Gæoudji SYGNOK was a musical alias created by Danish/Faroese experimental artist Kristian Vester, also known as Goodiepal. This project saw collaboration with Vester's former students and local artists, including VJ Cancer/VJ Livstræt, as well as longtime friend Poul Erik Veigaard. From 2008 to 2014, Gæoudji SYGNOK operated under the eponymous label, Syg Nok, where Goodiepal was responsible for mastering the majority of the releases. Vester established the SYGNOK "band" in 2008 following his expulsion from the Royal Academy of Music in Århus, where he had taught for four years until the "Mort Aux Vaches Ekstra Extra" compositional game scenario and the foundational "Radical Computer Music" theory were deemed unsuitable for the academic curriculum. In reaction to this, Goodiepal proclaimed a "Gentleman's war on the stupidity of modern computer music and media-based art" against the Royal Academy of Music.

In April 2010, SYGNOK uploaded a YouTube video featuring the Eventide H8000FW rack-mounted FX processor, which they had taken from DIEM studios, branding the act as Danegæld, referencing an ancient form of protection money paid to Vikings.

In October 2010, Gæoudji SYGNOK released an album named after Martin Lindholm's record store in Århus, titled "Route 66 Eksperimentet." This record, pressed at Dansk Vinyl Produktion, was co-released by two labels and had a limited run of 500 to 1,050 copies, though the exact number is disputed. Uniquely, the album featured no playable grooves, with elaborate etchings covering the entire surface of the LP. Its cover included a list of over 30 prominent independent labels that had previously released Goodiepal's work. Vester distributed one "ultimate LP" to each of these labels, including those that had already closed, assigning them "proper" catalog numbers without prior notice. The album's retail price was explicitly limited to 250 DKK ($33) on the spine, but each copy contained a genuine 500 Danish Kroner bill, effectively doubling the buyer's investment. A subset of about 40 copies was "hacked" by DJ Hvad and VJ Cancer, who replaced the genuine currency with counterfeit SYGNOK bills. The album quickly sold out, garnering significant attention from major Danish press and television.

In March 2011, a label released three limited-edition "add-ons," all sharing the ESC18 catalog number. The least expensive, titled "Fortsat" ("Continued"), priced at 19.50 DKK ($3), included a photocopy of Kristian Vester's credit card, allegedly linked to a 7,000 DKK (~$920) account. The "Taget Til Ekstremerne" ("Taken to the Extremes") edition, priced at 78.23 DKK ($11), contained a 1,000 "Romani bill," a fictional currency anticipated to gain legal tender status once the Roma establish a government. The rarest edition, titled "Cyber Papegøjen Skudt," was priced at 750 DKK ($98) and included signed blank checks associated with Vester's bank account, which held 200,000 DKK ($26,000). Each record featured a hyperlink for downloading accompanying "audio responses," printed directly on the LP label. In September 2011, Gæoudji SYGNOK released a double cassette that included a more extensive 180-minute "walkthrough." In later interviews, Vester estimated that he had given away approximately 752,000 DKK ($99,200) across various "Route 66 Eksperimentet" editions, leading him into significant debt, reportedly borrowing from a Ukrainian friend involved in organized crime. The 2011 mini-documentary "SYGNOK & The War For Radical Computer Music" claimed that Goodiepal sold the "improved" Eventide H8000 device taken from DIEM to a private collector without the consent of other SYGNOK members to help fund the release, hence the concept of the "Sygnok bill" payback.

Gæoudji SYGNOK produced two "art/anti-records" for the Dutch art foundation De Player and its label, Drop Of Blood Records: a 10" dubplate for the "Sound as a Weapon" exhibition in February 2011, followed by a polystyrene lathe cut released in 2013. One of the last artifacts associated with SYGNOK, dated 2016, was a self-released 7" single featuring covers of songs by Poul Erik's 1970s band, Daizy. The inlay of this single referenced Goodiepal's current collective, which continued similar actionism.