSM 1001-1A and XSM 1002-1A indicating early pressings. Collectors also appreciate the appeal of label variations, including the 1970s reissues on the orange label. Current market value ranges from $20 for less-than-ideal condition copies to upwards of $300 for pristine originals in mono. Condition is crucial, as many pressings suffer from surface noise or wear, making well-maintained copies particularly desirable. Collectors seek 'Blonde on Blonde' not only for its musical significance but also for its cultural impact and the evolution of Bob Dylan as an artist. This album remains a definitive statement in rock history, making it a must-have for any serious vinyl collector.

Standout Tracks:
  • Rainy Day Women #12 & 35
  • Just Like a Woman
  • Visions of Johanna
Pressing Notes: Look for original mono pressings (CL 36067) and stereo versions (CS 9601) with early matrix numbers like XSM 1001-1A.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #99

Cleaning

Mastering Vinyl Care for Longevity

When it comes to record collecting, proper vinyl care is essential for preserving both sound quality and the value of your investment. Dust, fingerprints, and grime can significantly affect playback, leading to distortion and skips. You should clean your records regularly, ideally before each listening session. Invest in a quality carbon fiber brush for dry cleaning; it effectively removes dust without scratching the surface. For deeper cleans, use a specialized record cleaning solution and a microfiber cloth to avoid lint residue. This simple maintenance can preserve the value of your records, especially for rare finds worth $100 or more. Regular cleaning not only enhances your listening experience but also prolongs the life of your vinyl, keeping your collection in top condition for years to come. Remember to store your records vertically and away from direct sunlight to further protect them. Additionally, consider investing in a vinyl record cleaning machine if your collection grows; it can save you time and ensure a thorough clean without risking damage.

By following these steps, you’ll not only enjoy the rich sound of your records but also protect your investment for the long haul.

Pro Tip: For an extra layer of protection, use anti-static inner sleeves when storing your records.

Vinyl Market Pulse

↑ Up

Blues Vinyl: Market Trends for 2026

The vinyl market for Blues records is experiencing a notable resurgence in 2026, with collectors eager to snap up both classic and contemporary titles. Original pressings of legendary artists like B.B. King and Muddy Waters are now commanding prices upwards of $200, a significant increase from approximately $50 last year. This surge can be attributed to a combination of nostalgia, the recent passing of influential Blues artists, and a slew of documentaries that highlight the genre's rich history. As younger generations discover the deep roots of Blues through streaming and film, the demand for vinyl has intensified.

Collectors are advised to focus on rare pressings, particularly those with unique album art or limited releases. Look out for reissues from respected labels, as they often appreciate in value over time. Selling duplicates or lower-demand titles can free up funds for more sought-after records.

Looking ahead, the outlook for Blues vinyl remains optimistic. As appreciation for the genre grows, we anticipate prices will continue to rise, making it a solid investment for collectors. The ongoing interest in vinyl records as a physical format also supports this trend, ensuring that Blues remains a vibrant part of the collecting landscape.

Hot Artists: B.B. King, Muddy Waters, Etta James

Genre Spotlight

Reggae

The Essential Guide to Reggae Vinyl Collecting

Reggae vinyl collecting is a vibrant and rewarding pursuit that taps into the rich history of Jamaican music, offering collectors a chance to own a piece of cultural history. Originating in the late 1960s, reggae emerged from ska and rocksteady, with roots deeply embedded in Rastafarian culture and social commentary. The golden era of reggae, spanning the 1970s to early 1980s, saw the genre blossom, thanks to influential movements like roots reggae, which emphasized spiritual and social themes, and dancehall, which brought a more upbeat and accessible sound.

Essential to any reggae vinyl collection are the artists who shaped the genre. Bob Marley is arguably the most famous reggae musician, known for albums like "Catch a Fire" (1973), which introduced reggae to a global audience. Peter Tosh, a founding member of The Wailers, infused reggae with political activism, notably in his album "Legalize It" (1976). Burning Spear, with his deep roots reggae sound, crafted timeless classics like "Marcus Garvey" (1975), while Toots and the Maytals brought ska to mainstream consciousness with their energetic performances and songs like "Pressure Drop" (1970). Other key figures include Jimmy Cliff, known for his iconic film and soundtrack "The Harder They Come" (1972), and Lee Scratch Perry, revered as a pioneer of dub music, whose innovative production techniques are celebrated on albums like "Super Ape" (1976).

For collectors, certain albums stand out as must-haves. Bob Marley's "Exodus" (1977) is often cited as one of the greatest albums of all time, blending reggae with rock elements. Peter Tosh's "Equal Rights" (1977) is a powerful statement on human rights and justice, while Burning Spear's "Columbus" (1987) showcases his deep spiritual and historical themes. Toots and the Maytals' "Funky Kingston" (1973) is an essential crossover album that captures the genre's upbeat spirit. Lastly, consider adding Lee Scratch Perry's "The Upsetter" (1970) to grasp the essence of reggae's experimental side.

When diving into reggae vinyl collecting, it's crucial to know what to look for. Pay attention to pressing information, as first presses often hold more value. Labels like Studio One, Trojan, and Island Records are significant, with rare variants such as colored vinyl or limited editions being highly sought after.

The current market for reggae records is flourishing, with collectibility at a high level. Prices can range from $20 for more common titles to $500 or more for rare albums, especially those in mint condition or with unique variants. Collectors often seek out original

Featured Rarity

Why This Album Is Worth Thousands

What's Going On by Marvin Gaye (1971)

Marvin Gaye's 'What's Going On' is not just an album; it represents a pivotal moment in music history, blending social consciousness with emotive melodies. This masterpiece has become one of the most coveted vinyl records among collectors, with original pressings fetching impressive sums. The first pressing, released in 1971 on the Tamla label, is particularly valuable, especially if it features the original green Motown label. Collectors should watch for the deadwax etching that reads 'T-314,' signifying a true first pressing, as well as the specific matrix numbers that can enhance value.

In the collectible market, an original U.S. pressing in near-mint condition can range from $150 to an astonishing $25,000 depending on its condition and rarity. Variants like the original UK pressing on Tamla Motown or the early Columbia pressing are also sought after, with prices reflecting their unique attributes.

What makes these original pressings special is the unique artwork and packaging, which often includes the iconic album cover designed by Ernie Barnes, whose artwork captures the essence of the record. Trivia enthusiasts will appreciate that the album was inspired by Marvin Gaye's experiences during the civil rights movement, adding a layer of historical significance.

For collectors, look for the first pressing with the error on the back cover that misspells 'Psychedelic' as 'Psychedellic.' This small detail can significantly increase a record's desirability. With its timeless relevance and impeccable artistry, 'What's Going On' remains a must-have for any serious vinyl collector, making it a perfect gem for your collection!

Current Market Value: $150-$25,000