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Carolyn Currie

Carolyn Currie

Carolyn, originally from New England, has dedicated her life to playing and writing music. Reflecting on her early experiences, she notes, “Although I’d been dabbling in performance forever, I never really took it seriously or considered it my career. I used to play for the Cambridge May Balls and other events when I lived in Cambridge, England and always felt invigorated by the shows. It was frustrating not to have CDs or tapes when audience members asked to purchase my material.” In 1992, Carolyn and her Scottish husband, Doug, relocated to Seattle, WA. She began a Ph.D. program at the University of Washington but soon realized that graduate school felt more like a default choice than a true passion. This realization allowed her to focus entirely on music, embracing a pursuit she had long enjoyed.

With newfound dedication, Carolyn started crafting her own style of poetic and haunting music, sharing her work at open mics, where she received an enthusiastic response. Encouraged and financially supported by her Seattle friend, Karen Lebens, Carolyn embarked on her first CD, No Heroes, released in 1995. During the project, she discovered David Lange’s studio, where she recorded most of the album, marking the start of a fruitful collaborative relationship.

As she entered songs from No Heroes into various national songwriting competitions, Carolyn gained recognition as a finalist and received awards at events such as the Telluride Bluegrass Festival, Rocky Mountain Folks Festival, Napa Valley Folk Festival, and the BMI Songwriter’s Showcase. These accolades paved the way for her to share stages with renowned artists like Cheryl Wheeler, Tom Rush, Ellis Paul, Celeste Krenz, and Dan Bern.

Her second CD, Standing Stones, released at the end of 1998, showcases her creative talents and songwriting prowess. This album garnered additional awards and resonated with fans, featuring songs that reflect her Celtic influences along with her personal heritage. Carolyn spent her junior year studying at the University of St. Andrews in Scotland, where she met her husband; the traditions and culture of Scotland have significantly shaped her life and music.

In 2004, Carolyn released her third album, Kiss of Ghosts, which earned her a spot as a finalist in the Kerrville Folk Festival Newfolk Competition, participation in the Telluride Bluegrass Festival Troubadour Contest (where she won a new Martin guitar), and a performance at the Falcon Ridge Folk Festival Songwriting Showcase. Following her move from Seattle to Maine, she introduced her distinctive voice and style to a New England audience. Kiss of Ghosts received acclaim from critics, was recognized as one of the top independent releases of 2005 by Performing Songwriter Magazine, and won the 2005 People’s Choice Award at INATs East.

Despite the distance between Maine and Seattle, Carolyn returned to work with David Lange and her talented group of musicians, including Hanz Araki, Roberta Downey, Mark Ivster, Dan Mohler, Paul Elliott, and John Morton, to produce Waves of Silence, released by Nashville's High Horse Records. The album reached #14 on the Cashbox Magazine/Roots Music Report's Top 50, showcasing a range of songs that are both heartwarming and contemplative. Roberta Schwartz from Folk & Acoustic Music Exchange remarked, "Carolyn Currie is a revelation. She sings as if she is the lead vocalist of a heavenly choir -- soft and sweet, yet haunting and magical. Her finger-picking on six and twelve-string guitar frames the music and elevates it far beyond the ordinary singer/songwriter fare."

Carolyn's most recent CD, Echolocation, marks her first recording in Nashville and is produced by singer-songwriter Celeste Krenz. While maintaining the haunting and soothing qualities characteristic of her earlier works, Echolocation infuses a new energy into her music. The album soared to #2 on the Alternative Folk Music charts and has been met with critical acclaim. Carolyn won the 2014 Wildflower Music Festival Songwriting Contest and secured 2nd place at the Rocky Mountain Folks Festival Songwriting Contest with songs from this release. Through her music, Carolyn continues to explore the joy and pain found in life's small moments.

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On This Day in Music History

The Release of AC/DC's 'Back in Black' in the UK (1980)

March 21, 1980, marked a significant moment in rock history with the UK release of AC/DC's iconic album 'Back in Black.' This pivotal album, released as a tribute to their late frontman Bon Scott, showcased Brian Johnson's powerful vocals for the first time and propelled the band to superstardom. Featuring legendary tracks like 'You Shook Me All Night Long' and 'Hells Bells,' 'Back in Black' became an instant classic and has since sold over 50 million copies worldwide, making it one of the best-selling albums of all time.

Upon its release, the album quickly climbed the charts, reaching number 1 in multiple countries, including Canada and Australia, while peaking at number 4 on the Billboard 200 in the United States. The raw energy and heavy riffs encapsulated the essence of hard rock, and fans eagerly sought out the original pressing on vinyl, which soon became a staple in record collections around the globe.

Notably, 'Back in Black' has been released in various formats over the years, including a limited vinyl reissue that appealed to both new listeners and dedicated audiophiles wanting to experience the album in its analog glory. The album’s artwork, featuring a stark black cover with a white logo, became iconic, symbolizing the band’s resilience and strength in the face of adversity.

Decades later, AC/DC's 'Back in Black' continues to influence musicians across genres. Its impact on rock music remains palpable, inspiring countless artists and solidifying the band's legacy as one of the cornerstones of rock history. This album is not just a collection of songs; it captures a pivotal moment in music that resonates even today, particularly within the vinyl community, where it is often sought after as a quintessential addition to any serious record collection.

Rock AC/DC

Album of the Week

Jazz

A Love Supreme (1965)

John Coltrane
A Love Supreme by John Coltrane

Released in 1965, 'A Love Supreme' is a landmark album in the world of jazz, showcasing the profound spiritual journey of John Coltrane. Recorded in a single session at Van Gelder Studio in Englewood Cliffs, New Jersey, the album was released on Impulse! Records and quickly became a critical and commercial success. Coltrane's exploration of spirituality through music resonated with listeners, establishing him as a pivotal figure in jazz. The album has been celebrated not only for its innovative sound but also for its deeply personal narrative and spiritual undertones, making it a touchstone for both musicians and fans alike. Musically, 'A Love Supreme' is significant for its innovative structure and improvisational style. The album is divided into four parts: 'Acknowledgement', 'Resolution', 'Pursuance', and 'Psalm', each contributing to a cohesive narrative arc. The standout track, 'Acknowledgement', opens with the famous four-note motif that serves as a spiritual mantra, setting the tone for the entire piece. 'Resolution' showcases Coltrane's intense saxophone work, while 'Pursuance' features an exhilarating interplay between Coltrane and drummer Elvin Jones. Collectors seeking the 'A Love Supreme' vinyl should be aware of several pressing variations. The original 1965 release in mono is highly sought after, with the black and orange label being particularly desirable. Look for matrix numbers such as AS-77 and the dead wax identifiers that often include 'RVG' for Rudy Van Gelder. Current values range from $20 for later reissues to upwards of $300 for pristine originals. Condition is paramount for this album; look for minimal surface noise and well-maintained jackets, as wear can significantly impact value. Collectors are drawn to 'A Love Supreme' not only for its musical brilliance but also for its cultural significance in the jazz canon. As a reflection of Coltrane's spiritual quest, this record has become an essential piece of vinyl history, making it a must-have for both seasoned collectors and newcomers alike.

Standout Tracks:
  • Acknowledgement
  • Resolution
  • Pursuance
Pressing Notes: Original 1965 mono pressing with black and orange label is highly desirable. Look for matrix AS-77 and 'RVG' in the dead wax.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #80

Cleaning

Mastering Vinyl Care for Longevity

Cleaning your vinyl records is crucial for preserving both their sound quality and investment value. Dust, fingerprints, and grime can degrade audio performance, leading to pops and skips that detract from your listening experience. You should invest in a quality record cleaning solution and microfiber cloths, which can effectively lift dirt without scratching the surface. For deeper cleaning, consider using a record cleaning machine, which can range from $100 to $500, but protects your records' $100+ value by ensuring they remain in pristine condition.

To clean your vinyl, start by gently brushing the surface with a carbon fiber brush to remove loose dust. Then, apply a few drops of your cleaning solution to a microfiber cloth and wipe the record in a circular motion, following the grooves. Always clean from the center outward to avoid putting pressure on the outer edges. This method not only enhances sound quality but also extends the life of your records.

Remember, the environment matters too; store your records vertically in a climate-controlled space to avoid warping. Regular cleaning not only maintains the aesthetic appeal of your collection but also preserves its value over time.

Pro tip: Consider using a distilled water and isopropyl alcohol solution for a DIY cleaning option that’s effective yet gentle on your vinyl.

Pro Tip: Use a distilled water and isopropyl alcohol mix for effective DIY cleaning.

Vinyl Market Pulse

↑ Up

Soul Vinyl: Market Trends for 2026

The vinyl market for Soul records has seen a remarkable surge in interest this year, driven by a blend of nostalgia, high-profile artist deaths, and a resurgence in reissues. Original pressings of classics like Marvin Gaye's 'What's Going On' have skyrocketed, now fetching over $200, up from just $50 last year. The allure of Soul music, characterized by its emotive sound and rich history, continues to captivate collectors, particularly with recent documentaries shedding light on iconic figures in the genre. As more people turn to vinyl as a tangible investment, Soul records have become a hot commodity. Collectors should focus on original pressings and significant reissues from labels like Motown and Stax, as these are likely to appreciate in value. Albums from artists like Aretha Franklin and Otis Redding are also safe bets. Selling lesser-known titles or standard reissues can help fund these more lucrative investments. Looking ahead, the outlook appears positive; as the nostalgia for classic Soul persists and the vinyl format remains popular, prices are expected to continue on an upward trajectory. Investing in Soul vinyl not only offers the chance for financial gain but also enriches your listening experience with timeless music.

Hot Artists: Marvin Gaye, Aretha Franklin, Otis Redding

Genre Spotlight

New Wave

The Essential Guide to New Wave Vinyl Collecting

New Wave emerged in the late 1970s as a dynamic genre that combined elements of punk rock, pop, and electronic music, giving birth to a sound that was both innovative and commercially viable. Often associated with the rise of synthesizers and the DIY ethos of the punk movement, New Wave became a defining genre of the 1980s. Its origins can be traced back to bands experimenting with avant-garde sounds, leading to the genre's golden era characterized by catchy melodies and a penchant for theatricality. Movements such as synth-pop and post-punk played pivotal roles in shaping the New Wave landscape, leading to a rich catalog of music that continues to resonate today.

When it comes to essential artists in New Wave, a few names stand out. First, we have Talking Heads, known for their eclectic sound and artistic music videos that redefined visual storytelling in music. Second, Blondie, whose fusion of punk and disco led to chart-topping hits like "Heart of Glass." The B-52's brought a quirky, fun vibe with their distinctive sound, while Depeche Mode pioneered the use of synthesizers, creating timeless tracks that still captivate listeners. Duran Duran, with their glam aesthetics and catchy hooks, defined the MTV generation, while The Cure's melancholic melodies and goth influences added depth to the genre. Lastly, Gary Numan brought sci-fi themes to the forefront with his groundbreaking album "Speak & Spell."

For collectors, several must-own albums define the New Wave genre. First on the list is "Speak & Spell" (1981) by Depeche Mode, featuring the hit “Just Can't Get Enough.” Next, Blondie's "Parallel Lines" (1978) is a quintessential album that showcases the band's unique blend of styles and produced classics like “Heart of Glass.” The B-52's self-titled debut (1979) is another essential, bursting with energy and creativity. Duran Duran's "Rio" (1982) is a staple for its infectious hooks and iconic tracks like “Hungry Like the Wolf.” Finally, "Remain in Light" (1980) by Talking Heads is a landmark album that pushed the boundaries of what New Wave could achieve.

When collecting New Wave vinyl, it's essential to pay attention to pressing info, labels, and rare variants. Look for first pressings, which are often marked with unique identifiers on the label. Labels like Sire, EMI, and Chrysalis are notable for their association with many New Wave acts. Additionally, limited edition colored vinyl or picture discs can significantly increase a record's value.

As of now, the market for New Wave vinyl records is thriving. Collectibility is high, with price ranges varying widely, from around $

Featured Rarity

Why This Album Is Worth Thousands

Blonde on Blonde by Bob Dylan (1966)

Bob Dylan's "Blonde on Blonde" is not just an iconic album; it's a cornerstone of vinyl collecting. Released in 1966, this double LP was groundbreaking in its fusion of rock and folk, and it marked Dylan's artistic evolution. Collectors are drawn to its value for several reasons, including its unique sound, lyrical depth, and historical significance. The first pressing of this masterpiece, particularly the original US Columbia Records version with the matrix number "AL 2400" and the iconic '360 Sound' label, can fetch high prices, often ranging from $1,500 to $25,000, depending on condition and rarity.

Among the pressing variants, the original UK pressing on CBS is also sought after, sometimes valued at $500 to $2,000. Some collectors hunt for the rare first pressing with the error track listing on the back cover—something that adds intrigue and desirability.

What's fascinating is that "Blonde on Blonde" was one of the first double albums in rock history, which adds to its collectibility. True fans and collectors will also look for specific features: the label details, matrix numbers, and even the deadwax inscriptions. A variant with clean artwork, no ring wear, and intact spine can significantly increase value. In the thriving world of vinyl collecting, this album stands out as a must-have for serious collectors. Its rich history and musical genius ensure that every spin on the turntable is a journey back in time, making it an investment that you can actually enjoy. Don't miss your chance to own a piece of musical history!

Current Market Value: $1,500-$25,000