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Chuck Edwards

Chuck Edwards

Chuck Edwards, born Charles Edward Edwins in Pittsburgh on November 29, 1927 (though there is some debate regarding whether his birthplace was actually Philadelphia), emerged as a prominent soul singer and local guitar talent.

Edwards began his professional guitar career in the late 1940s and soon relocated south, where he became a member of the well-known Sonny Thompson Band. He recorded his first track, the be-bop instrumental "Harlem Rug Cutter," around 1950 with the band.

After establishing himself, Edwards ventured out on his own and signed with Memphis' Duke Records, the label associated with Bobby "Blue" Bland. Under the name Charles Edwins, he released the single "Bong Gone" b/w "I Got Loose" (Duke 124) in 1954.

Adopting the name Chuck Edwards, he produced three additional singles for Duke: "If You Love Me (Like You Say You Do)" b/w "You Move Me" (Duke 159) in 1956, followed by "Let's Rock" b/w "I'm Wondering" (Duke 163) and "Morning Train" b/w "Warm My Heart" (Duke 174) in 1957. While these records did not achieve significant commercial success, they marked his transition from blues to a more vibrant R&B style, where he found his true calling.

In late 1956, Edwards switched to Apollo Records, releasing the doo-wop ballad "Just for a Day" b/w "She Carried Me All Over Town" (Apollo 495). After this release, he took a hiatus from the recording scene for a couple of years.

In 1959, he recorded for the Alanna label, producing the single "If I Were King" b/w "Lucy and Jimmy Got Married" (Alanna 577), with the latter track featuring the Five Crowns, which reportedly included the future soul star Ben E. King. Although the B-side garnered some radio attention, it did not chart.

Edwards returned to Pittsburgh and settled in Canonsburg, working in a steel mill to support his family. Despite his day job, he remained active in the local music scene, participating in various sessions and performances. He eventually founded his own label, Rene, named after his wife, Irene. Under the Rene and its subsidiary Punch labels, he recorded several artists as well as his own work. His discography on these labels includes:

- Rene 1151: Phil Lipari and the Chuck Edwards Band (1962) - "Please Come Back" b/w "Later for You Darling" - Rene 1152: Chuck Edwards (?) - "Shake Baby Shake" b/w "Come On Babe" - Rene 5050: Chuck Edwards (1965) - "I Don’t Want No Company" b/w "Do Right Baby" - Rene 7001: Chuck Edwards (1966) - "Bullfight" b/w "Chuck Roast" - Rene 20013: Chuck Edwards (1966) - "Bullfight #2" b/w "Pick It Up Baby (Your Love’s Slowing Down)" - Punch 11001: Chuck Edwards (1968) - "Downtown Soulville" b/w "I Need You"

He also released "Sweet Sweet Love" b/w "You Got What I Need" (Kapp 2052) in 1967, but like his other major label efforts, it failed to make an impact on the charts.

His singles "Shake Baby Shake" and "I Don't Want No Company" were garage-rock influenced and popular at local dances, but it was the instrumental "Bullfight" that became a highlight of his live performances. Travis Klein, associated with Itzy Records, encouraged Edwards to record it, and the track went on to become a major regional success, later picked up for national distribution by Roulette (R-4705). It remains a staple on Pittsburgh oldies radio and was even covered by George Benson on his 2001 album "It's Uptown."

Later in 1966, Edwards released "Bullfight No. 2," which incorporated a Hammond organ into the arrangement. While "Bullfight" solidified his reputation in Pittsburgh, his final local release, "Downtown Soulville," brought him international recognition. The title track, along with "I Need You," became highly sought after in the Northern Soul scene in the UK. Although it did not chart in the U.S., it was reissued by UK label Soul City (SC 104) the following year and included in the compilation LP "Soul From The City."

After a period of relative quiet in terms of recording, Edwards focused on live performances. In 1972, he relocated with his family, including his two sons Les and Jeff, to the San Francisco Bay Area, where they formed a band called The Edwards Generation. They released the single "School Is In" b/w "Someone Like You" on Ghetto Records and an album titled "The Street Thang" on Tight Records in 1976. The group also made several television appearances, including on the Mike Douglas Show.

Edwards continued to perform locally and in 1994 released "Back Again" (Tight), which featured a mix of new and previously recorded material. His sons later formed their own band, Movin', and performed in the Bay Area.

In retirement, Edwards and his wife settled in the San Jose suburb of Pittsburg, California, where he passed away in 2001. Some of his recordings are still available on various compilations, including "Bullfight," featured on Itzy Records PGH I and Crypt Records' "Pass The Soul." "She Carried Me All Over Town" appears on PGH IX, while the split-side CD "Billy Lamont meets Chuck Edwards" (Official 5678) showcases 13 of his early tracks, including those from Duke, Apollo, and Alanna, some backed by Little Richard's band.

Today, Chuck Edwards' records are highly sought after, particularly overseas, ensuring that his musical legacy continues to resonate across generations.

Real Name: Charles Edward Edwins

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Albums by Chuck Edwards

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On This Day in Music History

The Release of 'What's Going On' by Marvin Gaye (1971)

On March 20, 1971, Marvin Gaye transformed the landscape of soul music with the release of his iconic album 'What's Going On.' This groundbreaking record not only showcased Gaye's mesmerizing voice but also his deep concern for social issues, touching on themes of love, war, and the environment. Upon its release, 'What's Going On' reached number one on the Billboard 200 chart and became a fixture in the hearts of fans, selling over two million copies in just its first year.

The album's title track was a poignant reflection of the tumultuous times America faced during the late 1960s and early 1970s. It resonated with listeners who were grappling with the Vietnam War and civil rights movements, reflecting a deeper consciousness that was emerging in popular music. This powerful single climbed to the top of the R&B charts, establishing Gaye as not only a prominent artist but also a social commentator.

'What's Going On' was revolutionary, as it broke away from the traditional pop format, offering a seamless blend of jazz, funk, and orchestral soul. The lush arrangements and introspective lyrics paved the way for future generations of artists to explore personal and political themes within their music. Fans today continue to celebrate the album’s legacy, with original pressings highly sought after by vinyl collectors for their sonic warmth and historical value. Limited vinyl releases celebrating its anniversary have further cemented its status as a timeless classic.

Ultimately, Marvin Gaye's 'What's Going On' remains a profound touchstone in music history, influencing countless artists across genres while reminding listeners of the power of music as a vehicle for change and understanding.

Soul Marvin Gaye

Album of the Week

Jazz

A Love Supreme (1965)

John Coltrane
A Love Supreme by John Coltrane

Released in 1965, 'A Love Supreme' is a landmark album in the world of jazz, showcasing the profound spiritual journey of John Coltrane. Recorded in a single session at Van Gelder Studio in Englewood Cliffs, New Jersey, the album was released on Impulse! Records and quickly became a critical and commercial success. Coltrane's exploration of spirituality through music resonated with listeners, establishing him as a pivotal figure in jazz. The album has been celebrated not only for its innovative sound but also for its deeply personal narrative and spiritual undertones, making it a touchstone for both musicians and fans alike. Musically, 'A Love Supreme' is significant for its innovative structure and improvisational style. The album is divided into four parts: 'Acknowledgement', 'Resolution', 'Pursuance', and 'Psalm', each contributing to a cohesive narrative arc. The standout track, 'Acknowledgement', opens with the famous four-note motif that serves as a spiritual mantra, setting the tone for the entire piece. 'Resolution' showcases Coltrane's intense saxophone work, while 'Pursuance' features an exhilarating interplay between Coltrane and drummer Elvin Jones. Collectors seeking the 'A Love Supreme' vinyl should be aware of several pressing variations. The original 1965 release in mono is highly sought after, with the black and orange label being particularly desirable. Look for matrix numbers such as AS-77 and the dead wax identifiers that often include 'RVG' for Rudy Van Gelder. Current values range from $20 for later reissues to upwards of $300 for pristine originals. Condition is paramount for this album; look for minimal surface noise and well-maintained jackets, as wear can significantly impact value. Collectors are drawn to 'A Love Supreme' not only for its musical brilliance but also for its cultural significance in the jazz canon. As a reflection of Coltrane's spiritual quest, this record has become an essential piece of vinyl history, making it a must-have for both seasoned collectors and newcomers alike.

Standout Tracks:
  • Acknowledgement
  • Resolution
  • Pursuance
Pressing Notes: Original 1965 mono pressing with black and orange label is highly desirable. Look for matrix AS-77 and 'RVG' in the dead wax.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #79

Cleaning

Mastering Vinyl Care for Longevity

To ensure your vinyl records maintain their sound quality and longevity, regular cleaning is essential. You should invest in a quality carbon fiber brush for dry cleaning. This tool effectively removes dust and debris without scratching the surface. For deeper cleaning, consider using a record cleaning solution specifically designed for vinyl. Applying a few drops to a microfiber cloth and gently wiping the grooves can help remove stubborn grime. This not only protects your investment—potentially preserving the value of records worth $100 or more—but also enhances playback quality, preventing skips and distortion.

It's crucial to clean your records before and after each use to prevent the buildup of dirt that can degrade the sound over time. Additionally, store your records vertically and in protective sleeves to safeguard them from dust and physical damage.

By adhering to these vinyl care practices, you can extend the lifespan of your collection and enjoy pristine sound quality for years to come. Remember, a well-maintained record can provide you with a rich listening experience and preserve its value in the ever-growing world of record collecting.

Pro Tip: Use distilled water in your cleaning solution to avoid mineral deposits.

Vinyl Market Pulse

↑ Up

Soul Vinyl: Market Trends for 2026

The vinyl market for Soul records has seen a remarkable surge in interest this year, driven by a blend of nostalgia, high-profile artist deaths, and a resurgence in reissues. Original pressings of classics like Marvin Gaye's 'What's Going On' have skyrocketed, now fetching over $200, up from just $50 last year. The allure of Soul music, characterized by its emotive sound and rich history, continues to captivate collectors, particularly with recent documentaries shedding light on iconic figures in the genre. As more people turn to vinyl as a tangible investment, Soul records have become a hot commodity. Collectors should focus on original pressings and significant reissues from labels like Motown and Stax, as these are likely to appreciate in value. Albums from artists like Aretha Franklin and Otis Redding are also safe bets. Selling lesser-known titles or standard reissues can help fund these more lucrative investments. Looking ahead, the outlook appears positive; as the nostalgia for classic Soul persists and the vinyl format remains popular, prices are expected to continue on an upward trajectory. Investing in Soul vinyl not only offers the chance for financial gain but also enriches your listening experience with timeless music.

Hot Artists: Marvin Gaye, Aretha Franklin, Otis Redding

Genre Spotlight

New Wave

The Essential Guide to New Wave Vinyl Collecting

New Wave emerged in the late 1970s as a dynamic genre that combined elements of punk rock, pop, and electronic music, giving birth to a sound that was both innovative and commercially viable. Often associated with the rise of synthesizers and the DIY ethos of the punk movement, New Wave became a defining genre of the 1980s. Its origins can be traced back to bands experimenting with avant-garde sounds, leading to the genre's golden era characterized by catchy melodies and a penchant for theatricality. Movements such as synth-pop and post-punk played pivotal roles in shaping the New Wave landscape, leading to a rich catalog of music that continues to resonate today.

When it comes to essential artists in New Wave, a few names stand out. First, we have Talking Heads, known for their eclectic sound and artistic music videos that redefined visual storytelling in music. Second, Blondie, whose fusion of punk and disco led to chart-topping hits like "Heart of Glass." The B-52's brought a quirky, fun vibe with their distinctive sound, while Depeche Mode pioneered the use of synthesizers, creating timeless tracks that still captivate listeners. Duran Duran, with their glam aesthetics and catchy hooks, defined the MTV generation, while The Cure's melancholic melodies and goth influences added depth to the genre. Lastly, Gary Numan brought sci-fi themes to the forefront with his groundbreaking album "Speak & Spell."

For collectors, several must-own albums define the New Wave genre. First on the list is "Speak & Spell" (1981) by Depeche Mode, featuring the hit “Just Can't Get Enough.” Next, Blondie's "Parallel Lines" (1978) is a quintessential album that showcases the band's unique blend of styles and produced classics like “Heart of Glass.” The B-52's self-titled debut (1979) is another essential, bursting with energy and creativity. Duran Duran's "Rio" (1982) is a staple for its infectious hooks and iconic tracks like “Hungry Like the Wolf.” Finally, "Remain in Light" (1980) by Talking Heads is a landmark album that pushed the boundaries of what New Wave could achieve.

When collecting New Wave vinyl, it's essential to pay attention to pressing info, labels, and rare variants. Look for first pressings, which are often marked with unique identifiers on the label. Labels like Sire, EMI, and Chrysalis are notable for their association with many New Wave acts. Additionally, limited edition colored vinyl or picture discs can significantly increase a record's value.

As of now, the market for New Wave vinyl records is thriving. Collectibility is high, with price ranges varying widely, from around $

Featured Rarity

Why This Album Is Worth Thousands

What's Going On by Marvin Gaye (1971)

Marvin Gaye's 'What's Going On' is not just an album; it represents a pivotal moment in music history, blending social consciousness with emotive melodies. This masterpiece has become one of the most coveted vinyl records among collectors, with original pressings fetching impressive sums. The first pressing, released in 1971 on the Tamla label, is particularly valuable, especially if it features the original green Motown label. Collectors should watch for the deadwax etching that reads 'T-314,' signifying a true first pressing, as well as the specific matrix numbers that can enhance value.

In the collectible market, an original U.S. pressing in near-mint condition can range from $150 to an astonishing $25,000 depending on its condition and rarity. Variants like the original UK pressing on Tamla Motown or the early Columbia pressing are also sought after, with prices reflecting their unique attributes.

What makes these original pressings special is the unique artwork and packaging, which often includes the iconic album cover designed by Ernie Barnes, whose artwork captures the essence of the record. Trivia enthusiasts will appreciate that the album was inspired by Marvin Gaye's experiences during the civil rights movement, adding a layer of historical significance.

For collectors, look for the first pressing with the error on the back cover that misspells 'Psychedelic' as 'Psychedellic.' This small detail can significantly increase a record's desirability. With its timeless relevance and impeccable artistry, 'What's Going On' remains a must-have for any serious vinyl collector, making it a perfect gem for your collection!

Current Market Value: $150-$25,000