1910 Fruitgum Company

The 1910 Fruitgum Company is an American bubblegum pop band that emerged in the 1960s. Known for their catchy tunes, the group enjoyed several hits on the Billboard Hot 100, including "Simon Says," "May I Take a Giant Step," "1, 2, 3, Red Light," "Goody Goody Gumdrops," "Indian Giver," "Special Delivery," and "The Train."

The band originated in New Jersey in 1966 under the name Jeckell and The Hydes. The founding members included Frank Jeckell, Mark Gutkowski, Floyd Marcus, Pat Karwan, and Steve Mortkowitz, all hailing from Linden, New Jersey.

In 1967, the group signed with Buddah Records, where they released five LPs under their own name and a range of singles. They also contributed to the LP The Kasenetz-Katz Singing Orchestral Circus, which, despite being marketed as a "bubblegum superjam," maintained the sound typical of Buddah's studio bands. Their breakout hit, "Simon Says," written by Elliot Chiprut, was recorded after the band altered its beat to echo "Wooly Bully" by Sam the Sham and the Pharaohs. The single achieved significant success, reaching #4 on the US Billboard Hot 100 and peaking at #2 on the UK Singles Chart. The song was also featured in the 1968 Frederick Wiseman documentary High School.

After gaining popularity, the band toured extensively, opening for well-known acts such as The Beach Boys. They continued to release hits, including "May I Take a Giant Step," "1, 2, 3, Red Light" (which reached #5 in the U.S.), "Special Delivery" (#38), "Goody Goody Gumdrops," and "Indian Giver" (also #5).

The original lineup disbanded in 1970. However, the band experienced a brief revival from 1979 to 1980 through the Jolly Joyce Agency in Philadelphia, featuring members Chuck Allen, Fred Eyer, Tony DiNiso, Cindy Tritz, Mike Schneider, and Kevin.

In 1999, original member Frank Jeckell, along with Mick Mansueto, reformed the act. As of 2019, the group continues to perform its classic hits alongside other songs from the 1960s.

It is important to clarify that there is some misinformation regarding Joey Levine being a member of the 1910 Fruitgum Company. This is inaccurate; Levine was never part of the group and did not participate in any of their recordings.

The Beatles' Final Public Performance (1969)

On February 3, 1969, The Beatles took to the rooftop of their Apple Corps headquarters in London for what would become their final public performance. This iconic event was not just a moment in time; it marked a significant chapter in the history of rock music. The rooftop concert was an impromptu gig that thrilled the gathered crowd below and was later immortalized in the band’s documentary film "Let It Be." The Fab Four played several songs, including classics such as "Get Back," "Don't Let Me Down," and "I've Got a Feeling," showcasing their unmatched chemistry and musical prowess.

The performance itself was legendary, as it featured an unannounced appearance from Billy Preston, the renowned keyboardist, whose soulful contributions added depth to the sound. The impromptu nature of the gig brought a refreshing spontaneity to the otherwise scripted world of live performances. Despite some early complaints about noise pollution from the locals, the concert was a cultural landmark that underscored The Beatles' influence on the music scene of the time.

Fans were eager to get their hands on the music from the event, leading to a surge in sales for the band's final studio album, also titled "Let It Be," released later that year. The album reached No. 1 on the Billboard charts, solidifying The Beatles' status as musical icons. Today, collectors seek original pressings of "Let It Be" and special limited vinyl releases that capture the essence of this monumental performance.

The rooftop concert not only highlighted the band's incredible talent but also served as a poignant farewell to an era of musical experimentation and unity. Its legacy continues to inspire artists across genres, reminding us of the power of live music and the indelible mark The Beatles left on the world.

Rumours (1977)

Fleetwood Mac

Released in 1977, Fleetwood Mac's 'Rumours' emerged during a tumultuous period for the band, characterized by personal conflicts and romantic entanglements. The album was recorded in California and was produced by Ken Caillat and Richard Dashut. Its release was met with massive commercial success, quickly reaching the top of the charts and staying there for an unprecedented 31 weeks. The reception was overwhelmingly positive, with critics praising its intricate harmonies and production quality, solidifying its place as a cornerstone of classic rock. 'Rumours' is not only significant for its commercial success but also for its musical innovation. The album features a blend of rock, pop, and folk influences, marked by lush arrangements and deeply emotional lyrics that resonate with listeners. Standout tracks include "Go Your Own Way," an anthem of heartbreak featuring Lindsay Buckingham's dynamic guitar work and Christine McVie's haunting vocals, and "Dreams," which showcases Stevie Nicks' ethereal voice and has become one of the band's most enduring hits. Pressing variations for 'Rumours' are abundant, with original pressings on the green Warner Bros. label being particularly sought after. Collectors should look for matrix numbers such as 2WS 3010 A and 2WS 3010 B, which indicate the first pressing. The reissues often lack the same depth of sound found in the original vinyl pressings. Current values for 'Rumours' vinyl can range from $20 for a well-worn copy to upwards of $300 for mint condition originals. Condition is crucial for this album; look for clean, scratch-free surfaces and intact album art, as these factors greatly influence collectibility. Collectors seek this album not only for its historical significance but also for its influence on the rock genre and the emotional depth of its tracks. 'Rumours' remains a defining piece of vinyl in any serious collector's library, making it a must-have Fleetwood Mac record.

Standout Tracks:

Go Your Own Way
Dreams
Don't Stop

Pressing Notes: Look for original pressings on the green Warner Bros. label; matrix numbers 2WS 3010 A/B indicate first pressings.

Value: $20-$300 Collectibility: High

Optimal Vinyl Storage for Longevity

When it comes to vinyl care, proper storage is critical to preserving both the sound quality and the value of your records. You should store your vinyl records upright, much like books on a shelf, to prevent warping and minimize the risk of damage. This orientation keeps the weight of the records evenly distributed, preserving their shape and preventing unnecessary pressure on the grooves. Room temperature is ideal; avoid extreme heat or cold, as temperatures above 70°F can cause records to warp and below 32°F can affect their integrity. You should also keep them away from direct sunlight, which can cause fading on the album covers and degrade the vinyl itself. Consider investing in high-quality inner and outer sleeves; these can preserve $100+ value by protecting against dust, scratches, and environmental factors. A dedicated storage unit, like a cabinet designed for records, can further enhance preservation. Remember to keep your collection organized and avoid stacking records, which can lead to bending and warping over time. By following these steps, you not only enhance the longevity of your collection but also maintain the exquisite sound quality that only vinyl can offer.

Pro Tip: Always use antistatic inner sleeves to protect your records from dust and static buildup.

British Invasion Vinyl: Market Trends for 2026

The vinyl market is currently witnessing a significant resurgence in interest surrounding British Invasion records, particularly from iconic bands like The Beatles, The Rolling Stones, and The Who. Original pressings of classic albums have seen substantial price movements this year; for instance, an original pressing of The Beatles' 'Please Please Me' now commands over $200, a sharp increase from around $50 last year. This surge is largely fueled by nostalgia as older collectors reminisce about their youth, while newer generations discover these timeless sounds. Additionally, the recent passing of influential artists has prompted fans to seek out vinyl as a lasting tribute. Reissues of classic albums have also contributed to heightened interest, making these records more accessible to new collectors. For those looking to invest, focus on rare pressings, particularly colored vinyl or limited editions, which tend to appreciate faster. Avoid common reissues unless they hold sentimental value. As we look ahead, the future outlook remains positive; with continued interest from both collectors and casual listeners, prices are likely to keep rising. The vinyl renaissance shows no signs of slowing, making now an opportune time to dive into collecting trends of British Invasion records.

Hot Artists: The Beatles, The Rolling Stones, The Who

The Essential Guide to Funk Vinyl Collecting

Funk vinyl collecting is more than just a hobby; itâs a celebration of a revolutionary genre that transformed the music landscape. Originating in the mid-1960s, funk emerged as a distinct sound characterized by its syncopated rhythms, strong bass lines, and vibrant brass sections. The genre drew influences from soul, jazz, and R&B, but it carved its own identity, marked by artists who were not afraid to push boundaries. The golden era of funk, spanning the late 1960s to the early 1980s, saw the rise of iconic movements like P-Funk, led by George Clinton, which blended psychedelic rock with funk elements, influencing countless musicians.

When it comes to essential artists in funk vinyl collecting, several names stand out. George Clinton and his bands, Parliament and Funkadelic, are pivotal, known for their elaborate live shows and concept albums. James Brown, the 'Godfather of Soul,' was instrumental in shaping the funk sound, with tracks like "Get Up (I Feel Like Being a) Sex Machine." Sly and the Family Stone brought a unique blend of rock and funk, while Earth, Wind & Fire expanded the genre with lush arrangements and harmonies. Other key figures include Curtis Mayfield, whose socially conscious lyrics resonated with many, and The Meters, who laid the groundwork for funk instrumentation.

For any collector, must-own albums are the cornerstone of a solid funk vinyl collection. Start with "Maggot Brain" (1971) by Funkadelic, a psychedelic masterpiece featuring the iconic guitar work of Eddie Hazel. Another essential is "Whatâs Going On" (1971) by Marvin Gaye, which, while more soulful, incorporates funk elements and remains a timeless classic. Donât miss "Stand!" (1969) by Sly and the Family Stone, which encapsulates the spirit of the era, and "Letâs Get It On" (1973) by Marvin Gaye, a quintessential funk/soul blend. Lastly, grab a copy of "Funkentelechy vs. the Placebo Syndrome" (1977) by Parliament for a taste of the P-Funk legacy.

When collecting funk records, attention to detail is crucial. Look for original pressings, which are often marked by their unique label designs and packaging. Labels like Casablanca, Motown, and Stax are synonymous with quality funk music. Rare variants, such as colored vinyl or limited editions, can greatly increase value and appeal. Additionally, pay attention to the condition of the vinyl and sleeve, as these factors significantly affect collectibility.

Currently, the market for funk vinyl is thriving, with prices ranging from $20 for common titles to upwards of $500 for rare albums or pristine condition originals

Why This Album Is Worth Thousands

Kind of Blue by Miles Davis (1959)

Miles Davis's "Kind of Blue" is not just an album; it's a cornerstone of jazz history and a coveted gem for vinyl collectors. Released in 1959, this masterpiece redefined the genre and introduced modal jazz to the world. Its collectibility stems from its profound influence, coupled with a limited number of original pressings. The first pressing on Columbia Records, distinguished by the deep groove and the label featuring '6 Eye' design, can fetch anywhere from $1,500 to an astonishing $25,000 depending on its condition.

Collectors often seek variants like the original UK pressing on CBS, which can command prices between $750 and $3,000. Rare pressings also include the 1962 mono version, which is particularly sought after due to its unique sound dynamics. The album’s iconic cover art, featuring a blue hue, only adds to its allure, making the original gatefold sleeve a treasure in itself.

Trivia that delights collectors includes the fact that the album was recorded in just two sessions, with legendary musicians like John Coltrane and Bill Evans contributing to its magic. When hunting for this classic, look for matrix numbers that start with 'P' for original pressings and check the deadwax for inscriptions that may hint at an early pressing.

In the realms of vinyl collecting, few albums carry the weight and history of "Kind of Blue." Its rarity and the story it tells make it a must-have for any serious collector. Add this masterpiece to your collection, and you won’t just own a record; you’ll own a piece of music history.

Current Market Value: $1,500-$25,000

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The Beatles' Final Public Performance (1969)