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Wednesday, April 15, 2026

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Braxxton

Braxxton

Braxxton was established in 1984 by brothers Dan Smith (drums, backing vocals) and Tim Smith (guitar, lead vocals), alongside their schoolmates Jeff Alleman (guitar, backing vocals) and Erik Brinkman (bass, backing vocals). At the time, Tim and Jeff were both 16 years old, while Dan and Erik were a year older. Tim learned about Jeff's guitar skills and proposed forming a band. After auditioning with cover songs like "Photograph" and "Foolin'" by Def Leppard, Jeff's talent secured him a place in the group. Both Tim and Jeff shared a passion for bands such as Def Leppard, Iron Maiden, Scorpions, and Judas Priest, and they aspired to emulate their twin lead guitar style in Braxxton. Erik, a laid-back individual who admired Van Halen, filled the role of bassist. This initial lineup primarily performed at school events, including the Homecoming Assembly and several gatherings, starting with cover songs before transitioning to their original material. For teenagers, playing in the auditorium at Viewmont High in Bountiful, Utah, felt monumental, and they enjoyed each performance. This configuration lasted until December 1985 when Jeff Bagford joined as lead vocalist, prompting Tim to leave the band, which then continued as a four-piece.

Braxxton had long intended to record a professional 24-track demo, and with Jeff Bagford's arrival, they began rehearsing for the studio. They initially aimed to record two songs: "Living in the Shadow of Your Love" and "In the Night," which were tracked on January 6, 1986, at Audio Vision Studios in Lindon, Utah, under the guidance of Sam Foster (The Osmonds). This studio was highly regarded in Utah, with many local bands like Lixx, Moviescreen, and Megattack having recorded there. Upon hearing the quality of their tracks, Braxxton's aspirations grew from an EP to a full album, as Jeff Alleman quickly began writing new material.

In February 1986, Jeff Bagford invited his schoolmate Scott Sneddon (guitar, backing vocals) from Layton High School to join the band. Both Jeff and Scott sported long hair and projected the image of rockstars, contrasting with the Centerville boys, who had shorter hair. The band recorded the remaining seven songs over two sessions in June 1986, followed by a mixing session shortly after.

Braxxton primarily played at all-ages venues, one of the most notable being R COMFORTS, managed by the colorful Roger Comfort, who was known for his distinctive white suit and Cadillac. He supported the band by providing performance opportunities and even filmed their shows for broadcast on TV sets throughout the club. R COMFORTS hosted other local acts like CIRKUS and LIXX and operated from 1985 to 1986 at 342 S. State St. in Salt Lake City. The band's biggest performance occurred on March 8, 1986, at the Fairgrounds Horticulture Building, where they opened for MEGATTACK, with LIXX in the middle slot, playing to a crowd of 3,000. Erik could not perform that night due to a high school production commitment, so Tim stepped in to play bass. The audience responded enthusiastically to songs like "American Rock ‘N’ Roll," "Plaything," and the ballad "Never Give Up on Love," which particularly delighted the crowd.

In June 1986, Erik left the band and was succeeded by John Tremonte, a friend of Jeff Bagford and Scott Sneddon. Braxxton remained steadfast in their pursuit of recognition and continued to deliver high-energy performances.

A significant milestone for the band occurred on October 4, 1986, when they participated in Salt Lake City’s Battle of the Bands at the Fairgrounds Coliseum, competing against several prominent local groups, including Aerial, Lixx, Mercenary, Equinox, Genocide, and Cirkus. Although favored to win, Lixx claimed first place, while Braxxton secured an impressive second place, surpassing Cirkus, who came in third.

The band's final performance took place on November 1, 1986, at Musician’s Pro Shop, a music store with a performance space. Following this show, Dan departed on November 17, 1986, and was briefly replaced by Scott Bennet. However, the band did not perform again and officially disbanded on December 6, 1986.

In 2018, when asked what they wanted included in the liner notes of a new CD release, the members expressed their satisfaction with the album's definitive release, noting that prior to this, it had circulated only on cassettes among fans and had never been professionally duplicated. Jeff Alleman reflected on the experience, stating it was gratifying to hear the band and their songs again.

Members: - Tim Smith - Lead Vocals, Guitar (1984-1985) - Jeff Bagford - Lead Vocals (1985-1986) - Scott Sneddon - Guitar, Backing Vocals (1986) - Jeff Alleman - Guitar, Backing Vocals (1984-1986) - Erik Brinkman - Bass, Backing Vocals (1984-1986) - John Tremonte - Bass, Backing Vocals (1986) - Dan Smith - Drums, Backing Vocals (1984-1986) - Scott Bennet - Drums (1986)

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On This Day in Music History

Prince Releases Iconic 'Purple Rain' Soundtrack (1984)

On April 15, 1984, Prince unleashed his groundbreaking soundtrack album, 'Purple Rain,' which would go on to become a defining moment in music history. Featuring tracks like the title song 'Purple Rain,' 'When Doves Cry,' and 'Let's Go Crazy,' this album not only solidified Prince's status as a pop icon but also showcased his unique blend of rock, funk, and R&B. Upon its release, 'Purple Rain' debuted at number one on the Billboard 200 and remained atop the chart for an impressive 24 consecutive weeks, marking it as one of the most commercially successful albums of the 1980s.

'Purple Rain' was more than just an album; it was a cultural phenomenon that transcended music. The accompanying film, which starred Prince, debuted in theaters just weeks later, further propelling the album’s popularity. The original vinyl pressing of 'Purple Rain' quickly became a collector’s item, with limited editions featuring striking artwork and iconic imagery of Prince. Fans hungry for the authentic experience sought out the first pressings, which are now considered prized possessions among vinyl collectors.

The album was certified 13x Platinum by the RIAA, underscoring its massive influence and sales figures. Tracks from 'Purple Rain' became staples on radio and remain popular in playlists and live performances decades later.

Prince's daring fusion of genres, coupled with his philosophical lyrics and magnetic performances, left an indelible mark on the music industry. The legacy of 'Purple Rain' is still felt today, influencing countless artists across multiple genres. This singular record not only redefined what a soundtrack could be but also positioned Prince as a transformative figure in music, ensuring that his contribution to the art form would be celebrated for generations to come.

Rock/funk Prince

Album of the Week

Rock

Sticky Fingers (1971)

The Rolling Stones
Sticky Fingers by The Rolling Stones

Released in April 1971, 'Sticky Fingers' marks a pivotal moment in The Rolling Stones' illustrious career, being their first album under their own label, Rolling Stones Records. The album was recorded largely at Muscle Shoals Sound Studio in Alabama and features a raw, gritty sound that perfectly encapsulates the band's essence during this era. Upon release, 'Sticky Fingers' received critical acclaim for its innovative blend of rock, blues, and country influences, solidifying its status as a classic. The album cover, famously designed by Andy Warhol, features a working zipper, which was a bold statement of the band's rebellious spirit and artistic vision. 'Sticky Fingers' not only topped charts worldwide but also reshaped the landscape of rock music. Musically, 'Sticky Fingers' is significant for its exploration of diverse genres, marked by standout tracks such as the iconic 'Brown Sugar,' which blends rock with a hint of funk, and 'Wild Horses,' a poignant ballad showcasing the band's softer side. Another highlight is 'Can't You Hear Me Knocking,' which features an unforgettable guitar riff and an extended jam that showcases the band's improvisational skills. For collectors, the original pressing of 'Sticky Fingers' is highly sought after, particularly the first editions with the zipper cover. Look for variations in the labels—originals will have the text 'Rolling Stones Records' prominently displayed and may feature the label's early designs. Matrix numbers to note include 'ST-RS-712004' for the original US pressing. Current value ranges for an original pressing can vary significantly, often fetching between $20 and $300 depending on condition. Condition is crucial, especially for the zipper cover, which is prone to wear and damage. Collectors are drawn to 'Sticky Fingers' not only for its musical brilliance but also for its cultural significance and the nostalgia surrounding The Rolling Stones' rebellious image. This album continues to be a cornerstone of any serious rock vinyl collection, and its pressing variations add layers of intrigue for avid collectors.

Standout Tracks:
  • Brown Sugar
  • Wild Horses
  • Can't You Hear Me Knocking
Pressing Notes: Original pressings feature a working zipper cover and can have varying label designs; look for the early Rolling Stones Records label.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #105

Grading

Mastering Vinyl Grading for Collectors

When it comes to vinyl record collecting, understanding grading is crucial for ensuring both the longevity of your collection and the preservation of its value. You should familiarize yourself with the Goldmine grading scale, which ranges from Mint (M) to Poor (P). Each grade reflects not only the physical condition of the vinyl but also its potential sound quality. For example, a record in Near Mint (NM) condition can preserve a $100+ value, while one graded Good (G) might drop significantly in price and listening experience due to surface noise and scratches.

To properly assess a record's grade, inspect it under bright light for scratches and warps. Play it on a quality turntable to evaluate sound quality. Be meticulous; even minor imperfections can drastically affect both value and enjoyment. Additionally, always store your records vertically, away from direct sunlight and in a climate-controlled environment to maintain their condition over time.

This attention to grading not only protects your investment but also ensures you enjoy the rich sound quality that vinyl is known for, making your listening experience truly rewarding.

Pro Tip: Use a magnifying glass to detect subtle scratches that aren't visible to the naked eye; this can help you better assess a record's true grade before purchasing.

Vinyl Market Pulse

↑ Up

Reggae Vinyl: Market Trends for 2026

The vinyl market for Reggae records is experiencing a notable surge in interest as we move through 2026. Original pressings of iconic albums, such as Bob Marley’s 'Catch a Fire' and Peter Tosh’s 'Legalize It,' have skyrocketed, with prices now reaching over $200, up from just $50 last year. The surge is driven by a combination of nostalgia, recent artist deaths, and the release of documentaries that highlight the genre's cultural impact. Collectors are particularly keen on reissues from revered labels like Trojan Records, which have revitalized interest in classic sounds. For those looking to invest, focus on limited edition pressings and colored vinyl, which tend to garner higher prices. Selling well are first-press records from the 1970s and 1980s, especially those in mint condition. Moving forward, the outlook for Reggae vinyl remains strong. As more fans embrace the format, fueled by a growing appreciation for the genre's history, prices are expected to continue rising. Keep an eye on emerging artists in the genre as well, as their vinyl releases may become future collectibles. The Reggae vinyl market is not just about nostalgia; it’s a sound investment for collectors and enthusiasts alike.

Hot Artists: Bob Marley, Peter Tosh, Burning Spear

Genre Spotlight

Heavy Metal

The Essential Guide to Heavy Metal Vinyl Collecting

Heavy metal music has a rich history that dates back to the late 1960s, with roots in blues rock and psychedelic rock. Originally defined by its aggressive sound, heavy guitar riffs, and powerful vocals, heavy metal began to take shape with bands like Black Sabbath and Led Zeppelin, who pioneered the genre's signature sound. The golden era of heavy metal emerged in the late 1970s and early 1980s, marked by the rise of iconic subgenres such as NWOBHM (New Wave of British Heavy Metal) and thrash metal, both of which pushed the boundaries of speed and aggression.

Essential artists in heavy metal vinyl collecting include:
1. **Black Sabbath** - Often credited with creating heavy metal, their self-titled debut album (1970) is a must-have for any collector.
2. **Metallica** - With their 1986 release, *Master of Puppets*, Metallica defined thrash metal and remains one of the most collectible bands in the genre.
3. **Iron Maiden** - Their 1982 album *The Number of the Beast* is a cornerstone of heavy metal and a favorite among collectors.
4. **Judas Priest** - Known for their twin guitar attack, their 1976 album *Sad Wings of Destiny* is a classic that shaped the genre.
5. **Megadeth** - With *Rust in Peace* (1990), Megadeth solidified their status in the thrash metal scene, making it a valuable addition to any vinyl collection.
6. **Slayer** - Their 1986 release *Reign in Blood* is often regarded as one of the greatest heavy metal albums, appealing to collectors for its raw intensity.
7. **Motörhead** - With *Overkill* (1979), Motörhead blended punk rock energy with heavy metal, creating a unique sound that has become highly collectible.

When delving into heavy metal vinyl collecting, there are several must-own albums:
- **Black Sabbath - *Black Sabbath* (1970)**, Vertigo Records: The debut that started it all, featuring the iconic title track.
- **Iron Maiden - *The Number of the Beast* (1982)**, Harvest Records: A quintessential album with timeless tracks like "Hallowed Be Thy Name."
- **Metallica - *Master of Puppets* (1986)**, Elektra Records: A defining album in thrash metal, essential for any serious collector.
- **Judas Priest - *British Steel* (1980)**, Columbia Records: Known for its anthemic sound and classic tracks like "Living After Midnight."
- **Slayer - *Reign in Blood

Featured Rarity

Why This Album Is Worth Thousands

Led Zeppelin by Led Zeppelin (1969)

The self-titled debut album by Led Zeppelin, released in 1969, is an iconic cornerstone of rock music and a must-have for vinyl collectors. Its collectibility stems from its groundbreaking sound and cultural impact, which laid the groundwork for heavy metal and hard rock. First pressings are particularly sought after, especially the original UK pressing on Atlantic Records featuring the classic 'plum' label. These early editions are often valued between $1,000 to $5,000, depending on condition.

Collectors are especially interested in variants like the first pressing with the misprinted matrix number, '588171' instead of '588171 A//1', which can fetch upward of $10,000. Additionally, the album’s infamous cover art features a striking image of the Hindenburg disaster, making it a conversation starter and a visual treat.

What makes these original pressings special is not just the nostalgia; it’s the rich analog sound that digital formats can’t replicate. The warmth and texture of the vinyl capture the raw energy of Led Zeppelin's legendary performances.

When hunting for this gem, look for the early 'blue and orange' Atlantic label, matrix numbers etched in the deadwax, and the textured cover. A mono version and the first press with 'ST-A-691671' matrix are extremely rare and can be valued at $25,000 or more, contingent on their condition.

Owning a first pressing of Led Zeppelin means holding a piece of rock history—an investment that resonates with both sound and story. Join the ranks of avid collectors and seek out this timeless classic today!

Current Market Value: $1,000-$25,000