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Monday, February 2, 2026

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Chuck Edwards

Chuck Edwards

Chuck Edwards, born Charles Edward Edwins in Pittsburgh on November 29, 1927 (though there is some debate regarding whether his birthplace was actually Philadelphia), emerged as a prominent soul singer and local guitar talent.

Edwards began his professional guitar career in the late 1940s and soon relocated south, where he became a member of the well-known Sonny Thompson Band. He recorded his first track, the be-bop instrumental "Harlem Rug Cutter," around 1950 with the band.

After establishing himself, Edwards ventured out on his own and signed with Memphis' Duke Records, the label associated with Bobby "Blue" Bland. Under the name Charles Edwins, he released the single "Bong Gone" b/w "I Got Loose" (Duke 124) in 1954.

Adopting the name Chuck Edwards, he produced three additional singles for Duke: "If You Love Me (Like You Say You Do)" b/w "You Move Me" (Duke 159) in 1956, followed by "Let's Rock" b/w "I'm Wondering" (Duke 163) and "Morning Train" b/w "Warm My Heart" (Duke 174) in 1957. While these records did not achieve significant commercial success, they marked his transition from blues to a more vibrant R&B style, where he found his true calling.

In late 1956, Edwards switched to Apollo Records, releasing the doo-wop ballad "Just for a Day" b/w "She Carried Me All Over Town" (Apollo 495). After this release, he took a hiatus from the recording scene for a couple of years.

In 1959, he recorded for the Alanna label, producing the single "If I Were King" b/w "Lucy and Jimmy Got Married" (Alanna 577), with the latter track featuring the Five Crowns, which reportedly included the future soul star Ben E. King. Although the B-side garnered some radio attention, it did not chart.

Edwards returned to Pittsburgh and settled in Canonsburg, working in a steel mill to support his family. Despite his day job, he remained active in the local music scene, participating in various sessions and performances. He eventually founded his own label, Rene, named after his wife, Irene. Under the Rene and its subsidiary Punch labels, he recorded several artists as well as his own work. His discography on these labels includes:

- Rene 1151: Phil Lipari and the Chuck Edwards Band (1962) - "Please Come Back" b/w "Later for You Darling" - Rene 1152: Chuck Edwards (?) - "Shake Baby Shake" b/w "Come On Babe" - Rene 5050: Chuck Edwards (1965) - "I Don’t Want No Company" b/w "Do Right Baby" - Rene 7001: Chuck Edwards (1966) - "Bullfight" b/w "Chuck Roast" - Rene 20013: Chuck Edwards (1966) - "Bullfight #2" b/w "Pick It Up Baby (Your Love’s Slowing Down)" - Punch 11001: Chuck Edwards (1968) - "Downtown Soulville" b/w "I Need You"

He also released "Sweet Sweet Love" b/w "You Got What I Need" (Kapp 2052) in 1967, but like his other major label efforts, it failed to make an impact on the charts.

His singles "Shake Baby Shake" and "I Don't Want No Company" were garage-rock influenced and popular at local dances, but it was the instrumental "Bullfight" that became a highlight of his live performances. Travis Klein, associated with Itzy Records, encouraged Edwards to record it, and the track went on to become a major regional success, later picked up for national distribution by Roulette (R-4705). It remains a staple on Pittsburgh oldies radio and was even covered by George Benson on his 2001 album "It's Uptown."

Later in 1966, Edwards released "Bullfight No. 2," which incorporated a Hammond organ into the arrangement. While "Bullfight" solidified his reputation in Pittsburgh, his final local release, "Downtown Soulville," brought him international recognition. The title track, along with "I Need You," became highly sought after in the Northern Soul scene in the UK. Although it did not chart in the U.S., it was reissued by UK label Soul City (SC 104) the following year and included in the compilation LP "Soul From The City."

After a period of relative quiet in terms of recording, Edwards focused on live performances. In 1972, he relocated with his family, including his two sons Les and Jeff, to the San Francisco Bay Area, where they formed a band called The Edwards Generation. They released the single "School Is In" b/w "Someone Like You" on Ghetto Records and an album titled "The Street Thang" on Tight Records in 1976. The group also made several television appearances, including on the Mike Douglas Show.

Edwards continued to perform locally and in 1994 released "Back Again" (Tight), which featured a mix of new and previously recorded material. His sons later formed their own band, Movin', and performed in the Bay Area.

In retirement, Edwards and his wife settled in the San Jose suburb of Pittsburg, California, where he passed away in 2001. Some of his recordings are still available on various compilations, including "Bullfight," featured on Itzy Records PGH I and Crypt Records' "Pass The Soul." "She Carried Me All Over Town" appears on PGH IX, while the split-side CD "Billy Lamont meets Chuck Edwards" (Official 5678) showcases 13 of his early tracks, including those from Duke, Apollo, and Alanna, some backed by Little Richard's band.

Today, Chuck Edwards' records are highly sought after, particularly overseas, ensuring that his musical legacy continues to resonate across generations.

Real Name: Charles Edward Edwins
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On This Day in Music History

The Beatles' Final Public Performance (1969)

On February 2, 1969, The Beatles gave their last public performance on the rooftop of the Apple Corps building in London, a defining moment not only in the band's storied career but also in the history of rock music. This impromptu concert, which served as the climax for their film "Let It Be," was a powerful showcase of the band's talent, drawing crowds and creating a jubilant atmosphere in the streets below. As the iconic notes of 'Get Back' rang out across the city, it became clear that this was a singular event, punctuated by the band's synergy and the palpable energy of the crowd.

The performance featured classic tracks such as 'Don't Let Me Down' and 'I've Got a Feeling.' Filmed for the documentary, it captured The Beatles during a tumultuous period as they were grappling with internal conflicts yet still producing some of their most enduring work. This concert marked the last time the group performed together in public before their eventual split, making it an essential piece of music history.

The live recording from that day was later immortalized in the "Let It Be" album, which reached number one on the Billboard 200 chart and featured an original vinyl release that is highly sought after by collectors today. The rooftop concert was not only a farewell to live performances but also a powerful statement on the artistic creativity that had defined the Beatles’ legacy.

The influence of this performance cannot be understated, as it continues to resonate with fans and musicians alike, often hailed as an integral moment of the 1960s music scene. Even decades later, collectors cherish original pressings of the "Let It Be" album, a testament to its lasting appeal and the band's monumental impact on the world of music.

Rock The Beatles

Album of the Week

Rock

Rumours (1977)

Fleetwood Mac
Rumours by Fleetwood Mac

Released in 1977, Fleetwood Mac's 'Rumours' emerged during a tumultuous period for the band, characterized by personal conflicts and romantic entanglements. The album was recorded in California and was produced by Ken Caillat and Richard Dashut. Its release was met with massive commercial success, quickly reaching the top of the charts and staying there for an unprecedented 31 weeks. The reception was overwhelmingly positive, with critics praising its intricate harmonies and production quality, solidifying its place as a cornerstone of classic rock. 'Rumours' is not only significant for its commercial success but also for its musical innovation. The album features a blend of rock, pop, and folk influences, marked by lush arrangements and deeply emotional lyrics that resonate with listeners. Standout tracks include "Go Your Own Way," an anthem of heartbreak featuring Lindsay Buckingham's dynamic guitar work and Christine McVie's haunting vocals, and "Dreams," which showcases Stevie Nicks' ethereal voice and has become one of the band's most enduring hits. Pressing variations for 'Rumours' are abundant, with original pressings on the green Warner Bros. label being particularly sought after. Collectors should look for matrix numbers such as 2WS 3010 A and 2WS 3010 B, which indicate the first pressing. The reissues often lack the same depth of sound found in the original vinyl pressings. Current values for 'Rumours' vinyl can range from $20 for a well-worn copy to upwards of $300 for mint condition originals. Condition is crucial for this album; look for clean, scratch-free surfaces and intact album art, as these factors greatly influence collectibility. Collectors seek this album not only for its historical significance but also for its influence on the rock genre and the emotional depth of its tracks. 'Rumours' remains a defining piece of vinyl in any serious collector's library, making it a must-have Fleetwood Mac record.

Standout Tracks:
  • Go Your Own Way
  • Dreams
  • Don't Stop
Pressing Notes: Look for original pressings on the green Warner Bros. label; matrix numbers 2WS 3010 A/B indicate first pressings.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #33

Storage

Optimal Vinyl Storage for Longevity

To ensure the longevity and sound quality of your vinyl records, proper storage is paramount. You should store your records vertically, like books on a shelf, to prevent warping and bending. Keep them in a cool, dry environment away from direct sunlight and humidity, as fluctuating temperatures can damage the vinyl and degrade sound quality. Ideally, your storage space should maintain a consistent temperature between 65°F and 70°F. Utilize high-quality inner sleeves made from anti-static materials to protect your records from dust and scratches, which can preserve their $100+ value. Additionally, invest in sturdy outer sleeves to shield your album covers from wear and tear.

It's crucial to organize your collection in a way that allows easy access. This not only makes it enjoyable to browse your collection but also minimizes the risk of mishandling records. Consider labeling your records clearly, so you can quickly locate your favorites without unnecessary friction.

Taking these steps not only protects your investment in record collecting but also enhances your listening experience by ensuring optimal sound quality. Remember, a well-preserved record is a joy to play and can be a valuable asset in your collection for years to come.

Pro Tip: Consider using a hygrometer to monitor humidity levels in your storage space.

Vinyl Market Pulse

↑ Up

British Invasion Vinyl: Market Trends for 2026

The vinyl market is currently witnessing a significant resurgence in interest surrounding British Invasion records, particularly from iconic bands like The Beatles, The Rolling Stones, and The Who. Original pressings of classic albums have seen substantial price movements this year; for instance, an original pressing of The Beatles' 'Please Please Me' now commands over $200, a sharp increase from around $50 last year. This surge is largely fueled by nostalgia as older collectors reminisce about their youth, while newer generations discover these timeless sounds. Additionally, the recent passing of influential artists has prompted fans to seek out vinyl as a lasting tribute. Reissues of classic albums have also contributed to heightened interest, making these records more accessible to new collectors. For those looking to invest, focus on rare pressings, particularly colored vinyl or limited editions, which tend to appreciate faster. Avoid common reissues unless they hold sentimental value. As we look ahead, the future outlook remains positive; with continued interest from both collectors and casual listeners, prices are likely to keep rising. The vinyl renaissance shows no signs of slowing, making now an opportune time to dive into collecting trends of British Invasion records.

Hot Artists: The Beatles, The Rolling Stones, The Who

Genre Spotlight

Funk

The Essential Guide to Funk Vinyl Collecting

Funk vinyl collecting is more than just a hobby; it’s a celebration of a revolutionary genre that transformed the music landscape. Originating in the mid-1960s, funk emerged as a distinct sound characterized by its syncopated rhythms, strong bass lines, and vibrant brass sections. The genre drew influences from soul, jazz, and R&B, but it carved its own identity, marked by artists who were not afraid to push boundaries. The golden era of funk, spanning the late 1960s to the early 1980s, saw the rise of iconic movements like P-Funk, led by George Clinton, which blended psychedelic rock with funk elements, influencing countless musicians.

When it comes to essential artists in funk vinyl collecting, several names stand out. George Clinton and his bands, Parliament and Funkadelic, are pivotal, known for their elaborate live shows and concept albums. James Brown, the 'Godfather of Soul,' was instrumental in shaping the funk sound, with tracks like "Get Up (I Feel Like Being a) Sex Machine." Sly and the Family Stone brought a unique blend of rock and funk, while Earth, Wind & Fire expanded the genre with lush arrangements and harmonies. Other key figures include Curtis Mayfield, whose socially conscious lyrics resonated with many, and The Meters, who laid the groundwork for funk instrumentation.

For any collector, must-own albums are the cornerstone of a solid funk vinyl collection. Start with "Maggot Brain" (1971) by Funkadelic, a psychedelic masterpiece featuring the iconic guitar work of Eddie Hazel. Another essential is "What’s Going On" (1971) by Marvin Gaye, which, while more soulful, incorporates funk elements and remains a timeless classic. Don’t miss "Stand!" (1969) by Sly and the Family Stone, which encapsulates the spirit of the era, and "Let’s Get It On" (1973) by Marvin Gaye, a quintessential funk/soul blend. Lastly, grab a copy of "Funkentelechy vs. the Placebo Syndrome" (1977) by Parliament for a taste of the P-Funk legacy.

When collecting funk records, attention to detail is crucial. Look for original pressings, which are often marked by their unique label designs and packaging. Labels like Casablanca, Motown, and Stax are synonymous with quality funk music. Rare variants, such as colored vinyl or limited editions, can greatly increase value and appeal. Additionally, pay attention to the condition of the vinyl and sleeve, as these factors significantly affect collectibility.

Currently, the market for funk vinyl is thriving, with prices ranging from $20 for common titles to upwards of $500 for rare albums or pristine condition originals

Featured Rarity

Why This Album Is Worth Thousands

The Freewheelin' Bob Dylan by Bob Dylan (1963)

Released in 1963, 'The Freewheelin' Bob Dylan' is a cornerstone of folk music and a definitive moment in Bob Dylan's career. The album is particularly valuable due to its groundbreaking influence and several notable pressing variants. The first pressing on Columbia Records, featuring the original track listing, including songs like 'Blowin' in the Wind', is a hot item among vinyl collectors. But what truly sets this album apart are the variants—rumor has it, some early pressings mistakenly omitted two tracks, which can fetch upwards of $20,000 at auction.

The original US pressing is distinguished by its vibrant blue label with '360 Sound' on it, while the first pressing also features specific matrix numbers such as XSM-49985-1A on Side 1 and XSM-49986-1A on Side 2, which avid collectors seek. Additionally, the cover art has a notable variant: the early editions feature a photo of Dylan with his then-girlfriend Suze Rotolo, which enthusiasts cherish for its historical significance.

Current market values for this iconic vinyl can range from $150 for worn copies to an impressive $25,000 for mint-condition first pressings with the coveted error. Collectors should closely inspect the deadwax for details and ensure that the vibrant cover art has no significant wear. With its musical legacy and the thrill of the hunt, 'The Freewheelin' Bob Dylan' is a must-have for any serious vinyl collector eager to own a piece of music history.

Current Market Value: $150-$25,000

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