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Big Boy Groves

Big Boy Groves

Ervin Groves Jr., known as Big Boy Groves, was a multifaceted pianist, arranger, and composer, as well as the founder of Musette and GME (Groves Music Enterprises) Records. He was born on January 20, 1927, in Oklahoma. His musical journey began in the Army, where he played in the band before transitioning to a bandleader and songwriter during the 1950s. Groves recorded for several labels, including Money Records, Spark, Vita, and Dolphin, and produced notable songs such as "Big Boy's Bounce" and "You Can't Beat the Horses."

Raised in La Jolla, Groves developed a passion for both music and art. He attended the La Jolla Art Institute and later San Diego City College, where he focused on music before furthering his studies at Westlake College of Music in Hollywood. After enlisting in the Army in the mid-1940s, he served in Japan, where he created a special service band, showcasing his skills on both piano and trombone.

Following his military service, Groves spent several years performing in Guam and Hawaii, where he led the house band at various venues, including the Royal Lahaina Hotel in Kaanapali, Maui, and held residencies at Moby Dick's and Coconut Willie. In addition to his music career, he pursued illustrating, producing a cartoon book titled The Funny Side of Hawaii, followed by The Funny Side of Las Vegas, inspired by a visit to comedian Redd Foxx. His artistic talents extended to local newspapers and the invention of several educational games.

While in Hawaii, Groves composed and arranged an album titled Composer in Paradise. This period also saw the creation of "Welcome to Paradise," recorded by his daughter Lani and included on the album. Featured musicians on Composer in Paradise included Garnett Scott, Viola Wills, Dede Copeland, Mary Staten, and Yvonne Butler.

Groves earned the nickname Big Boy after his 1955 hit record "I Gotta New Car" b/w "Midnight Special" on the Spark label, supported by the Robins. He achieved further success in 1956 with "You Can't Beat The Horses" on the Vita label.

In the 1960s, Groves established his own Musette label and GME Records, operating from his home on Logan Avenue, where he conducted recording sessions in a back room. His songwriting talents were utilized by other artists as well, including Little Margie, who recorded "Another Ticket," and fellow San Diegan Ervin Big Daddy Rucker. Together, they collaborated on "Baby Can't You Feel It" for Compose Records, with Rucker also releasing singles featuring Groves' compositions on both sides, such as "She's Alright" b/w "Kids Together" (Musette) and "Just Do Your Thing" b/w "Bad Misunderstanding" (GME). Rucker also recorded Groves' holiday song "Christmas in the Ghetto" (GME).

Groves' daughter Lani, sometimes credited as Lennie or Lenni Groves, was among the artists signed to GME. In 1962, father and daughter collaborated on the A-side of the GME single "Teenage Party" b/w "Bucket O' Blood," the latter notable for its partly spoken-word style, reminiscent of early rap. Lani also recorded her own singles, including "I Feel Pretty" b/w "You're Nobody 'Til Somebody Loves You" (on her father's GME label) and "Sweet Sixteen" b/w "Fool For a Day" (as Lenni Groves), both containing songs written by her father. Lani later performed with Stevie Wonder's band Wonderlove, lending her voice to the intro of "You Are the Sunshine of My Life" in 1972. Groves' wife Lei and another daughter, Kim, also contributed vocals to his recordings.

Additionally, Groves toured as an accompanist for jazz vocalist Dinah Washington, while artists like Young Dean recorded for his labels, often supported by the Grovettes and Lennie Groves on tracks such as "The Story of a Fool" b/w "Just to Be With You" (GME).

Later in his career, Groves sold the Musette label to three local doctors. He passed away from leukemia on July 21, 1982, at the age of 55, and was laid to rest alongside his wife Taeko at Mount Hope Cemetery. In 2017, local musician and archivist "Action" Andy Rasmussen, whose research contributed to this biography, reissued "Bucket O' Blood" as part of a local music compilation. Notably, when Groves had a hit with "Gotta New Car," Spark Records gifted him a new car. He was also a painter and designed the logos for both GME and Musette, incorporating a globe and an arrow in his artwork.

Real Name: Ervin Groves

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On This Day in Music History

The Beatles' Final Public Performance (1969)

On April 9, 1969, the music world experienced a pivotal moment when The Beatles conducted their final public performance atop the Apple Corps building in London. This impromptu rooftop concert was part of the filming for their documentary 'Let It Be', capturing the legendary band in a raw and spontaneous setting. The performance featured iconic tracks such as 'Get Back' and 'Don't Let Me Down', resonating deeply with fans and marking a significant transition in the band's dynamic as they approached their eventual breakup.

While the rooftop performance was only a short set of tunes, it was profoundly impactful. The event was not only a nostalgic farewell for the band but also showcased their innovative spirit, blending music and film in a way that had never been done before. In total, the performance lasted about 42 minutes, but it left an indelible mark on each of the band members' careers.

When 'Let It Be' was officially released later in 1970, it became one of their most discussed albums, though it was met with mixed reviews. Despite this, it included chart-topping hits that resonated with audiences globally, ensuring that The Beatles' influence would endure. The original pressing of the album on vinyl remains a coveted item for collectors, often sought after in near-mint condition.

The rooftop concert itself encapsulated the essence of The Beatles – their ability to blend creativity with spontaneity while capturing the spirit of an era. Their final public performance became a symbol of the 1960s, a decade defined by cultural upheaval and musical exploration. Even decades later, the legacy of that fateful day continues to inspire musicians and fans alike, solidifying The Beatles' position as one of the most influential bands in music history.

Rock The Beatles

Album of the Week

Rock

Blonde on Blonde (1966)

Bob Dylan
Blonde on Blonde by Bob Dylan

Released in May 1966, Bob Dylan's 'Blonde on Blonde' emerged as a groundbreaking double album that melded rock, folk, and blues into a cohesive masterpiece. Recorded in Nashville, it was one of the earliest double albums in rock music history, showcasing its ambition and influence. The album was met with critical acclaim upon release, with many hailing it as one of the greatest albums of all time. Its innovative use of studio techniques and lyrical depth marked a significant evolution in Dylan's artistry. Musically, 'Blonde on Blonde' is notable for its fusion of genres, featuring electric guitars, organ, and a full band, which was a departure from Dylan's earlier folk-centric sound. Standout tracks such as 'Rainy Day Women #12 & 35,' with its catchy refrain and brass instrumentation, and the haunting 'Just Like a Woman,' exemplify Dylan's lyrical prowess and musical experimentation. Additionally, 'Visions of Johanna,' often regarded as a pinnacle of songwriting, showcases surreal imagery and complex emotions. When collecting 'Blonde on Blonde' vinyl, enthusiasts should pay attention to pressing variations, particularly the original Columbia Records mono pressing (CL 36067) and the later stereo versions (CS 9601). The original mono pressing is highly sought after, with matrix numbers such as XSM 1001-1A and XSM 1002-1A indicating early pressings. Collectors also appreciate the appeal of label variations, including the 1970s reissues on the orange label. Current market value ranges from $20 for less-than-ideal condition copies to upwards of $300 for pristine originals in mono. Condition is crucial, as many pressings suffer from surface noise or wear, making well-maintained copies particularly desirable. Collectors seek 'Blonde on Blonde' not only for its musical significance but also for its cultural impact and the evolution of Bob Dylan as an artist. This album remains a definitive statement in rock history, making it a must-have for any serious vinyl collector.

Standout Tracks:
  • Rainy Day Women #12 & 35
  • Just Like a Woman
  • Visions of Johanna
Pressing Notes: Look for original mono pressings (CL 36067) and stereo versions (CS 9601) with early matrix numbers like XSM 1001-1A.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #99

Cleaning

Mastering Vinyl Care for Longevity

When it comes to record collecting, proper vinyl care is essential for preserving both sound quality and the value of your investment. Dust, fingerprints, and grime can significantly affect playback, leading to distortion and skips. You should clean your records regularly, ideally before each listening session. Invest in a quality carbon fiber brush for dry cleaning; it effectively removes dust without scratching the surface. For deeper cleans, use a specialized record cleaning solution and a microfiber cloth to avoid lint residue. This simple maintenance can preserve the value of your records, especially for rare finds worth $100 or more. Regular cleaning not only enhances your listening experience but also prolongs the life of your vinyl, keeping your collection in top condition for years to come. Remember to store your records vertically and away from direct sunlight to further protect them. Additionally, consider investing in a vinyl record cleaning machine if your collection grows; it can save you time and ensure a thorough clean without risking damage.

By following these steps, you’ll not only enjoy the rich sound of your records but also protect your investment for the long haul.

Pro Tip: For an extra layer of protection, use anti-static inner sleeves when storing your records.

Vinyl Market Pulse

↑ Up

Blues Vinyl: Market Trends for 2026

The vinyl market for Blues records is experiencing a notable resurgence in 2026, with collectors eager to snap up both classic and contemporary titles. Original pressings of legendary artists like B.B. King and Muddy Waters are now commanding prices upwards of $200, a significant increase from approximately $50 last year. This surge can be attributed to a combination of nostalgia, the recent passing of influential Blues artists, and a slew of documentaries that highlight the genre's rich history. As younger generations discover the deep roots of Blues through streaming and film, the demand for vinyl has intensified.

Collectors are advised to focus on rare pressings, particularly those with unique album art or limited releases. Look out for reissues from respected labels, as they often appreciate in value over time. Selling duplicates or lower-demand titles can free up funds for more sought-after records.

Looking ahead, the outlook for Blues vinyl remains optimistic. As appreciation for the genre grows, we anticipate prices will continue to rise, making it a solid investment for collectors. The ongoing interest in vinyl records as a physical format also supports this trend, ensuring that Blues remains a vibrant part of the collecting landscape.

Hot Artists: B.B. King, Muddy Waters, Etta James

Genre Spotlight

Reggae

The Essential Guide to Reggae Vinyl Collecting

Reggae vinyl collecting is a vibrant and rewarding pursuit that taps into the rich history of Jamaican music, offering collectors a chance to own a piece of cultural history. Originating in the late 1960s, reggae emerged from ska and rocksteady, with roots deeply embedded in Rastafarian culture and social commentary. The golden era of reggae, spanning the 1970s to early 1980s, saw the genre blossom, thanks to influential movements like roots reggae, which emphasized spiritual and social themes, and dancehall, which brought a more upbeat and accessible sound.

Essential to any reggae vinyl collection are the artists who shaped the genre. Bob Marley is arguably the most famous reggae musician, known for albums like "Catch a Fire" (1973), which introduced reggae to a global audience. Peter Tosh, a founding member of The Wailers, infused reggae with political activism, notably in his album "Legalize It" (1976). Burning Spear, with his deep roots reggae sound, crafted timeless classics like "Marcus Garvey" (1975), while Toots and the Maytals brought ska to mainstream consciousness with their energetic performances and songs like "Pressure Drop" (1970). Other key figures include Jimmy Cliff, known for his iconic film and soundtrack "The Harder They Come" (1972), and Lee Scratch Perry, revered as a pioneer of dub music, whose innovative production techniques are celebrated on albums like "Super Ape" (1976).

For collectors, certain albums stand out as must-haves. Bob Marley's "Exodus" (1977) is often cited as one of the greatest albums of all time, blending reggae with rock elements. Peter Tosh's "Equal Rights" (1977) is a powerful statement on human rights and justice, while Burning Spear's "Columbus" (1987) showcases his deep spiritual and historical themes. Toots and the Maytals' "Funky Kingston" (1973) is an essential crossover album that captures the genre's upbeat spirit. Lastly, consider adding Lee Scratch Perry's "The Upsetter" (1970) to grasp the essence of reggae's experimental side.

When diving into reggae vinyl collecting, it's crucial to know what to look for. Pay attention to pressing information, as first presses often hold more value. Labels like Studio One, Trojan, and Island Records are significant, with rare variants such as colored vinyl or limited editions being highly sought after.

The current market for reggae records is flourishing, with collectibility at a high level. Prices can range from $20 for more common titles to $500 or more for rare albums, especially those in mint condition or with unique variants. Collectors often seek out original

Featured Rarity

Why This Album Is Worth Thousands

What's Going On by Marvin Gaye (1971)

Marvin Gaye's 'What's Going On' is not just an album; it represents a pivotal moment in music history, blending social consciousness with emotive melodies. This masterpiece has become one of the most coveted vinyl records among collectors, with original pressings fetching impressive sums. The first pressing, released in 1971 on the Tamla label, is particularly valuable, especially if it features the original green Motown label. Collectors should watch for the deadwax etching that reads 'T-314,' signifying a true first pressing, as well as the specific matrix numbers that can enhance value.

In the collectible market, an original U.S. pressing in near-mint condition can range from $150 to an astonishing $25,000 depending on its condition and rarity. Variants like the original UK pressing on Tamla Motown or the early Columbia pressing are also sought after, with prices reflecting their unique attributes.

What makes these original pressings special is the unique artwork and packaging, which often includes the iconic album cover designed by Ernie Barnes, whose artwork captures the essence of the record. Trivia enthusiasts will appreciate that the album was inspired by Marvin Gaye's experiences during the civil rights movement, adding a layer of historical significance.

For collectors, look for the first pressing with the error on the back cover that misspells 'Psychedelic' as 'Psychedellic.' This small detail can significantly increase a record's desirability. With its timeless relevance and impeccable artistry, 'What's Going On' remains a must-have for any serious vinyl collector, making it a perfect gem for your collection!

Current Market Value: $150-$25,000